George Cehanovsky Vidéos
artiste lyrique
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- États-Unis
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2024-06-16
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Fernando Corena Giacomo Puccini Laurel Hurley Belen Charles Anthony Strasfogel George Cehanovsky Nicola Moscona Thelma Votipka Gerhard Pechner Ezio Flagello Hawkins Dimitri Mitropoulos Metropolitan Opera 1958 2014
Provided to YouTube by NAXOS of America Gianni Schicchi: E non c'e nessun mezzo (Zita) · Fernando Corena Puccini: Gianni Schicchi (1958) ℗ 2014 MYTO Historical Released on: 2014-12-01 Artist: Fernando Corena Artist: Laurel Hurley Artist: Belen Amparan Artist: Charles Anthony Artist: Alessio De Paolis Artist: Madelaine Chambers Artist: Andrew Strasfogel Artist: George Cehanovsky Artist: Nicola Moscona Artist: Clifford Harvuot Artist: Thelma Votipka Artist: Gerhard Pechner Artist: Ezio Flagello Artist: Osie Hawkins Artist: Louis Sgarro Conductor: Dimitri Mitropoulos Orchestra: New York Metropolitan Opera Orchestra Composer: Giacomo Puccini Auto-generated by YouTube.
Gabriella Tucci Giuseppe Verdi Pracht Barry Morell Robert Merrill Gabor Carelli Carelli Roald Reitan George Cehanovsky Metropolitan Opera 1963
Omaggio in memoria al grande soprano Gabriella Tucci, che ci ha lasciati lo scorso 11 Luglio. La traviata by Giuseppe Verdi performed in Italian Conductor Fausto Cleva - 1963(LI) Orchestra - Metropolitan Opera Chorus - Metropolitan Opera Violetta Valery - Gabriella Tucci Flora Bervoix - Mary Ellen Pracht Annina - Lynn Blair Alfredo Germont - Barry Morell Giorgio Germont - Robert Merrill Gastone - Gabor Carelli Dottore Grenvil - Louis (Luigi) Sgarro Barone Douphol - Roald Reitan Marchese d'Obigny - George Cehanovsky
Elisabeth Rethberg Heil Mozart Rosa Ponselle Giuseppe Verdi Richard Tauber Johann Strauss II Beniamino Gigli Giovanni Martinelli Giacomo Lauri Volpi Volpi Richard Strauss Arturo Toscanini Wagner George Cehanovsky Steane Metropolitan Opera Covent Garden Salzburg Festival 1892 1894 1915 1921 1922 1925 1928 1930 1934 1939 1942 1976 1986 1992
German Soprano Elisabeth Rethberg +••.••(...)) / Heil'ge Quelle / Le Nozze di Figaro (Mozart) / Recorded: 1930 / The German soprano Elisabeth Rethberg (22 September 1894 / 6 June 1976) was an opera singer of international repute active from the period of the First World War through to the early 1940s. Some hailed her as the greatest soprano of her day. (Her chief contemporary rival at the New York Metropolitan Opera was the Italian-American soprano Rosa Ponselle, who possessed a bigger and darker-hued voice.) While she did not break any new ground dramatically or vocally, Rethberg was just as much at home singing in Italian or German. She employed her pure, stunningly beautiful and good-sized lyric voice with such focus that she never seems obscured in old recordings by either loud orchestras or larger-voiced partners. She slotted ideally into delicate Mozartian roles yet was one of the greatest Verdi sopranos that the Metropolitan Opera has ever known. Her singing of the more lyrical Wagnerian soprano parts such as Sieglinde, Eva, Elsa and Elisabeth was unsurpassed in its day and probably since. Rethberg was born Elisabeth Sättler in Schwarzenberg. She studied at the conservatory in Dresden with Otto Watrin, and she made her operatic debut in that German city opposite Richard Tauber in 1915 in the operetta Der Zigeunerbaron by Johann Strauss II. Rethberg sang with the Dresden Opera until 1922. In that year, she made her Metropolitan Opera debut as Aida in Giuseppe Verdi's opera of that name. She moved to the USA and remained with the Metropolitan for 20 seasons, singing some 30 roles on stage and in the recording studio, opposite such famous tenor colleagues as Beniamino Gigli, Giovanni Martinelli and Giacomo Lauri-Volpi. She also was engaged by London's Royal Opera House, Covent Garden, where she sang in 1925 and in 1934-1939. The Salzburg Festival in Austria heard her too, as did audiences in Milan and elsewhere in Europe. Rethberg returned often to Dresden where, in 1928, she created the title role in Richard Strauss's Die ägyptische Helena. The brilliantly dynamic if dictatorial Italian conductor Arturo Toscanini was a particular admirer of Rethberg's vocal talent. During the latter half of the 1930s, Rethberg's voice lost some of its bloom, owing perhaps to the repeated singing of Aida and other heavy roles.