Aleksey Korolyov Vidéos
artiste lyrique soviétique
Commémorations 2025 (Naissance: Aleksey Korolyov)
- Union soviétique
- artiste lyrique
Dernière mise à jour
2024-05-19
Actualiser
Orlov Tarkhov Natalya Rozhdestvenskaya Zara Dolukhanova Tchaikovsky Rozhdestvensky Morozov Korolyov 1948
The Oprichnik Alexander Ivanovich Orlov Moscow Radio Orchestra 1948 Tchaikovsky BRILLIANT Recording; outstanding cast and conducting. Tarkhov shines along with Rozhdestvensky's mother. Legostayeva is magnificent as Morozova. English only libretto available (http•••) Andrei Morozov - Dmitri Tarkhov Natalia - Natalya Rozhdestvenskaya Boyarina Morozova - Lyudmila Ivanovna Legostayeva Molchan Mitkov - Vsevolod Tyutyunnik Basmanov - Zara Dolukhanova Prince Vyazminsky - Konstantin Polyaev Zakharyevna - Antonina Kleschtschova Prince Zhemchuzhny - Alexei Korolyov Terrific highlights in Tchaikovsky's 3rd opera (it was his first success). 34:00 Natalia's aria 41:09 Scena Andrey and Morozova 44:57 Morozova's aria 58:57 Andrey and Morozova 1:05:11 Act II Introduction and liturgical music sung by Oprichniki 1:11:20 Prince Vjasminski exhorts Oprichniki, instead of religion, to worship the tsar and the abundance he provides for them, singing in the same religious tones, but with this sinister message. Oprichniks are immediately convinced and change their tune. 1:32:18 Act III 2:02:13 Andrey 2:05:52 Morosova, Chorus
Tolib Khon Shakhidi Vasilyev Korolyov Aram Khachaturian Evgeny Svetlanov Valery Gergiev Gasparyan Hibla Gerzmava Mechetina Tchaikovsky Sado William Shakespeare Fedorov Dmitri Shostakovich London Symphony Orchestra Mariinsky Theatre 2018
Russian version of the film - (http•••) Director – Alexey Vasilyev Author – Alexey Korolyov Executive and creative producer - Naufal Mukhamedov General producers: Tabriz, Khofiz and Firdavs Shakhidi «SHAKHIDI & SONS» They say the energy of his music is akin to the energy of the sun, which spurts millions of fiery protuberances into open space, for it contains a true thermonuclear charge. His work is said to constitute a mystical bridge of time, all the way from the ancient culture of Sufi Persia, to the newest worldview of Western European and American art of the 21st century. Tolib-khon Shakhidi is a graduate of the Moscow Conservatory and a student of prominent Aram Khachaturian, one of the most outstanding representatives of contemporary global music art, who contrived to marry the doctrine of the East and the Western composing tradition. When exploring Shakhidi’s creative life, following his lifeline, we discover the history of his native country, Tajikistan, its tragic and happy pages. The ancient epos and the modern cataclysms of the former Soviet Union, the heyday of the past and the new development paths — these are reflected in his works to one extent or another. The richest traditions of Tajik national art that have been cautiously transferred to new generations serve as a keynote of the film. Suzani textile, woodcarving, murals — their picturesque imagery and ornaments are comparable to music masterpieces. It is no accident that the best works of leading folk artists decorate the interiors and national productions of the Tajik Academic Theatre of Opera and Ballet in Dushanbe. The composer himself will conduct a sort of tour around his beloved city, which he had to leave during the Civil War. He will speak about the places of his childhood, his first creative achievements, and significant victories. Naturally, there will be a story about his family headed by famed Ziyodullo Shakhidi, the founder of Tajik national music culture. The symphonic, vocal, and instrumental music created by Tolib-khon Shakhidi is now performed on the stages of the best-known concert halls of the world — in Russia, the UK, Austria, Germany, the U.S., and Japan — by world-renowned bands and musicians — the London Symphony Orchestra, the Mariinsky Theatre Symphony Orchestra, Evgeny Svetlanov State Academic Symphony Orchestra of Russia, Valery Gergiev, Djivan Gasparyan, Hibla Gerzmava, Ekaterina Mechetina. Tajikistan’s rich history and traditions have become