Richard Strauss Metamorphosen Vídeos
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2024-05-04
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Armin Jordan Ernst Dohnányi Kammerensemble Paris 2007 2012
Provided to YouTube by The Orchard Enterprises Sextet for Piano, Violin, Viola, Cello, Clarinet & Horn in C Major, Op. 37: III. Allegro Con Sentimento · Armin Jordan · Kammerensemble de Paris Dohnányi: Sextet – Strauss: Métamorphosen ℗ 2007 VDE-GALLO Released on: 2012-06-26 Composer: Ernst von Dohnányi Auto-generated by YouTube.
New Philharmonia Orchestra Sir John Barbirolli Gustav Mahler 1968 2002
Provided to YouTube by Warner Classics Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppo · New Philharmonia Orchestra/Sir John Barbirolli Mahler: Symphony No.6 - R. Strauss: Metamorphosen ℗ A Warner Classics release, ℗ 1968, 2002 Parlophone Records Limited Orchestra: New Philharmonia Orchestra Producer: Ronald Kinloch Anderson Conductor: Sir John Barbirolli Composer: Gustav Mahler Auto-generated by YouTube.
Richard Strauss Arvo Pärt Jean Marie Zeitouni I Musici
Richard Strauss/Arvo Pärt est le tout premier enregistrement présenté chez ATMA par I Musici de Montréal, sous la direction de Jean-Marie Zeitouni. Metamorphosen de Strauss est une étude majeure pour 23 solistes, composée en réponse à la dévastation de la Seconde Guerre mondiale. L'œuvre est associée à la Symphonie n° 4 "Los Angeles" d'???????????????? ????????̈????????, décrite par le compositeur comme "un salut à la grande puissance de l'esprit humain et de la dignité humaine". Maintenant disponible sur la boutique en ligne ATMA CLASSIQUE (http•••) - Richard Strauss/Arvo Pärt is our first recording project with I Musici de Montréal under Jean-Marie Zeitouni. Strauss's Metamorphosen is a major study for 23 soloists, composed in response to the devastation of World War II. The work is paired with ???????????????? ????????̈????????'s “Los Angeles” Symphony No. 4, described by the composer as “a bow to the great power of the human spirit and human dignity." Now available on the ATMA CLASSIQUE online store (http•••)
Pierre Boulez Paul Sacher Béla Bartók Luciano Berio Paul Hindemith Arthur Honegger Igor Stravinsky Richard Strauss Boris Blacher Richard Rodney Bennett Alfredo Casella Ernst Krenek Rolf Liebermann Michael Tippett Mstislav Rostropovich Schola Cantorum Salzburg Easter Festival 1926 1933 1976 2001
Work introduction Without Paul Sacher, one could succinctly say, the history of music in the 20th century would look very different. In 1926, the Swiss conductor and patron of music founded the Basle Chamber Orchestra to perform new music and, in 1933, the renowned Schola Cantorum Basiliensis as a teaching and research centre for ancient music; but most importantly he commissioned more than 100 compositions and led over 200 world premieres during his active musical life. The most important of these, created at his instigation, include Béla Bartók’s Music for Strings, Percussion and Celesta, Corale by Luciano Berio, Paul Hindemith’s symphony Die Harmonie der Welt, Arthur Honegger’s Second and Fourth Symphonies, Igor Stravinsky’s Concerto en re and the Metamorphosen by Richard Strauss, as well as works by Boris Blacher, Richard Rodney Bennett, Alfredo Casella, Ernst Krenek, Rolf Liebermann and Sir Michael Tippett. Paul Sacher turned 70 in 1976; for the occasion, Mstislav Rostropovich asked 12 renowned contemporary composers to write a piece for violoncello. Messagesquisse [“Sketched Message”] for solo cello and six violoncellos is the work Boulez contributed to congratulating Sacher. He added a foreword to the score to express his intentions: Messages are often secretly hidden Music has this advantage: It dispenses with words, The messages are essentially personal, decoded by everyone according to the time. A cipher – symbolic (reduced) Notes – symbolic (multiplied) Rhythms – symbolic (split up) in order to add a certain number of messages, diverse, divergent, in order thus to let some emotions to pass by, certainly not symbolic ones. The violoncello is the instrument of choice, alone, exclusively able to reflect itself, able to grow out of itself. Is a conductor necessary? Perhaps, to gain time – as always! Only the metronome marks are missing, but who cares about the Possible when one wants the Impossible? This manuscript Dear Paul Is just as much testimony as it is a message … Testimony to the cordial bonds made over all the years by you to me With deep and faithful affection. Pierre Boulez Salzburg Easter Festival 2001
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