Franz Liszt Salve Regina Vídeos
Última actualización
2024-04-30
Actualizar
San Pelayo Frederick Delius Felix Mendelssohn Bartholdy Jean Sibelius Johann Ernst Eberlin Francesco Geminiani Joseph Haydn Johannes Brahms Ludwig Van Beethoven John Williams Nicolai Rimsky Korsakov Richard Wagner Sergej Rachmaninov Max Bruch Alessandro Scarlatti Scarlatti Paganini Alexander Glazunov Tchaikovsky Ottorino Respighi Richard Strauss Benjamin Britten Martinu Ruperto Chapí Arcangelo Corelli Antonio Salieri Charles Gounod Ernest Chausson Dmitri Kabalevsky Edvard Grieg Cannabich Franz Schubert Handel Franz Liszt Johann Stamitz George Gershwin Tomaso Albinoni Robert Schumann Mozart Victor Herbert Antonio Rosetti
CANTO GREGORIANO Monjas Benedictinas Monasterio San Pelayo Oviedo CLÁSICOS LLEVADEROS 655-CANTO GREGORIANO Monjas Benedictinas Monasterio San Pelayo-Oviedo 656-FREDERICK DELIUS Música Incidental 657-FELIX MENDELSSOHN BARTHOLDY Sinfonía Nº 6 Mi bemol mayor 658-JEAN SIBELIUS Concierto violín Orquesta Op. 47 659-JOHANN ERNST EBERLIN Toccatas y Fugas Nº1- 2- 3 660-FRANCESCO GEMINIANI Concerto Grosso G moll Op. 3 Nº 2 661-JOSEPH HAYDN Concierto violonchelo Nº 1 Do menor 662-JOHANNES BRAHMS Sonata Fa mayor Op. 99 663-LUDWIG VAN BEETHOVEN Seis Bagatelles Op. 126 664-JOHN WILLIAMS Tres Piezas La lista de Schindler 665-NICOLAI RIMSKY KORSAKOV Sinfonía Nº 2 Op. 9 666-RICHARD WAGNER Parsifal Preludio 667-SERGEJ RACHMANINOV Concierto piano y Orquesta Nº 3 668-MAX BRUCH Concierto violín Nº 3 Re menor 669-ALESSANDRO SCARLATTI Salve Regina 670-ÓRGANO HISTÓRICO DE ESPAÑA La Bastida (2)-Alava 671-NICCOLO PAGANINI Sonata A major guitarra 672-ALEXANDER GLAZUNOV Stenka Razin Poema 673-PETER I. TCHAIKOVSKY Obertura La Tormenta 674-PINCELADAS SEMANA SANTA Andalucía 675-OTTORINO RESPIGHI Vetrate di chiesa 676-RICHARD STRAUSS Muerte y Transfiguración 677-ANTONIN DVORAK Sinfonía Nº 7 en Re menor 678-BENJAMIN BRITTEN Concierto Violín y orquesta Op. 15 679-BOHUSLAV MARTINU Variaciones sobre un Tema de Rossi 680-RUPERTO CHAPÍ El Rey que Rabió Zarzuela 681-ARCANGELO CORELLI Follia- Sonata violín Bajo continuo Op. 5 Nº 12 682-ANTONIO SALIERI Sinfonía en Re mayor Il Giorno onomástico 683-CHARLES GOUNOD Misa Solemne en Honor de Santa Cecilia 684-ERNEST CHAUSSON Poema Op. 25 685-DMITRI KABALEVSKY Concierto violín y orquesta Do mayor Op. 48 686-EDVARD GRIEG En Folk Style Op. 63 Nº 1 687-CRISTIANO CANNABICH Sinfonía Si bemol mayor 688-RESPIGHI Fantasía Op. 24 689-CANTO GREGORIANO Tiempo de Pascua y otros 690-FRANZ SCHUBERT Cinco danzas Alemanas D. 90 691-G. F. HANDEL Xerxes Largo 692-FRANZ LISZT Rapsodia Española 693-JOHANN STAMITZ Concerto B Flat Clarinete y orquesta 694-GEORGE GERSHWIN Concierto piano y orquesta en Fa 695-TOMASO ALBINONI Concierto trompeta Si bemol mayor Op. 7 Nº 3 696-ROBERT SCHUMANN Misa Sacra Do menor Op.147 697-JOSEPH HAYDN Sinfonía Nº 75 re mayor 698-PETER I. TCHAIKOVSKY The Voyevoda Op. 78 699-SIR ARNOLD MAX Trio piano Si bemol 700-ÓRGANO HISTÓRICO DE VENDRELL. Tarragona 701-W. AMADEUS MOZART Sinfonía Nº 25 G minor K. 183 702-ROBERT SCHUMANN Sinfonía Nº 3 Mi bemol mayor-Renana 703-VICTOR HERBERT Cinco piezas. Estudios 704-ANTONIO ROSETTI Concerto oboe Do mayor
Franz Peter Schubert Felix Mendelssohn Robert Schumann Franz Liszt Johannes Brahms Holzer Antonio Salieri Mozart Michael Haydn Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813 1828
Franz Peter Schubert (31 January 1797 – 19 November 1828) He was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before her marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783),nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. He was not recognized or even formally trained as a musician, but was able to pass on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At the age of six, Franz began to receive regular instruction from his father and a year later was enrolled at his father's school. His formal musical education also started around the same time. His father taught him basic violin technique, and his brother Ignaz gave him piano lessons. At the age of seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental, lessons which may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. He wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart and the symphonies of Joseph and Michael Haydn. His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs of Johann Rudolf Zumsteeg, who was an important Lieder composer of the time, which, his friend Joseph von Spaun reported, the precocious young student "wanted to modernize". Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to an unfinished Wind Octet (D 72, said to commemorate the 1812 death of his mother),[12] the cantata "Wer ist groß?" for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony (D 82).