closer and better understandable to the world, which is an invaluable contribution by Tolib-khon Shakhidi. The film will feature: conductors – Valery Gergiev, Hobart Earle, Sergei Skripka, and Alexander Solovyev, composer Alexander Tchaikovsky, pianists Ekaterina Mechetina and Vazgen Vartanian, clarinet player Igor Fyodorov, duduk player Djivan Gasparyan Tolib-khon Shakhidi’s spouse – writer, journalist, and public figure Gulsifat Shakhidi State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" The film used works by Tolibkhon Shakhidi: Concerto No. 3 for Piano and Orchestra Sonata No. 1 for Piano Music to the poem "Shahname" (by Firdousi) Adajio-Existence. In memory of my parents Symphonic poem "Sado" Symphonic poem "The Festival" Music to the drama by William Shakespeare "King Lear" Vocal cycle for soprano and Orchestra, based on poems by Paul Valéry and Rjokana Music to ballet "Quatrains by Khayyam" "Rhapsody" to the 110-th anniversary of Aram Khachaturian Concerto for clarinet and Orchestra (dedicated to I. Fedorov) DSCH "Staraya Ruza"-postludium for piano «Playing Backgammon»-Etude-picture (dedicated to E. Mechetina) Music used in the film: Ziadullo Shakhidi "Sitorai man" Dmitri Shostakovich "Waltz # 2" from Suite No. 2 for Jazz Orchestra. Production house: OOO “Region Production Studio" www.r-production.org e-mail: •••@•••. Tel.mob.: +••.••(...) IP Shakhidi Tabriz Tolibkhonovich, 2018. Empire of Music
Tolib Khon Shakhidi Vasilyev Korolyov Aram Khachaturian Evgeny Svetlanov Valery Gergiev Gasparyan Hibla Gerzmava Mechetina Tchaikovsky Sado William Shakespeare Fedorov Dmitri Shostakovich London Symphony Orchestra Mariinsky Theatre 2018
"Symphony of Time Tolibkhon Shakhidi" - Television film (Persian subtitles) Russian version of the film - (http•••) Director – Alexey Vasilyev Author – Alexey Korolyov Executive and creative producer - Naufal Mukhamedov General producers: Tabriz, Khofiz and Firdavs Shakhidi «SHAKHIDI & SONS» They say the energy of his music is akin to the energy of the sun, which spurts millions of fiery protuberances into open space, for it contains a true thermonuclear charge. His work is said to constitute a mystical bridge of time, all the way from the ancient culture of Sufi Persia, to the newest worldview of Western European and American art of the 21st century. Tolib-khon Shakhidi is a graduate of the Moscow Conservatory and a student of prominent Aram Khachaturian, one of the most outstanding representatives of contemporary global music art, who contrived to marry the doctrine of the East and the Western composing tradition. When exploring Shakhidi’s creative life, following his lifeline, we discover the history of his native country, Tajikistan, its tragic and happy pages. The ancient epos and the modern cataclysms of the former Soviet Union, the heyday of the past and the new development paths — these are reflected in his works to one extent or another. The richest traditions of Tajik national art that have been cautiously transferred to new generations serve as a keynote of the film. Suzani textile, woodcarving, murals — their picturesque imagery and ornaments are comparable to music masterpieces. It is no accident that the best works of leading folk artists decorate the interiors and national productions of the Tajik Academic Theatre of Opera and Ballet in Dushanbe. The composer himself will conduct a sort of tour around his beloved city, which he had to leave during the Civil War. He will speak about the places of his childhood, his first creative achievements, and significant victories. Naturally, there will be a story about his family headed by famed Ziyodullo Shakhidi, the founder of Tajik national music culture. The symphonic, vocal, and instrumental music created by Tolib-khon Shakhidi is now performed on the stages of the best-known concert halls of the world — in Russia, the UK, Austria, Germany, the U.S., and Japan — by world-renowned bands and musicians — the London Symphony Orchestra, the Mariinsky Theatre Symphony Orchestra, Evgeny Svetlanov State Academic Symphony Orchestra of Russia, Valery