Karlheinz Stockhausen Donnerstag aus Licht, Opp. 48-50 Vídeos
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Karlheinz Stockhausen Basset Kathinka Pasveer Suzanne Stephens Stephens Pierre Laurent Aimard Kertész 1628 1987
Karlheinz Stockhausen - Evas Zweitgeburt (Eve's second birthgiving), Nr. 57 (1987) Act 2 of the opera Montag aus Licht (Monday from Light) Scored for 7 solo boy singers, basset-horn, 3 basset-teases (2 basset-horns and 1 vocal basset-horn), piano, choir (tape or live), and on stage: 21 actresses, girls' choir, modern orchestra (3 synth. players, 1 perc., tape) Children's Choir of Radio Budapest (Janos Remenyi, choir master) Zaans Kantatekoor (Jan Pasveer, choir master) Coeur de Basset (basset horn) - Suzanne Stephens Budgerigar (piano) - Pierre-Laurent Aimard Monday Boy (soprano) - Gabriella Vakarcs Tuesday Boy (soprano) - Attila Kudor Wednesday Boy (soprano) - Patrik Pulinka Thursday Boy (soprano) - Borbála Györi Friday Boy (soprano) - Agnes Pintér Saturday Boy (soprano) - Péter Kertész Sunday Boy (soprano) - Gergely Hutás Bassettinen (2 basset horns and soprano) - Rumi Sota, Nele Langrehr, Kathinka Pasveer Scene 1: Mädchenprozession - 0:00 In the Girls' Procession, a choir of young girls, wearing dresses shaped like lilies, ceremonially enters bearing candles. The sea is now frozen, and women are hacking blocks of ice with axes, and melting the ice in cauldrons. The idea came from a ritual Stockhausen witnessed in Japan, in a valley near Kyoto, in which girls were carrying small lamps in a procession to a temple. This type of ceremony, with processions of torches, candles, or other forms of fire, is found as a fertility rite in many world traditions, such as the Egyptian Feast of Lamps for Osiris, the Greek and Roman rites of Hecate and Diana, respectively, and later in the Christian festival of torches on 15 August in honor of the Virgin Mary. Scene 2: Befruchtung mit Klavierstück - 10:13 Conception with Piano Piece. The women and girls call for a grand piano played by a budgerigar to inseminate the Eve statue for a second birth. The budgerigar plays Klavierstück XIV. Scene 3: Wiedergeburt - 16:28 Rebirth. To the singing of American Indian children, the piano is quickly pulled away and the statue's womb begins to glow, green and red, like a nativity scene. The sunlight returns, and seven boys are born, one for each weekday. Eve's Song is essentially a concerto for basset horn and synthesizers, against a background of the continuing boys' and girls' choirs from the preceding scenes, and trombones.[16] It consists of a succession of four situations: Scene 4a: Evas Lied - Cœur de Basset - 22:09 Cœur de Basset emerges from the breast of the statue, playing a basset horn. The women melt large chunks of ice in steaming vats. With glass laboratory equipment, they condense the steam into water. Scene 4b: Evas Lied - In Wochenkreis - 25:53 Cycle of the Week, Cœur de Basset teaches each of the boys the song of his weekday. Scene 4c: Evas Lied - Basset-Teases - 43:14 The women put the water they have collected into watering cans and sprinkle the earth with it. Cœur de Basset divides into multiple basset-horn players, Busi, Busa, and Muschi. A transparent Eve figure emerges from the statue and floats toward the boys. Scene 4d: Evas Lied - Initiation - 52:45 Cœur, Busi, Busa, and Muschi begin a dance, confusing and infatuating the boys. A distant thunderstorm is heard, and a boy calls, "Turn off the lights!" The lights go out. (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
Karlheinz Stockhausen Kathinka Pasveer 2015
Karlheinz Stockhausen: KLAVIERSTÜCK XII (EXAMEN vom DONNERSTAG aus LICHT als Klaviersolo) Simon Smith, piano Kathinka Pasveer, sound projection Stockhausen Courses Kürten, 16 July 2015 Stockhausen Foundation for Music, Kürten (www.karlheinzstockhausen.org) The score can be ordered at www.stockhausen-verlag.com
Karlheinz Stockhausen Basset Mock
Donnerstag aus Licht - Michaels Reise um die Erde Act 2 from the opera THURSDAY from LIGHT. In the second act, Michael undertakes a journey around the world in what is essentially a trumpet concerto with orchestra, performed in a huge rotating globe set against a starry firmament. There are seven "stations" along the way, at each of which the music takes on colour from the locale: Germany, New York, Japan, Bali, India, Central Africa, and Jerusalem. Michael's formula gradually evolves from a simple beginning form to increasingly florid extravagance, finally shattering into incoherent fragments in stations 5 and 6. When he reaches Central Africa, Michael hears a distant basset horn, and orders the globe to stop turning. Michael commands the earth to rotate in reverse as the seventh station, Jerusalem, is reached, and he begins a new process of rehabilitation in a therapeutic conversation with a double-bass player. Mondeva appears, and they perform a duet in which their melodic formulas merge and intertwine until each plays the other's formula. Two clownish clarinet players, costumed as a pair of swallows, mock and—together with the orchestral low brass, an emblem of Lucifer—"crucify" him, after which the act ends with a musical "ascension" in which the sounds of the trumpet and basset horn circle around until they are united in a trill
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