Franz Peter Schubert Felix Mendelssohn Robert Schumann Franz Liszt Johannes Brahms Holzer Antonio Salieri Mozart Michael Haydn Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813 1828
Franz Peter Schubert (31 January 1797 – 19 November 1828) He was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before her marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783),nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. He was not recognized or even formally trained as a musician, but was able to pass on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At the age of six, Franz began to receive regular instruction from his father and a year later was enrolled at his father's school. His formal musical education also started around the same time. His father taught him basic violin technique, and his brother Ignaz gave him piano lessons. At the age of seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental, lessons which may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. He wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart and the symphonies of Joseph and Michael Haydn. His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs of Johann Rudolf Zumsteeg, who was an important Lieder composer of the time, which, his friend Joseph von Spaun reported, the precocious young student "wanted to modernize". Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to an unfinished Wind Octet (D 72, said to commemorate the 1812 death of his mother),[12] the cantata "Wer ist groß?" for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony (D 82).
Franz Peter Schubert Felix Mendelssohn Robert Schumann Franz Liszt Johannes Brahms Holzer Antonio Salieri Mozart Michael Haydn Haydn Johann Rudolf Zumsteeg 1783 1797 1804 1808 1812 1813 1828
Franz Peter Schubert (31 January 1797 – 19 November 1828) He was an Austrian composer. Schubert died at 31 but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century. Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before her marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783),nine died in infancy. Their father was a well-known teacher, and his school in Lichtental (in Vienna's ninth district) had numerous students in attendance. He was not recognized or even formally trained as a musician, but was able to pass on certain musical basics to his gifted son. The house in which Schubert was born, today Nussdorfer Strasse 54 At the age of six, Franz began to receive regular instruction from his father and a year later was enrolled at his father's school. His formal musical education also started around the same time. His father taught him basic violin technique, and his brother Ignaz gave him piano lessons. At the age of seven, he was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental, lessons which may have largely consisted of conversations and expressions of admiration. The boy seemed to gain more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he could practice on better instruments. He also played viola in the family string quartet, with brothers Ferdinand and Ignaz on first and second violin and his father on the violoncello. He wrote his earliest string quartets for this ensemble. Young Schubert first came to the attention of Antonio Salieri, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In October 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart and the symphonies of Joseph and Michael Haydn. His exposure to these and lesser works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs of Johann Rudolf Zumsteeg, who was an important Lieder composer of the time, which, his friend Joseph von Spaun reported, the precocious young student "wanted to modernize". Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. In the meantime, his genius began to show in his compositions. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, and Salieri decided to start training him privately in music theory and even in composition. It was the first orchestra he wrote for, and he devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to an unfinished Wind Octet (D 72, said to commemorate the 1812 death of his mother),[12] the cantata "Wer ist groß?" for male voices and orchestra (D 110, for his father's birthday in 1813), and his first symphony (D 82).
o
- Las mejores obras para coro
- Obras imprescindibles: época romántica
- Índices (por orden alfabético): S...