Ernst Ellberg Vidéos
compositeur ou compositrice, professeur ou professeure de musique, violoniste, altiste
- violon
- opéra
- Suède
Dernière mise à jour
2024-06-16
Actualiser
Hilding Rosenberg Ellberg Richard Andersson Andersson Wilhelm Stenhammar Karl Birger Blomdahl Ingvar Lidholm Daniel Börtz 1892 1915 1932 1985
Hilding Rosenberg (June 21, 1892 May 18, 1985), was the first Swedish modernist composer, and one of the most influential figures in Swedish 20th century classical music. Born in Bosjökloster, he was an organist, concert pianist and music teacher until 1915, when he began studying at the Stockholm Conservatory under Ernst Ellberg. His teachers also included Richard Andersson and Wilhelm Stenhammar. After the First World War, he toured Europe and became a prominent conductor. In 1932 he was appointed musical director of the Swedish Royal Opera. He is best known for his 14 string quartets +••.••(...)) and eight symphonies +••.••(...), including his symphony no. 2 Grave, symphony no. 4 Johannes Uppenbarelse, fifth symphony Örtagårdsmästaren and sixth Sinfonia Semplice). He taught composition privately to amongst others Karl-Birger Blomdahl, Ingvar Lidholm, Åke Hermanson and Daniel Börtz.
Hilding Rosenberg Richard Andersson Andersson Ellberg Wilhelm Stenhammar Arnold Schönberg Schönberg Igor Stravinski Hermann Scherchen Bartók Hindemith Nystroem Blomdahl Bäck Lidholm 1892 1920 1932 1934 1957 1972 1985
Hilding Constantin Rosenberg est un compositeur, chef d'orchestre et organiste suédois né à Bosjökloster (Suède) le 21 juin 1892, mort à Bromma, près de Stockholm le 18 mai 1985. À Stockholm, il travaille le piano avec Richard Andersson et la composition avec Ernst Ellberg et Wilhelm Stenhammar. Au début des années 1920, il fait un voyage d'études à Berlin, Vienne où il rencontre Arnold Schönberg, Dresde et Paris où il découvre Igor Stravinski et le Groupe des six. Il travaille la direction d'orchestre avec Hermann Scherchen. De 1932 à 1934, il est chef d'orchestre à l'opéra royal de Stockholm, avant de se consacrer principalement à la composition et l'enseignement. Rosenberg a fait sortir la musique classique suédoise du post-romantisme scandinave; il a introduit en Suède les œuvres de Schönberg, Bartók, Hindemith, Honegger...Le style de Rosenberg, d'abord influencé par ces compositeurs, s'épure au fil des années et de sa production. Il est avec Nystroem et Pergament, l'un des précurseurs du modernisme suédois. Il compte parmi ses élèves Blomdahl, Bäck et Lidholm. Œuvres principales * 4 sonates pour piano * 12 quatuors à cordes (1920 à 1957) * 6 moments musicaux pour quatuor à cordes (1972) * 8 symphonies * Quintette à vent * Pièces pour orgue * 2 concertos pour violon * 2 concertos pour violoncelle * Concerto pour alto * Concerto pour piano * Sonates pour divers instruments * Concerto pour orchestre * 6 opéras
Otter Nordqvist Forsberg Grieg Sibelius Linde Aulin Ellberg Lennart Lundberg Lundberg Willner Karl Wohlfart Bergman Blomberg Andersson Berg 1886 1903 1904 1909 1910 1913 1914 1922 1924 1926 1932 1935 1944 1949
Tre Sånger (1922): I. Sipporna 00:00 II. Jag ville vara tårar 01:13 III. Till havs 02:!9 Nordqvist, Gustaf +••.••(...)) -composer Anne Sofie von Otter -mezzosoprano Bengt Forsberg -piano Playlist: "The art of Scandinavian song: Grieg, Sibelius, Linde, Aulin, Nordqvist...": (http•••) Nordqvist composed on a small scale, but his output is impressively large and several of his 200 or more solo songs have become indispensible parts of the Swedish art song repertoire. Born on 12th February 1886, in Stockholm, died there 28th January 1949. He entered the Stockholm Conservatory at the age of 15, remaining there until 1910 and graduating as organist (1903). His teachers included Ernst Ellberg (composition) and Lennart Lundberg (piano). He continued his composition studies in Berlin in 1913-1914 with A. Willner. He became organist of Adolf Fredrik Church, Stockholm in 1914, teacher of harmony at the Stockholm Conservatory in 1924 (appointed professor in 1944) and Principal Organ Teacher at the Karl Wohlfart School of Music in 1926. He was made Member of the Royal Academy of Music 1932, Litt. et art. 1935. His career as a composer began when he was 18, in 1904, with Barnesang, and the next important staging post came in 1909 with his setting of Gripenberg’s poem Drivsnö, a song which was enthusiastically commended by Sibelius. Nordqvist responded unhesitatingly to new Swedish poetry and he composed settings of poems by most contemporary writers: Anders Österling (Fiolens sång), Erik Axel Karlfeldt (Om våren), Bo Bergman (Melodi), Erik Blomberg (Var stilla, hjärta), Pär Lagerkvist (Det är vackrast när det skymmer), Vilhelm Ekelund (Mot alla stjärnor), Gustaf Fröding (En vintervisa) etc. Most of the poems he selected were on the subject of nature or love. Nordqvist is perhaps particularly known for his prolific output of religious songs, where there is little point really in trying to classify individual compositions as exclusively secular or sacred. The profound human relevance of the words and the conception of the music are such that they often qualify for both classifications. The enthusiasm he showed for the Psalms of David was also inspired by poems by Harriet Löwenhjelm (Ack saliga, saliga), Sven Lidman (Herre, djupen ropa dig), and even Dan Andersson (Men jag hörde en sång and Det är något bortom bergen) or Hjalmar Gullberg (Bortom berg och mörka vatten), all of which compositions had unmistakeable spiritual quality. His songs are distinguished by an essentially personal melodic vein, a full-blooded piano accompaniment, and a profound realisation of the demands of the text. He showed great versatility, with a predominance of romantic and traditional stylistic elements. Source: (http•••) Buy the CD here: (http•••)
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