Ópera Teatro De San Luis Vídeos
- San Luis
- Estados Unidos
redes sociales
Última actualización
2024-05-01
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Provost Cleve Opera Theatre Saint Louis 1970 2000
Understanding the dimensions of sexual harassment, abuse and assault is essential for every staff member, trustee, volunteer and artist – but is only a first step. Ensuring that your company has policies, procedures and a culture that protect everyone who brings our art form to life is the essential next step and requires an organization-wide commitment. This session features advice and discussion about ways to sustain a respectful creative environment. Part 1: Presentation Adrienne Davis, Vice Provost and William M. Van Cleve Professor of Law; Member, Board of Directors, Opera Theatre of Saint Louis About OPERA America is the national service organization for opera and is dedicated to the creation, presentation and enjoyment of the art form. Mission OPERA America is the national service organization for opera and is dedicated to the creation, presentation and enjoyment of the art form. Company Overview Founded in 1970, OPERA America has an international membership that includes nearly 200 Company Members, 300 Associate and Business Members, 2,000 Individual Members and over 16,000 subscribers to its electronic news service.
It’s open season for enchantment. No trial or challenge is too great for true love. Prince Tamino is on a high-paced adventure to save the princess Pamina from the clutches of the evil Sarastro. But he’s not alone — his loyal bird-catching friend Papageno, two magical instruments, and three benevolent spirits are ready to help him overcome every obstacle. A whimsical and timeless story that features some of Mozart’s most beloved music, The Magic Flute is a favorite for all ages! Learn more and get tickets: (http•••)
Samuel Coleridge Taylor Grant Llewellyn Leonard Bernstein Seiji Ozawa Kurt Masur Previn Handel Haydn Purcell Bach Alexander Goehr Jules Massenet Marsalis Royal Liverpool Philharmonic Boston Symphony Orchestra Boston Pops Bbc National Orchestra Wales Royal Philharmonic Orchestra Frankfurt Radio Symphony Bbc Philharmonic Bbc Symphony Orchestra Atlanta Symphony Orchestra Houston Symphony Orchestra Philadelphia Orchestra Saint Louis Symphony Orchestra Toronto Symphony Orchestra Handel Haydn Society North Carolina Symphony English National Opera Opera North Music North Carolina Tanglewood Tanglewood Music Center Opera Theatre Saint Louis Spoleto Festival Spoleto Festival Usa 1985 1990 1991 1993 1995 1996 1998 2001 2003 2004 2005 2006 2007 2012
Remastered in 24-bit, 96 kHz Parts: (http•••) Piano score: (http•••) Grant Llewellyn, conductor Royal Liverpool Philharmonic, 1991 "The Welsh conductor, Grant Llewellyn, began developing his conducting reputation in 1985, when he was awarded a conducting fellow position at the Tanglewood Music Center in Massachusetts. There his mentors included Leonard Bernstein, Seiji Ozawa, Kurt Masur and Andre Previn. As Assistant Conductor of the Boston Symphony Orchestra in the early 1990's he conducted concerts at the Tanglewood Festival, the Boston Subscription Series and in the "Boston Pops". Grant Llewellyn is renowned for his exceptional charisma, energy and easy authority in music of all styles and periods. To date, his career has led him to hold positions with three European orchestras. From 1990 to 1995, he was associate conductor of the BBC National Orchestra of Wales. He was principal guest conductor of the Stavanger Symfoniorkester from 1993 to 1996. Llewellyn served as chief conductor of the Royal Flanders Philharmonic Orchestra (deFilharmonie) from 1995 to 1998. Notable recent European guest engagements have included the Royal Philharmonic Orchestra, Frankfurt Radio Symphony Orchestra, BBC Philharmonic, Helsinki Philharmonic and BBC Symphony Orchestra. Grant Llewellyn has conducted many orchestras in North America, most notably Atlanta Symphony Orchestra, Boston Symphony Orchestra, Houston Symphony Orchestra, Montreal Symphony, Milwaukee Symphony, Philadelphia Orchestra, Saint Louis Symphony Orchestra and Toronto Symphony Orchestra. As Music Director of the Handel and Haydn Society (Boston), America's leading period orchestra, from 2001 to 2006, Llewellyn gained a reputation as a formidable interpreter of music of the Baroque and classical periods. He now holds the title of principal conductor of the Society. Among the highlights of his work with the Society have been staged performances of Purcell's Dido and Aeneas in collaboration with director Chen Shi-Zheng, and J.S. Bach's St Matthew Passion (BWV 244). Since July 2004, he has been music director of the North Carolina Symphony. His initial contract was for 4 years, and in November 2006, his contract was extended to 2012. An accomplished opera conductor, Grant Llewellyn has appeared at the opera companies of English National Opera (The Magic Flute) and the Opera Theatre of Saint Louis, where his repertoire has ranged from Georg Frideric Handel's Radamisto to Alexander Goehr's Arianna. In 2001 he embarked on a collaboration with acclaimed Chinese director Chen Shi-Zheng in a production of Dido and Aeneas at Spoleto Festival, USA. In 2003 Llewellyn made his debut with Opera North in a new production of Jules Massenet's Manon whilst in June 2005 he conducted the final of the BBC Cardiff Singer of the World, one of the world's most prestigious singing competitions. His most recent opera project was a semi-staged production of Mozart's Marriage of Figaro in 2007, with the North Carolina Symphony. His recent recording of American music with the North Carolina Symphony and Branford Marsalis for the Swedish label BIS has been released to critical acclaim with The Gramophone commenting "...the performances are more than just enthusiastic, with discipline remarkably tight...the result is a winner." Grant Llewellyn lives in Cardiff with his wife Charlotte and their four children." Remastered By: Wayne Yang, USA - Taiwan *I do not monetize off of this video or any other video on my YouTube channel. #Ukraine
Opera Theatre Saint Louis 1976 2011 2012 2013
Opera Theatre of Saint Louis was founded in the spring of 1976 by Richard Gaddes with a small group of opera lovers who were determined to bring festival-quality opera to the St. Louis area. As of 2012, Opera Theatre has presented 22 world premieres and 23 American premieres, perhaps the highest percentage of new work in the repertory of any U.S. company. Described byThe Sunday Times of London as "one of the few American companies worth the transatlantic fare," and by Opera Today as "the leading summer opera destination in the United States," Opera Theatre of Saint Louis welcomed visitors from 45 states and 12 foreign countries in 2011.
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