Juan Sebastián Bach Wie schön leuchtet der Morgenstern Vídeos
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Johann Sebastian Bach Wächter Alessio Bax Bax Wilhelm Kempff Perlman Philipp Nicolai George Ratcliffe Woodward Woodward Dürr Heil Freund 1599 1724 1731 1858 1906 1908 1983 2007 2009 2015 2017
Tema utilizado para la película "Call Me By Your Name" realizada en 2017./ I do not own claim to own this material (Music & Photos). This video is purely for entertainment purposes and not for profit, I give full credit to the artist and to the owners of the song, No copyright infringement intended!/ Album: "Call Me By Your Name (Original Motion Picture Soundtrack)" Track 6: “Zion Hört Die Wächter Singen” From Cantata BWV 140 “Wachet Auf, Ruft Uns Die Stimme” Movement 4 Composer: Johann Sebastian Bach Piano: Alessio Bax Piano Transcription: Wilhelm Kempff Courtesy: Signum Records Copyright (p): Signum Records LTD. Label: Masterworks Phonographic Copyright (p): Sony Pictures Classics Inc. Phonographic Copyright (p): Madison Gate Records, Inc. Copyright (c): Madison Gate Records, Inc. Licensed: Sony Music Entertainment Production Company: Frenesy Film Company, La Cinéfacture, RT Features, M.Y.R.A. Entertainment, Water's End Productions Distributed: Sony Pictures Classics Call Me by Your Name is a 2017 romantic coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the third and final installment in Guadagnino's thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father's American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois. "Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906) "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858) or "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). The hymn is known as the foundation of Johann Sebastian Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers. Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the hymn appears unchanged in movements 1, 4 and 7. An unknown author supplied poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second (movement 4) in the style of a chorale prelude, and the third as a four-part chorale. Bach used movement 4 of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order". Movements of Wachet auf, ruft uns die Stimme, BWV 140: 1. Wachet auf, ruft uns die Stimme/2. Er kommt/3. Wann kommst du, mein Heil?/4. Zion hört die Wächter singen/5. So geh herein zu mir/6. Mein Freund ist mein!/7. Gloria sei dir gesungen. The fourth movement, "Zion hört die Wächter singen" (Zion hears the watchmen singing), is based on the second verse of the chorale. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in unison by the violins (without the violino piccolo) and the viola, accompanied by the basso continuo. Bach later transcribed this movement for organ (BWV 645), and it was subsequently published along with five other transcriptions Bach made of his cantata movements as the Schübler Chorales. Source: Wikipedia
Johann Sebastian Bach Manuel Walser Marien Mund 1400 1500 2010
Would you like to donate? Paypal.me/bachstiftung IBAN: CH73 0900 0000 8558 5738 0 From the protestant church Trogen in Switzerland Choir and Orchestra of the Schola Seconda Practica Rudolf Lutz - Conductor Soloists: Eva Oltivànyi - Soprano Makoto Sakurada - Tenor Manuel Walser - Bass Johann Sebastian Bach - Cantata BWV 1 "Wie schön leuchtet der Morgenstern" (How beautiful shines the morning star) Chapters: 00:00 Bach - BWV 1, Concert on 26.03.2010 00:50 Choir: Wie schön leuchtet der Morgenstern 08:20 Recitative (Tenor): Du wahrer Gottes und Marien Sohn, 09:26 Aria (Soprano): Erfüllet, ihr himmlischen, göttlichen Flammen, 14:00 Recitative (Bass): Ein ird’scher Glanz, ein leiblich Licht 15:00 Aria (Tenor): Unser Mund und Ton der Saiten 21:15 Chorale: Wie bin ich doch so herzlich froh, Subscribe to our channel: (http•••) For further information on the Bach Foundation, go to: (http•••) The complete cantata, introductory workshop and reflection lecture (in German) are available at: (http•••)
Score available here: (http•••) Richter’s opus 20 is a collection of 6 Trio’s, 5 of which are based on a choral melody. A very bad and hardly readable scan of Richter’s opus 20 is available on imslp. To make playing these trio’s easier for me, I decided to transcribe them. And having done that, I might as well publish them. The trio on “Wie schön leuchtet der Morgenstern” is firmly rooted in the Bach tradition. In phrasing and harmony it could have been composed a hundred years earlier. The prescribed registration however, is more of Richter’s own time. It is a fine piece, and well worth playing. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Registration Echo: Dulciana 8′ Positiv: Salicional 8′, Flautravers 8′ (RH) HW: Gamba 8′, Viola 8′ (LH) Ped: Subbas 16′ II+III, Ped+III
Bach Marien Mund Karl Richter Richter
1. Chorus: Wie schön leuchtet der Morgenstern 2. Recitative (tenor): Du wahrer Gottes und Marien Sohn 3. Aria (soprano): Erfüllet, ihr himmlischen göttlichen Flammen 4. Recitative (bass): Ein irdscher Glanz, ein leiblich Licht 5. Aria (tenor): Unser Mund und Ton der Saiten 6. Chorale: Wie bin ich doch so herzlich froh. Munchener Bach-Chor - Munchener Bach-Orchester - Karl Richter.
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