Maurice Ravel Fanfarria, Op. 80 Vídeos
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2024-04-23
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Isaac Albéniz Zaragoza Ravel Respighi Rachmaninoff
This new recording presents the two Suites Espanola, including popular works like Cadiz and Asturias (with its unique guitar imitations), as well as the third Suite Ancienne, which contains baroque dance forms in romantic disguise. Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): (http•••) More Information: (http•••) Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: (http•••) Composer: Isaac Albéniz Artist: Sebastian Stanley (piano) The first volume of Sebastian Stanley’s Albéniz survey was greeted with enthusiasm for the repertoire and praise for the interpretations in the pages of Fanfare and elsewhere: ‘He is tender and sentimental in the lyrical moments, animated and energetic in his attack elsewhere. He clearly loves the music, and dispatches it with unapologetic flair.’ His sequel opens with the First Suite Española which contains several of the composer’s most colourful and best-known pieces. It begins with the vibrant guitar-strumming textures and Moorish harmonies of ‘Granada (Serenata)’ and continues with his own interpretation of a dance from his native Catalonia. Evocations of Seville, Cadiz and Asturias all spring from the pages with the sharp colours of a Goya canvas, and the suite comes to an exotic, sensuous conclusion with a Cuban habanera. The Second Suite Española is much smaller and less well-known. Its two movements are evocations of Zaragoza and (once more) Seville. Sebastian Stanley includes two further landscapes in sound: the Zambra granadina (Danse orientale) evokes flamenco dance that features a haunting melody to a seductively syncopated accompaniment. The rolled chords of Cádiz (Gaditana) suggest the strumming of guitars, setting the scene for an animated copla dance. The neoclassical side of Albéniz comes to the fore with the third of his Suites Anciennes – consisting of a graceful Minuet and sprightly Gavotte – which anticipate similar projects to revive Baroque forms in modern guise by Ravel and Respighi. As a reminder of the incomparable richness of the finest Spanish piano music,’ Sebastian Stanley’s Albéniz series should invite the attention of curious listeners and pianophiles alike. Social media links: Facebook: (http•••) Spotify: (http•••) Brilliant Classics: Facebook: (http•••) Spotify: (http•••) Instagram: (http•••) TikTok: (http•••) Tracklist: Suite espanola No. 1, Op. 47: 0:00:00 I. Granada 0:05:09 II. Cataluna 0:07:45 III. Sevilla 0:12:38 IV. Cadiz 0:17:09 V. Asturias 0:23:50 VI. Aragon 0:28:59 VII. Castilla 0:32:08 VIII. Cuba Suite espanola No. 2, Op. 97: 0:38:12 I. Zaragoza 0:42:07 II. Sevilla Suite ancienne No. 3: 0:49:20 I. Minuetto 0:52:57 II. Gavota 0:56:55 Zambra granadina (danse orientale) 1:00:14 Cadiz (gaditana) Spotify Playlists: Most Popular Piano Classics: (http•••) Top 50 Rachmaninoff: (http•••) Best Piano Music: (http•••) Peaceful and Relaxing Piano Music: (http•••) Beautiful Piano Nocturnes: (http•••) Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. (http•••) #Albinez #Suite #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
Macao Orchestra Britten Bruckner Bach Ravel Gabrieli Tomasi Turner Hing Ching Goldsmith Fujita 2014
"All we need is brass" dress-rehearsal. April 10, 2014. Britten: "Fanfare for St. Edmundsbury" Bruckner: Motets Bach: Toccata and Fugue in D minor, BWV 565 Ravel: "Pavane for a Dead Princess" Gabrieli: Canzoni et Sonate Wagner: "Elsa's procession to the cathedral" from "Lohengrin" Tomasi: "Fanfares Liturgiques" Trumpets: David Rouault, Rosie Turner, Fung Ka Hing, Lertkiat Chongjirajitra French Horns: Tianxia Wu, Etienne Godey, Cheng Chu-Ching, Chen Ying-Chu, Xavier Faure Trombones: Christian Goldsmith, Simon Tétreault, Kevin Thompson, Scott Robinson Euphonium: Keith Man-Kit Long Tuba: Hidehiro Fujita Percussions: Raul Montoya, Louis Siu, Rose Devas Vilvocq
George Enescu Hamelin Beethoven Chopin Yehudi Menuhin Dinu Lipatti Pablo Casals Alfred Cortot Debussy Ravel Couperin Brassard Christensen 1881 1901 1903 1918 1955
