Johann Rudolf Zumsteeg Vidéos
compositeur et chef d'orchestre
- violoncelle
- opéra
- Saint-Empire romain germanique
- compositeur ou compositrice, chef ou cheffe d'orchestre, professeur ou professeure d'université, premier violon, violoncelliste
Dernière mise à jour
2024-06-16
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Franz Peter Schubert Felix Mendelssohn Robert Schumann Franz Liszt Johannes Brahms Holzer Antonio Salieri Mozart Michael Haydn Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813 1828
Franz Peter Schubert (31 January 1797 – 19 November 1828) He was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before her marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783),nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. He was not recognized or even formally trained as a musician, but was able to pass on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At the age of six, Franz began to receive regular instruction from his father and a year later was enrolled at his father's school. His formal musical education also started around the same time. His father taught him basic violin technique, and his brother Ignaz gave him piano lessons. At the age of seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental, lessons which may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. He wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart and the symphonies of Joseph and Michael Haydn. His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs of Johann Rudolf Zumsteeg, who was an important Lieder composer of the time, which, his friend Joseph von Spaun reported, the precocious young student "wanted to modernize". Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to an unfinished Wind Octet (D 72, said to commemorate the 1812 death of his mother),[12] the cantata "Wer ist groß?" for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony (D 82).
Franz Schubert Holzer Antonio Salieri Mozart Joseph Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813
Don`t forget to subscribe and you won`t miss new interesting videos! Franz Schubert Early life and education. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. Though he was not recognized or even formally trained as a musician, he passed on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At age six, Franz began to receive regular instruction from his father, and a year later was enrolled at his father's school. His formal musical education started around the same time. His father taught him basic violin technique,[3] and his brother Ignaz gave him piano lessons. At age seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental; the lessons may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from an acquaintance with a friendly joiner's apprentice who took him to a neighbouring pianoforte warehouse where Franz could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. Franz wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart, and the symphonies of Joseph Haydn and his younger brother Michael.] His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs by Johann Rudolf Zumsteeg, an important Lieder composer of the time. The precocious young student "wanted to modernize" them, as reported by Joseph von Spaun, Schubert's friend.[10] Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper.[9] In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" ), a "Kyrie", in addition to the unfinished "Octet for Winds", said to commemorate the 1812 death of his mother),the cantata Wer ist groß? for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony Franz Schubert- "Serenade". Unusual Russian folk version. Classical Music Archive Franz Schubert- "Serenade". Unusual Russian folk version. Classical Music Archive Franz Schubert- "Serenade". Unusual Russian folk version. Classical Music Archive Franz Schubert- "Serenade". Unusual Russian folk version. Classical Music Archive Franz Schubert- "Serenade". Unusual Russian folk version. Classical Music Archive
Franz Peter Schubert Felix Mendelssohn Robert Schumann Franz Liszt Johannes Brahms Holzer Antonio Salieri Mozart Michael Haydn Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813 1828
Franz Peter Schubert (31 January 1797 – 19 November 1828) He was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before her marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783),nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. He was not recognized or even formally trained as a musician, but was able to pass on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At the age of six, Franz began to receive regular instruction from his father and a year later was enrolled at his father's school. His formal musical education also started around the same time. His father taught him basic violin technique, and his brother Ignaz gave him piano lessons. At the age of seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental, lessons which may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. He wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart and the symphonies of Joseph and Michael Haydn. His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs of Johann Rudolf Zumsteeg, who was an important Lieder composer of the time, which, his friend Joseph von Spaun reported, the precocious young student "wanted to modernize". Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to an unfinished Wind Octet (D 72, said to commemorate the 1812 death of his mother),[12] the cantata "Wer ist groß?" for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony (D 82).
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