Jean-Philippe Rameau Pieces de Clavecin en Concert : Cinquième concert Vídeos
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Jean Philippe Rameau Marais Fortin Carlos Prieto Ensemble Masques 2010
Provided to YouTube by Universal Music Group Rameau: Pièces de clavecin en concert, Cinquième concert: III. La Marais · Olivier Fortin · Ensemble Masques Rameau: Pieces de clavecin en concerts ℗ 2010 ATMA Classique Released on: 2010-04-03 Producer: Johanne Goyette Studio Personnel, Recording Engineer: Carlos Prieto Composer: Jean-Philippe Rameau Auto-generated by YouTube.
Jean Philippe Rameau Cupis Fortin Carlos Prieto Ensemble Masques 2010
Provided to YouTube by Universal Music Group Rameau: Pièces de clavecin en concert, Cinquième concert: II. La Cupis · Olivier Fortin · Ensemble Masques Rameau: Pieces de clavecin en concerts ℗ 2010 ATMA Classique Released on: 2010-04-03 Producer: Johanne Goyette Studio Personnel, Recording Engineer: Carlos Prieto Composer: Jean-Philippe Rameau Auto-generated by YouTube.
Jean Philippe Rameau Forqueray Trevor Pinnock Rachel Podger Jonathan Manson Manson Corelli Johann Sebastian Bach 1683 1720 1741 1764
JEAN-PHILIPPE RAMEAU +••.••(...)) Pièces de Clavecin en Concert, Cinquième concert for violin, viola da gamba, and obbligato harpsichord in D Minor 1. Forqueray Performed by Trevor Pinnock, harpsichord Rachel Podger, violin Jonathan Manson, viola da gamba *The Pièces de Clavecin en Concert, published in 1741, constitute the only chamber music by Jean-Philippe Rameau and were composed in full maturity; they came after his music for solo harpsichord, and just before les Indes galantes. They are very different from the trio sonatas in the Italian manner (such as those of Corelli), where the harpsichord is only providing the role of a continuo bass. In Rameau's works, the harpsichord is at the heart of the ensemble, playing a fully written-out obbligato part with virtuosity, with the accompaniment falling to the violin and viola da gamba. Rameau provided for differing instrumental combinations: the flute can replace the violin and a second violin can replace the viola da gamba. It is possible to compare these works with the violin sonatas of Johann Sebastian Bach, written earlier, around 1720, in which the melodic material is shared equally between the violin and harpsichord and the harpsichord part is obbligato nearly throughout.
Jean Philippe Rameau Forqueray Cupis Marais Hale 1683 1741 1764 2017
Jean-Philippe Rameau +••.••(...)) Pieces de clavecin en concert, Cinquieme Concert (1741) I. Fugue La Forqueray II. La Cupis III. La Marais Live performance from Early Music Evenings of the John Kleshinski Concert Series, 13 April 2017. Allen Hall at the Community Music Center of Boston at the Boston Center for the Arts. Emily Hale, Baroque violin Nickolai Sheikov, harpsichord Ben Swartz, viola da gamba Videography by Scott Quade
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