Festival De Salzburgo Vídeos
festival de música y teatro austriaco
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- Salzburgo
- Austria
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2024-05-29
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Chopin Maurizio Pollini Claudio Abbado Wiener Philharmoniker Salzburg Festival 1973
Chopin Piano Concerto no 2 Maurizio Pollini Wiener Philharmoniker Claudio Abbado Salzburg Festival 19 August 1973
Ivor Gurney Adolf Busch Busch Carl Flesch Hamilton Harty John Barbirolli Manley Boyd Neel Frank Bridge Benjamin Britten John Ireland Beethoven Ralph Vaughan Williams Lark Bach Henry Purcell Dvořák Arthur Benjamin Benjamin Dale Lennox Berkeley Kenneth Leighton Edmund Rubbra York Bowen Howard Ferguson Arthur Bliss Béla Bartók Handel Rachmaninoff Smetana Arnold Bax Yehudi Menuhin London Symphony Orchestra Aeolian Quartet Salzburg Festival Proms 1686 1697 1718 1908 1909 1911 1927 1930 1935 1936 1937 1938 1940 1942 1947 1952 1963 1966 1978 1979 1987
The Apple Orchard by Ivor Gurney, Frederick Grinke - Violin Ivor Newton - Piano Recorded in 1942. The Apple Orchard is one of two short pieces written for violin and piano by Ivor Gurney that were published posthumously in 1940. Frederick Grinke CBE (8 August 1911 – 16 March 1987) was a Canadian-born violinist who had an international career as soloist, chamber musician, and teacher. He was known especially for his performances of 20th-century English music. He started to learn the violin at the age of 9, and studied with John Waterhouse and others in Winnipeg. He made his first broadcast at the age of about 12, and formed a trio at age 15. In 1927, he won a Dominion of Canada scholarship award to the Royal Academy of Music in London, where he studied with Rowsby Woof. He continued his studies (at age 21) for a summer with Adolf Busch in Switzerland, and afterwards in Belgium and London with Carl Flesch. Hamilton Harty considered appointing him leader of the London Symphony Orchestra at the age of 21, but the offer was not made on account of his youth. From around 1930 to 1936, Grinke was second violin of the Kutcher String Quartet (in which John Barbirolli was for a time the 'cellist). In 1935, with pianist, Dorothy Manley, he gave the premiere of the Canadian composer Hector Gratton's Quatrieme danse canadienne. It was with Manley and Florence Hooton, both fellow students at the Academy, that Grinke formed his trio, Kendall Taylor later replacing Manley. In 1937 he became concertmaster of the Boyd Neel Orchestra, a post he would hold until 1947. His first performance with them was at the Salzburg Festival in 1937, giving the premiere of the Variations on a Theme of Frank Bridge by Benjamin Britten. Thereafter he performed with them in Europe, USA, Australia and New Zealand, the London Proms, and at the Edinburgh Festival. He resigned as concertmaster to pursue his solo career. During the later 1940s, Grinke made numerous recordings, mainly for Decca, many of which were originally released in the last years of 78rpm records. His recordings of John Ireland's chamber music include the Phantasie Trio of 1908, the 1938 Trio no 3 in E major, and The Holy Boy (with Florence Hooton (cello) and Kendall Taylor (piano)), and the Violin Sonata no 1 of 1909 with the composer at the piano. The trio also recorded the Phantasy trio of Frank Bridge and the Beethoven trio in E flat. Ralph Vaughan Williams dedicated his Sonata in A minor, written in 1952, to Grinke, who recorded the composer's Concerto Accademico in D minor, and The Lark Ascending, with the Boyd Neel Orchestra. Grinke and David Martin (also a Canadian violinist) performed J.S. Bach's Concerto for two violins at Vaughan Williams's funeral. Among other recordings from the 1940s were no's 3 and 9 from the 1697 set of 10 Sonatas by Henry Purcell, with Jean Pougnet and Boris Ord, and Purcell's sonata in G minor with Arnold Goldsbrough. He is heard with Kendall Taylor in the Dvořák G major Sonatina op 100, and with Watson Forbes (violist of the Stratton Quartet and Aeolian Quartet) in Mozart duos. He also premiered and recorded works by Arthur Benjamin, Benjamin Dale, Lennox Berkeley, Kenneth Leighton, Edmund Rubbra, York Bowen, Howard Ferguson, Arthur Bliss, Béla Bartók, Beethoven, Handel, Rachmaninoff and Smetana, often accompanied by Ivor Newton. He recorded all six Brandenburg Concertos with the Boyd Neel Orchestra, and made a broadcast of the Arnold Bax violin concerto from Australia. From 1963 to 1966 he taught at the Yehudi Menuhin School at Stoke D'Abernon, Surrey. He frequently sat on juries for international competitions. He retired from the Royal Academy of Music in 1978, where his students included John Georgiadis, and was appointed a CBE in 1979, but continued teaching until his death, which occurred in 1987. The National Portrait Gallery lists 8 portraits of Grinke in its collections.[ Grinke played an instrument by J. B. Rogerius of 1686, with aluminium-covered D and A, and silver-covered G and steel E strings, but also often played a Stradivarius dated 1718, lent by the Royal Academy of Music. He was married in 1942 to Dorothy Sirr Sheldon and had one son. He is buried in the churchyard of St Mary, Thornham Parva, Suffolk.
