- Orchestre de chambre
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2024-04-20
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2015-01-16 10:13:15
ResMusica: Tell us a little bit about the history of the Musica nova festival in Helsinki (runs 6-14 February 2015). Anssi Karttunen : Musica nova Helsinki became the new name of the Helsinki Biennale in 1997. The Helsinki Biennale was created in 1981 at a moment when many things were opening up in Finnish music life. The music life became much more international than before, and both musicians and audiences became interested in what was going on in the world. Until this point, composers mostly had to live in a world of their own with performers being hostile to their efforts and much more interested in only the music of the distant past. At the same time, many new trends were being born in Helsinki; the Avanti! Chamber Orchestra was formed, the young composers of the Korvat Auki association (founding members include Esa-Pekka Salonen and Magnus Lindberg) made themselves felt, […]
2014-05-16 08:25:35
Hannu Lintu, chief conductor of the Finnish Radio Symphony Orchestra
ResMusica: You are about to finish your first full season as Chief Conductor of the Finnish RSO. Please give us some impressions of your first season. Hannu Lintu : We have had an interesting season and some very good concerts. We have been talking a lot about sound; we are in middle of working with the sound, we are in the middle of recruiting new people. They want to work, which is nice, because I want to work too. They are open to new ideas–for instance, we are now playing the Sibelius symphonies again. They have not really been playing the symphonies for years–Sakari Oramo did not do them much. So now we have to actually work through them again. They have enormous flexibility on those pieces–they want to play them differently. RM: Your original contract was originally for a three-year term, but you […]
2014-05-01 09:40:26
John Storgårds talks about his new Sibelius symphony cycle with the BBC Philharmonic
ResMusica: Although this is not a new symphony cycle of Brahms, Beethoven, or even Mahler, now we have new symphony cycle of Sibelius. Many of your Finnish colleagues have already recorded these works, sometimes more than once. What is it about these works which explains their timeless appeal? Why do people keep coming back to them? John Storgårds : I think that there is still so much to be found in his music, in a timeless way, and from so many different perspectives. For composers of today, he is very interesting. The process of how he developed as a composer, his way of working with his materials (for ages, before he was ready, especially with the symphonic repertoire), and a very strong and individual development in his way of composing. On the other hand, for listeners of today, the music is still strong, and in a positive way, uplifting. If […]
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Tous les jours, soclassiq cherche de nouveaux articles, vidéos, concerts, etc. sur la musique classique et l'opéra, leurs artistes, leurs lieux de concert, leurs orchestres....
Avanti! Chamber Orchestra ? Nous n'avons pas encore rassemblé beaucoup de contenu sur ce sujet, mais nous continuons à chercher.
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