[1] She retired from the stage in 1942. Yet even at her least impressive (for example, in a 1942 recording of Verdi's Otello), she remained a well-schooled singer and an elegant reminder of the Metropolitan Opera's great period during the 1920s and early 1930s, when her powers were at their peak. In her magnificent prime, Rethberg was remarkable for the combination of a seemingly delicate, feminine sound with a capacity for great vocal intensity, to which she added impressive breath control and dynamic light and shade (from piano to forte notes). She made many splendid recordings of arias and ensemble pieces in Germany and the United States between 1921 and the outbreak of the Second World War. Many of these are available on modern CD transfers. The most fascinating records of her art, however, may be the live Metropolitan recordings that capture her (admittedly, past her zenith) in complete operas by Mozart, Verdi and Wagner. These recordings are somewhat difficult to obtain in America because the Met forbids their sale in the United States, owing to royalty concerns. They include Mozart's Marriage of Figaro and Verdi's Il Trovatore, Simon Boccanegra and Otello. Rethberg was married to the Russian-born Met comprimario singer George Cehanovsky +••.••(...)). She died in Yorktown Heights, New York in 1976 at the age of 81. References ^ JB Steane. Voices: singers and critics. London: Duckworth; 1992: pp.125--135. External links Biograph and discography from Cantabile-Subito.de (wikipedia)/ /
Walter Damrosch Pelletier Nolan Arthur Carron Rutledge Helen Traubel Harman George Rasely Burr Joseph Royer Royer Gurney Parke Reeve George Cehanovsky Dickson Hull Metropolitan Opera 1862 1937 1950
Walter Damrosch +••.••(...)): Opera: The Man Without a Country (complete) Metropolitan Opera Orchestra conducted by Wilfred Pelletier. (note error in title: Pelletier, not Damrosch, conducting.) Premiere Cast, May 24,1937 Lieutenant Philip Nolan - Arthur Carron (tenor) Mary Rutledge - Helen Traubel (soprano) Harman Blennerhassett - George Rasely (tenor) Aaron Burr - Joseph Royer (baritone) Colonel Morgan - John Gurney (bass) Parke - Nicholas Massue (tenor) Fairfax - Lodovico Oliviero (tenor) Lieutenant Pinckney - Wilfred Engelman (baritone) Lieutenant Reeve - George Cehanovsky (baritone) Negro Boatman - Donald Dickson (baritone) 0:08 Act I.Scene I 3:50 Boatmen's Song 7:12 Country Dances 8:10 Duet, Blennerhassett and Mary 13:31 The Whippoorwill Serenade, Philip 16:45 Duet, Mary and Philip 24:56 -Aaron Burr enters 31:33 Intermezzo 36:02 Act I. Scene II (the trial) 47:18 Col. Morgan passes sentence 50:43 Ensemble 53:31 Mary's Air 56:06 Act II Prelude 1:02:07 Act II. Scene I 1:15:59 Philip's Air "Breathes there the man" 1:21:35 Interlude 1:23:16 Act II. Scene II. Hornpipe - Hull's Victory 1:25:08 Duet-Philip and Mary 1:33:08 Sailor's Chantey "The Frigate Constitution" 1:38:14 Mary's Plea 1:40:43 Finale 1:42:33 Interlude 1:44:38 Act II. Scene III 1:45:35 Battle and Death of Philip 1:52:45 -Curtain falls, curtain calls, and Milton Cross commentary Sorry that the sound quality is so thin, but 1937 technology and the infancy of the art of microphone placement may have much to do with this. The historical value of this recording is sufficient for its inclusion here on You Tube. Milton Cross - announcer, although difficult to hear
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