Time For Three Vidéos
- Ensemble
- États-Unis
réseaux sociaux
Dernière mise à jour
2024-05-13
Actualiser
Kevin Puts Simon Rattle Xian Zhang Jennifer Higdon Charles Yang Lai Philadelphia Orchestra 2007
Time for Three: KEVIN PUTS Contact, 2. Codes (Scherzo) (Excerpt) Deutsche Grammophon is proud to present Letters for the Future, an album by innovative string trio Time for Three – praised by Simon Rattle as “benevolent monsters of ability and technique [who are] conveyors of an infectious joy” – with the Philadelphia Orchestra led by Xian Zhang. This album comprises world premiere recordings of two technically demanding and virtuosic concerti for trio and orchestra by Pulitzer Prize-winning composers Jennifer Higdon and Kevin Puts. The pieces, Higdon’s 2007 Concerto 4-3 and Puts’s brand-new Contact, were written specifically for Time for Three. Listen now to a section of “Codes,” the second movement of Kevin Puts’s Contact. TF3’s musicians, Nicolas “Nick” Kendall (violin), Charles Yang (violin), and Ranaan Meyer (double bass), play every syncopated rhythm and each flurry of arpeggios with unrelenting energy and passion. Time for Three’s special bond with The Philadelphia Orchestra shines in this unique record, set to be released June 10. Orchestra: The Philadelphia Orchestra Conductor: Xian Zhang Performers: Time for Three Nick Kendall and Charles Yang, violin and vocals Ranaan Meyer, double bass and vocals Composer: Kevin Puts Video Producer: Jim Cotter Production company: A production of Articulate Studios for The Articulate Foundation Adam Abeshouse, producer and engineer Edited, Mixed and Mastered by Adam Abeshouse David Lai, producer and A&R Jeremy Ryan Kinney and Rick Jacobson, associate engineers Artist Management: Park Avenue Artists (www.parkavenueartists.com) Homepage: (http•••) Instagram: (http•••) Facebook: (http•••) Courtesy Articulate Studios and The Articulate Foundation Time for Three – Puts: Contact, 2. Codes (Scherzo) (Excerpt) Listen to 'Letters For The Future': (http•••) Subscribe here for more classical video clips – The Best Of Classical Music: (http•••) Discover full concert performances on DG Premium - registration and basic library are free: (http•••) Get your front row ticket here for exclusive streams and world premieres with leading artists: (http•••) / Find Deutsche Grammophon Online Homepage: (http•••) Facebook: (http•••) Twitter: (http•••) Instagram: (http•••) Newsletter: (http•••) / 最优质古典音乐 – 此处订阅: (http•••) Le meilleur de la musique classique. Pour vous abonner cliquez ici: (http•••) 最高のクラシック音楽―登録はこちら: (http•••) 최고의 클래식음악을 구독하세요: (http•••) Подписаться на лучшую классическую музыку:: (http•••) La mejor música clásica - Suscríbase aquí: (http•••) #TimeForThree #Puts #Strings
Tchaikovsky Christopher O Riley Joshua Bell Chappaqua Orchestra 2015 2017 2019
Dvorak Cello Concerto in b minor, Opus 104. I. Allegro Dylan Wu - Cello Noreen Polera - Piano Dylan Shih Wu is a 15-year-old who began his cello studies at age three. At age 9, he was admitted to the Pre-College Division of the Juilliard School in New York City. Later that year, Dylan was selected to enter the 8th International Tchaikovsky Competition for Young Musicians in Moscow, Russia. There, as a representative of the United States, he received a special award for being the youngest, at age 10, to make the semifinals. In December 2015, he returned, at age 11, to the 9th International Tchaikovsky Competition for Young Musicians in Novosibirsk, Russia, and was awarded the Silver Medal and Laureate in the Cello Section. In May 2017 he was invited back to Moscow to perform in the first Tchaikovsky Spring Festival by the Association of Tchaikovsky Competition Stars. Dylan's accomplishments include placing first in various competitions, including the Juilliard Pre-College Cello Competition, the Golden Key Music Competition, American Protégé International Piano and Strings Competition, and the YWCA of Queens NY Music Competition. He has also been chosen as the grand prize winner of the American Fine Arts Festival International Concerto Competition and the International Virtuoso Competition. At age 10, Dylan debuted as a soloist with his first 2 orchestra - the Adelphi Chamber Orchestra playing Saint-Saën's Cello Concerto No.1. Since then, he has been featured as a soloist with the Allentown Symphony, Chappaqua Orchestra, the Juilliard Pre-College String Ensemble, the Belarus State Orchestra in Russia, the Ridgewood Symphony, the Fujen University Orchestra in Taiwan, the Sound Symphony, and the Bravura Philharmonic Orchestra. In June of 2015, Dylan was invited to perform on NPR’s “From the Top” radio program, hosted by Christopher O’Riley. In October, he was invited again to record a music video with trio Time for Three. This musical cover of Taylor Swift’s song “Shake it Off” has over 2.3 million views and has been voted best musical cover by Strings Magazine in 2019. In July of 2017, he was invited to shoot a cover of Beatles song "Here Comes the Sun" with critically acclaimed Joshua Bell and From the Top. Dylan is a student of Minhye Clara Kim at the Juilliard School's Pre-College Division. During his free time, he enjoys playing chess, golf, and studying theoretical math. He is also a founding member of Ponticelli, a cello quartet that raises money for charities and nonprofits.