00:12 - I. Toccata 04:16 - II. Sarabande 11:32 - III. Pavane 17:26 - IV. Bourrée To get my latest CD "Live: Beethoven, Enescu, Chopin" and iTunes : (http•••) GEORGE ENESCU (1881 – 1955) During his lifetime, George Enescu’s compositional output was eclipsed by his brilliant career as a soloist, chamber musician, conductor, and teacher. A virtuoso violinist who taught the likes of Yehudi Menuhin and who performed with Dinu Lipatti and Pablo Casals, Enescu was also an excellent pianist whose technique was admired by none other than Alfred Cortot. Enescu himself premiered his Piano Suite No. 2 in D major, Op. 10 in 1903. Three of the four movements were written for an international composition competition organized that same year by the magazine Musica. To the “Toccata” composed two years earlier during a stay in his home country of Romania, he added a “Sarabande”, “Pavane”, and “Bourrée” to form a suite that he submitted to the jury under the title of Des cloches sonores (Ringing Bells). The bell image works particularly well for the rich, vibrant textures of the opening “Toccata” and the closing “Bourrée”. Enescu here seems to use a definition of “toccata” dating from the 16th and 17th centuries, when it could mean a fanfare-like work. Unlike the perpetual motion character of the toccatas from Debussy’s 1901 Suite pour le piano and the conclusion of Ravel’s Tombeau de Couperin (1918), Enescu’s Op. 10 Toccata alternates full, majestic writing that makes liberal use of the pedal and that spans both ends of the piano’s range with thinner, more articulate writing, thereby evoking different stops on an organ. In the introduction of the noble, dream-like “Sarabande”, the arpeggiated chords accompanying the melody, played in octaves with the right hand, evoke the strumming of guitar strings, an accompaniment style that returns from time to time as the movement unfolds. The “Pavane”, which bears the indication “lentement bercé” (slowly rocking), is the most intimate movement of the work. In the opening lines, the melody, with its free rhythm ornamented with trills and marked “quasi flûte” (flute-like), could be heard as an allusion to Romanian folk music; however, in a suite so highly imbued with French influences, it remains a very subtle evocation. Much more exuberant – at times even pounding – with moments of dramatic intensity not yet reached in the previous movements, the opening of the “Bourrée” manages to be at once festive and solemn, with a motive in parallel thirds in the right hand that undeniably evokes a trumpet call. This motive takes on great importance as the piece unfolds, its rhythm or melodic shape variously taken up in different registers of the keyboard, culminating in an almost orchestral climax shortly before the end. Notes by Florence Brassard Translation by Peter Christensen Texte en français ici : (http•••)
Giovanni Battista Viotti Ranieri Paganini Haydn Liszt Bach Satie Mozart Tchaikovsky Beethoven Chopin Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Wagner
Composer: Giovanni Battista Viotti Artists: Quartetto Viotti Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Chamber music of flowing melody and unalloyed charm from the golden age of the Classical period. On this new recording, the flautist Stefano Parrino is joined by his brother, the Viotti expert and violinist Francesco Parrino, as well as Luca Ranieri (viola) and Maria Cecilia Berioli (cello) who, as the Viotti String Quartet, have recorded the composer’s complete works in that medium for Brilliant Classics (95264). The set met with a warm critical reception for its ‘top-notch’ musicians (Fanfare). Giovanni Battista Viotti (1755–1824) was one of the leading Italian violin virtuosos in the period between Tartini and Paganini. Having settled in Paris in 1782, he became a teacher of such influence that he is now counted the founder of the French violin school, though he moved to London in 1792, where he remained for the rest of his life, performing as a soloist in Salomon’s concerts and forging a friendship with Haydn. Tracklist: Giovanni Battista Viotti: Quartet No. 1 in B-Flat Major, Op. 22: 0:00:00 I Andante-Allegro Vivace 0:10:08 II. Andante 0:12:23 III. Allegretto Quartet No. 2 in C Minor, Op.22: 0:15:54 I. Moderato ed espressivo 0:25:29 II. Menuetto Presto-Trio 0:29:25 III. Allegro agitato e con fuoco Quartet No.3 in E-Flat Major, Op. 22: 0:35:13 I. Moderato 0:45:22 II. Il Pastorello (Andante Tempo di Pastorale): Allegro Social media: Facebook: (http•••) Instagram: (http•••) Twitter: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Viotti #Flute #BrilliantClassics
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