Gergiev, Djivan Gasparyan, Hibla Gerzmava, Ekaterina Mechetina. Tajikistan’s rich history and traditions have become closer and better understandable to the world, which is an invaluable contribution by Tolib-khon Shakhidi. The film will feature: conductors – Valery Gergiev, Hobart Earle, Sergei Skripka, and Alexander Solovyev, composer Alexander Tchaikovsky, pianists Ekaterina Mechetina and Vazgen Vartanian, clarinet player Igor Fyodorov, duduk player Djivan Gasparyan Tolib-khon Shakhidi’s spouse – writer, journalist, and public figure Gulsifat Shakhidi State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" The film used works by Tolibkhon Shakhidi: Concerto No. 3 for Piano and Orchestra Sonata No. 1 for Piano Music to the poem "Shahname" (by Firdousi) Adajio-Existence. In memory of my parents Symphonic poem "Sado" Symphonic poem "The Festival" Music to the drama by William Shakespeare "King Lear" Vocal cycle for soprano and Orchestra, based on poems by Paul Valéry and Rjokana Music to ballet "Quatrains by Khayyam" "Rhapsody" to the 110-th anniversary of Aram Khachaturian Concerto for clarinet and Orchestra (dedicated to I. Fedorov) DSCH "Staraya Ruza"-postludium for piano «Playing Backgammon»-Etude-picture (dedicated to E. Mechetina) Music used in the film: Ziadullo Shakhidi "Sitorai man" Dmitri Shostakovich "Waltz # 2" from Suite No. 2 for Jazz Orchestra. Production house: OOO “Region Production Studio" www.r-production.org e-mail: •••@•••. Tel.mob.: +••.••(...) IP Shakhidi Tabriz Tolibkhonovich, 2018. Empire of Music
Dmitri Shostakovich Schwartz Carroll Maganini Timofei Dokshitser Grzegorz Fitelberg Sikorski Prokofiev Debussy 1920 1923
3 Fantastic Dances, Op. 5 [Tri fantasticheskikh tantsa] for piano Dedicated to Iosif Zakharovich Schwartz 1. March in C major (Allegretto) 2. Waltz in G major (Andantino) 3. Polka in C major (Allegretto) Duration: 5’ Petrograd, 4 december 1920 First performance: 20 March 1923, Petrograd, Small Hall of the Conservatoire Dmitri Shostakovich ► Muzyka Collected Works: Vol. 39 ► DSCH New Collected Works: Vol. 109 Originally published as Shostakovich’s Op. 1. a r r a n g e m e n t s : for string quartet (Nos. 2 and 3) by Konstantin Mostras ■ for violin and piano by Harry Glickman ■ for viola and piano (No. 3) by Georgi Bezrukov ■ for piano, four hands (No. 2) by T. Nazarova and by Geoffrey Carroll ■ for two bayans (No. 2) by V. Korolyov ■ for trombone and piano by Quinto Maganini ■ for saxophone and piano by Marc Chis- son ■ for trumpet and piano by Timofei Dokshitser and by A. Selyanin ■ for organ (No. 2) by William Nevins ■ for orchestra by Grzegorz Fitelberg. Sikorski Editions Works written during a composer's teenage years are usually classified as juvenilia or viewed as curiosities. The Fantastic Dances (3), completed when Shostakovich was 16, clearly runs counter to the trend: each of this trio of short piano pieces is well crafted and, if not yet divulging the fingerprints of the mature Shostakovich, at least contain a good measure of humor and charm, traits not necessarily common in the music of seasoned twentieth century composers. The first, marked Allegretto, is a mixture of Prokofiev (the playfulness of the Visions Fugitives hovers above) and Debussy. Yet it is not slavishly derivative, and already suggests an individual voice emerging, with echoes here and there of the Preludes and Fugues (24) to come. The second piece, marked Andantino, is dreamy in the outer sections, brash in the brief inner portion. Again the music calls to mind the two composers cited above, though it tilts a bit more toward Debussy this time. Marked Allegretto, the last of the three Fantastic Dances is playful in its jaunty and humorous main theme, and while hardly free of influences, it is perhaps the most individual of the trio, containing some of that sassy and colorful character heard in many of the composer's lighter symphonic scherzos. The entire set lasts a mere three-and-a-half minutes or so, but is thoroughly enjoyable, with not a single moment of note-spinning. All Music
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