Jenő Hubay Chloë Hanslip Maros Vine Szalatna Huber Viotti Franz Liszt Beethoven Kreutzer Henri Vieuxtemps Eugene Ormandy Joseph Szigeti Kodaly Bournemouth Symphony Orchestra 1858 1872 1878 1882 1937
Jenő Hubay – Scenes de la Csarda nos.3 and 4, Chloë Hanslip, violin, Bournemouth Symphony Orchestra, Andrew Mogrelia, conductor 1.Scenes de la Csarda: No.3, Maros vize, Op.18 (subtitled Maro vine folyik csendesen; The Maros is flowing peacefully) – 00:00 2.Scenes de la Csarda: No.4, Hejre Kati, Op.32 (Hey Katie; Beautiful Katie) – 07:08 Jenő Hubay, Jenő Hubay von Szalatna, Hungarian: Szalatnai Hubay Jenő (15 September 1858 – 12 March 1937), also known by his German name Eugen Huber, was a Hungarian violinist, composer and music teacher. “Jeno Hubay (born Eugen Huber) was born in the Hungarian city of Pest (now Budapest) on 15th September, 1858. Though of German extraction, he changed his name from the original Huber to the more Hungarian-sounding Hubay when he was 21 years old. He first studied the violin with his father, Karl (Karoly) Huber, who served as violin professor at the national conservatory and conductor of the Hungarian National Theatre. In 1872 he made his professional debut as violin soloist in a Viotti concerto, and the following year travelled to Berlin to begin his studies with Joseph Joachim at the Hochschule fiir Musik. Hubay studied with Joachim, one of the foremost violinists of the time, for three years before returning to Hungary. He became acquainted with Franz Liszt and appeared in concert with him, performing, among other works, Beethoven's Kreutzer Sonata. Following Liszt's advice, he travelled to Paris in 1878 and made the city his base of operations as a touring virtuoso. He won considerable success in tours of France, England, Belgium, The Netherlands, and Hungary. While in Paris he developed a deep friendship with Henri Vieuxtemps, another outstanding nineteenth-century violin virtuoso. Vieuxtemps had been a violin professor at the Brussels Conservatoire, but had had to relinquish his position in the mid-1870s after a stroke. He looked to the younger man to continue his legacy and made Hubay his executor, as well as entrusting him with the orchestration of his last violin concerto. Vieuxtemps also recommended Hubay for the post of violin professor at the Brussels Conservatoire, a position he took up in 1882. After four and a half years in Brussels he returned to Hungary as violin professor at the Budapest Academy of Music; he also taught at the Budapest Conservatoire. Under Hubay's direction, the Academy became one of the leading centres of violin instruction in the world and boasted such students as Eugene Ormandy and Joseph Szigeti. Hubay's music is romantic from beginning to end, from his debut in a Viotti concerto (the famous A minor, which dates from the beginning of the romantic period) to his Sonate romantique, to his violin concertos, to his wonderful Hungarian pieces — all are part and parcel of the romantic era of classical music. Hubay considered himself a bearer of a great tradition handed down by Vieuxtemps, Liszt, and other nineteenth-century master musicians, and though he appreciated the talent of Dohnanyi (with whom he came into conflict at the Academy) and other twentieth-century musicians, he was sometimes at odds with the music of younger composers such as Bartok and Kodaly and did not think the "new" music sufficiently respected the traditions of the past.” (from Album Notes by Bruce R. Schueneman)
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