Jean Luc Chaignaud Régine Crespin Gabriel Bacquier Christa Ludwig Hans Hotter Herbert Karajan Maschera Verdi Plácido Domingo Josephine Barstow Sumi Jo Schlesinger Sir Georg Solti Eberhard Wächter Donizetti Luciano Pavarotti Puccini Mirella Freni Massenet Renée Fleming Roberto Alagna Bizet Zeffirelli Mahler Arditti Michel Béroff Cilea Rolando Villazón Riccardo Muti Giuseppe Sinopoli Richard Bonynge Seiji Osawa Pierre Boulez Valeri Guerguiev Jeffrey Tate Christian Thielemann Charles Dutoit Christoph Eschenbach Festival Salzbourg Scala Théâtre Liceu Barcelone Carnegie Hall Royal Albert Hall Opéra Monte Carlo Opéra Vienne Metropolitan Opera Quatuor Arditti Opmc 1988 1989 1990 1991 1992 1993 1994 2009 2010 2014
Kassis - Concerts à la maison : Jean-Luc Chaignaud -Leçon de chant Jean-Luc Chaignaud : un baryton soliste français, chanteur d'opéras, de lieders et d'oratorios. Étudie le chant avec Régine Crespin et Gabriel Bacquier au Conservatoire de Paris, puis entre à l’École d’Art Lyrique de l’Opéra de Paris où il participe aux master class de Christa Ludwig et Hans Hotter. Après avoir fait ses débuts en 1988 au mai musical de Bordeaux et au Festival Ossiachersee en Autriche, il est engagé par Herbert von Karajan pour le rôle de Silvano dans Un ballo in maschera de Verdi, aux côtés de Plácido Domingo, Josephine Barstow et Sumi Jo, enregistré pour la Deutsche Grammophon (1989). Une mise en scène par John Schlesinger de cette production, cette fois-ci sous la baguette de Sir Georg Solti, est réalisée pour le Festival de Salzbourg en 1989 et 1990 et également filmée (Arthaus/TDK, 1990). Sa formation avec la mezzo-soprano allemande Christa Ludwig est déterminante pour sa carrière, comme elle le relate dans ses mémoires Ma voix et moi au cours d’un passage dithyrambique sur le talent de ce baryton d’une « très belle voix » et qui « chante bien avec musicalité ». Au cours d’une première et seule audition pour le rôle de Figaro à l'Opéra de Vienne, le directeur Eberhard Wächter donne immédiatement à Jean-Luc Chaignaud un contrat de plusieurs années, le propulsant ainsi dans une carrière sur les grandes scènes intérnationales1. Durant la saison 1991-1992 à l'Opéra de Vienne, il incarne le personnage de Belcore dans L'elisir d'amore de Donizetti aux côtés du ténor italien Luciano Pavarotti et de Marcello dans La Bohème de Puccini avec la soprano italienne Mirella Freni. Son travail avec ces deux grands interprètes, « couple mythique de l’opéra », avec lesquels il partagera la scène plusieurs fois à Vienne et à Paris, a une grande influence sur son approche du chant ainsi que sur l’évolution de sa carrière. En 1993, la critique française chante ses louanges2. Le premier quotidien national français Le Figaro qualifie Jean-Luc Chaignaud de « prodige de scène » « éblouissant d’humanité et de tendresse » et fait l’éloge de sa voix « admirablement conduite, irisée de très belles couleurs. »3. Les grandes qualités d’interprétation et de musicalité de Jean-Luc Chaignaud vont de pair avec sa voix puissante et « son solide métier »4. Connu principalement pour les rôles de Lescaut dans l’opéra Manon de Massenet aux côtés de Renée Fleming, de Marcello dans l’opéra La Bohème de Puccini aux côtés de Roberto Alagna, et d’Escamillo dans l’opéra Carmen de Bizet mis en scène par Franco Zeffirelli, il chante dans un répertoire qui comprend notamment des opéras de