Jakub Hrůša Vidéos
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2024-06-09
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Gustav Mahler Jana Sýkorová Jakub Hrůša Brno Philharmonic Orchestra 2010
Jana Sýkorová contralto sings „O Mensch, gib acht“ Sehr langsam. Misterioso. 4th mouvement of the Symphony No. 3 by Gustav Mahler; words by Nieztsche. Brno Philharmonic Orchestra under the buton of Jakub Hrůša. LIVE on 22 April 2010
Berlioz Véronique Gens Jakub Hrůša 1829 2019
"La mort de Cléopâtre" ist das erste Meisterwerk von Héctor Berlioz, geschrieben (ohne Erfolg) im Wettbewerb um den Prix de Rome 1829: eine dramatische Solo-Szene, die unter die Haut geht. Vor allem wenn sie so eindringlich dargestellt wird wie von der Sopranistin Véronique Gens. In dieser Live-Aufnahme von 2019 aus Tokio wird sie vom NHK Orchester unter Jakub Hrůša kongenial begleitet. (The translation of the sung text in German could be replaced by other languages.)
Antonín Dvořák Škvor Jakub Hrůša Christopher Warren Green Myung Whun Chung Gervase Hughes London Chamber Orchestra Wiener Philharmoniker 1616 1875 1967 2000
Learn the songs you love on piano: (http•••) Antonín Dvořák's Serenade for Strings in E major (Czech: Smyčcová serenáda E dur), Op. 22, was composed in just two weeks in May 1875. It remains one of the composer's more popular orchestral works to this day. 0:00 - I. Moderato (Prague Chamber Orchestra, Petr Škvor) 4:23 - II. Tempo di Valse (Prague Philhrmonia, Jakub Hrůša) 11:24 - III. Scherzo: Vivace (London Chamber Orchestra, Christopher Warren-Green) 16:16 - IV. Larghetto (Wiener Philharmoniker, Myung-Whun Chung) 21:23 - V. Finale: Allegro vivace (London Chamber Orchestra, Christopher Warren-Green) Quotes and interpretation: The Serenade (Op. 22) was aptly entitled, since at least four of its five movements (the second of which was a delightful waltz) displayed an elegant touch suggestive of gracious living accompanied by 'serenading' in the stately home of some 18th-century aristocrat; in the finale alone did the composer discard periwig and lace cuffs, and even here the junketing, though lively, was well-bred, and in the closing moments there was a delicious return to the courtliness of the opening. Pastiche perhaps, but what excellent pastiche! Since Dvořák was as yet only on the threshold of developing an individual style, it is perhaps not surprising that this slightly uncharacteristic but extremely accomplished and enjoyable Serenade is the earliest of his compositions in which a detached listener is likely to discover enchantment. — Gervase Hughes, 1967 Just like delivering good news to someone has a positive rub-off effect on the messenger, performing Dvořák's Serenade is really a very therapeutic endeavor for performers. There is so much 'pure goodness' in it. Somehow even the moments which could cast a gloomy shadow – light melancholy of the Waltz, or the fragility of the opening of Larghetto – retain the wonderfully cloudless atmosphere... The remarkable thing about Dvořák's Serenade – this 'cloudless goodness' is fully sufficient for sustaining meaningful communication for nearly half an hour of music. — Misha Rachlevsky, 2000 Source: Wikipedia
Bamberger Symphoniker Jakub Hrůša Richard Strauss Joseph Keilberth Bamberg 2020
Bamberger Symphoniker, Jakub Hrůša Richard Strauss: Eine Alpensinfonie, op. 64 Live-Mitschnitt aus dem Joseph-Keilberth-Saal Bamberg vom 16.10.2020 in coronakonformer Orchesteraufstellung. Live recording from the Joseph-Keilberth-Saal Bamberg on 16.10.2020 in corona-compliant orchestral formation.
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