Mozart, Verdi, Donizetti, Puccini et Bizet, dans des grandes salles comme le Metropolitan Opera de New York, l'Opéra de Paris, l'Opéra de Vienne, La Scala de Milan, le Grand théâtre du Liceu de Barcelone, Carnegie Hall de New York, Royal Albert Hall London, l’Opéra de Munich ou l’Opéra de Pékin. Au cours de plus de trente années de carrière internationale, Jean-Luc Chaignaud interprète à travers le monde entier un grand nombre de répertoires et styles variés : le répertoire italien du Bel canto mais aussi le Baroque, les lieder, les oratorio et les musiques contemporaines comme Ça Ira de Roger Waters. Parmi ses enregistrements figurent un récital exceptionnel au Musée du Louvre des Lieder eines fahrenden Gesellen de Mahler avec le Quatuor Arditti sous la direction de Michel Béroff à l’occasion de la réouverture du musée en 1989, l’opéra Adriana Lecouvreur de Cilea avec Mirella Freni (La sept Arte/Opéra national de Paris, France musique, 1994), Manon de Massenet avec Renée Fleming (Arthaus, 2009), L'elisir d'amore de Donizetti avec Rolando Villazón (Virgin Classics, 2010) et un hommage au poète-compositeur-interprète franco-monégasque Léo Ferré à l'Opéra de Monte-Carlo (OPMC Classics, 2014).Il a collaboré avec des chefs d’orchestre comme Herbert von Karajan, Sir Georg Solti, Riccardo Muti, Giuseppe Sinopoli, Richard Bonynge, Seiji Osawa, Pierre Boulez, Valeri Guerguiev, Jeffrey Tate, Christian Thielemann, Daniel Oren, Charles Dutoit ou Christoph Eschenbach.
Dusolina Giannini Giannini Brahms Ferruccio Giannini Marcella Sembrich Anna Case Pertile Cattaneo Carnegie Hall Hamburg State Opera Covent Garden Scala Salzburg Festival 1902 1924 1925 1928 1930 1934 1936 1937 1941 1962 1986
Recorded 1937 with Michael Raucheisen. Biographical notes from cantabile-subito: American-Italian soprano, 1902 - 1986 She was born in Philadelphia to Italian parents and studied with her father, Ferruccio Giannini, who was a tenor and ran his own opera company. Her mother Antonietta Briglia-Giannini was an excellent violinist. She was immediately given singing lessons by her father. Dusolina’s sister was also a singer, one of her brothers became a cellist and the other one a well-known composer. At the age of thirteen she sang Azucena in her father’s company. Later she continued her studies with Marcella Sembrich . And it was in New York where there was the scene of her first triumph. She substituted for the indisposed Anna Case at a concert in Carnegie Hall. In 1924 she started recording for the Victor company. The same year she was very successful in London. In 1925 she made her debut as Aida at the Hamburg State Opera. She appeared there until 1930. In 1928 she sang a number of highly successful performances at Covent Garden. She was invited to sing Aida in a complete opera recording (her partners were Pertile, Minghini-Cattaneo and Inghilleri under Sabajno). This recording enjoyed almost legendary fame and familiarized her name throughout the world. She never actually sang at La Scala. In 1934/35 she appeared as Donna Anna at the Salzburg Festival. Guest appearances took her to Monte Carlo, Zurich, Oslo, Amsterdam, San Francisco and Mexico City. In 1936 she made her Met debut as Aida and remained a member of the Met ensemble until 1941. She continued to sing in Europe. After 1962 she was director of the Opera Studio in Zurich.
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