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David Bispham Frederic Clay Kingsley Weed Salmon 1857 1903 1921
David Bispham (bass, 1857 - 1921) sings " The Sands o'Dee" by Frederic Clay, words by Charles Kingsley, recorded in 1903. Original G&T 12" single-sided record 02045, played on a travelling arm gramophone based on the "Trade Mark model", but of modern construction, with refinements. (See Experimental Monmouth Gramophone No 1). O Mary, go and call the cattle home, And call the cattle home, And call the cattle home Across the sands of Dee"; The western wind was wild and dank with foam, And all alone went she. The western tide crept up along the sand, And o'er and o'er the sand, And round and round the sand, As far as eye could see. The rolling mist came down and hid the land: And never home came she. "Oh! is it weed, or fish, or floating hair-- A tress of golden hair, A drownèd maiden's hair Above the nets at sea? Was never salmon yet that shone so fair Among the stakes on Dee." They rowed her in across the rolling foam, The cruel crawling foam, The cruel hungry foam, To her grave beside the sea: But still the boatmen hear her call the cattle home Across the sands of Dee.
Salmon Beethoven Pierre Boulez Benedict Mason Eötvös Bernard Haitink Ed Spanjaard Pierre André Valade Jorma Panula Lucerne Festival 2001 2003 2004 2005 2006 2007 2009 2012
Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal (http•••) About Miguel Salmon Del Real, conductor. "He has proved to be a gifted and serious musician" Pierre Boulez (Paris, 2006) " His command of the ensembles and his knowledge of the scores are superb... selfless, serious and substantial..." Cliff Colnot, Conductor (Chicago, 2005) "A true developed all-rounded musician" Benedict Mason, Composer. (The Hague, 2004) Since 2001 Miguel Salmon Del Real has conducted several Symphony Orchestras, Ensembles and Choirs in Mexico, Holland, Germany, France and the United Kingdom. One of the most complete conductors of his generation, Miguel Salmon Del Real earns a Master degree in Orchestral Conducting Master (Conservatorium van Amsterdam, under Lucas Vis) and several bachelor degrees: Composition (Royal Conservatory, The Hague), Choir and Orchestral Conducting and Musicology (Instituto Cardenal Miranda and Istituto Pontificio di Musica Sacra di Roma), the Sonology Course (Sonology Institute, The Hague) and several studies in languages and humanities. Invited twice as an active participant to the prestigious Master Course in Conducting at the Lucerne Festival Academy has been chosen by Pierre Boulez in 2005 and and Peter Eötvös in 2007. In 2009 he took part as one of 24 young conductors at the Bernard Haitink Master conducting course at the same city. Some other courses include maestros as Ed Spanjaard, Pierre André Valade, Jorma Panula, Zsolt Nagy and Parkai Itsvan. Having founded the Nederlands Nieuwe Muziek Groep in 2003 and the Ensamble Nuevo de México in 2009 he has premiered nearly 100 pieces from living composers around the globe.
Salmon Sibelius Orchestre Auvergne
¿Acaso una sociedad necesita artistas? ¿Es necesario que una comunidad sueñe? ¿Y a la luz de un pensamiento pragmático, que utilidad tendría? Las grandes obras maestras son mundos fantásticos y paralelos, que habitan entre nosotros y fungen socialmente como ejemplos virtuosos. Un país que tiene artistas es un país que sabe soñar, que sabe pensar de acuerdo a lógicas mayores y con ello encontrar soluciones a los problemas más cotidianos. Miguel Salmon Del Real es considerado uno de los directores orquestales de mayor solidez de su generación a nivel internacional. Compositor, musicólogo e investigador, posee títulos y cursos maestros en Dirección orquestal, Dirección coral, Composición, Musicología y canto gregoriano de México, Italia, los Países Bajos, Francia y Suiza. Director titular de la Orquesta Sinfónica Sinaloa de las Artes, se ha presentado como director huésped en 11 países y en México ante 20 orquestas sinfónicas. Ha estrenado un centenar de obras del siglo XXI de compositores de países varios. Además de las varias orquestas dirigidas en México, se ha presentado en el extranjero ante las siguientes orquestas: en Alemania ante la Filarmónica de Trier, la Berliner Sibelius Orchester y el Kosmopolitan Ensamble Berlin; en Polonia la Orquesta Filarmónica de Warmia y Mazuria, la Filarmónica de Kalisz y la Filarmónica de Opole; en Francia l’Orchestre d’Auvergne, la Orquesta y Coro del Conservatorio de París; en Rusia ante la Sinfónica de Voronezh; en España la Camerata XXI de Reus, en Brasil la Sinfonica do Teatro Nacional Claudio Santoro además de orquestas en Portugal, República Checa, Turquía, Reino Unido y los Países Bajos. Es considerado uno de los directores de mayor solidez de su generación a nivel internacional. Compositor, musicólogo e investigador, posee títulos y cursos maestros en Dirección orquestal, Dirección coral, Composición, Musicología y canto gregoriano de México, Italia, los Países Bajos, Francia y Suiza. Director titular de la Orquesta Sinfónica Sinaloa de las Artes, se ha presentado como director huésped en 11 países y en México ante 20 orquestas sinfónicas. Ha estrenado un centenar de obras del siglo XXI de compositores de países varios. Además de las varias orquestas dirigidas en México, se ha presentado en el extranjero ante las siguientes orquestas: en Alemania ante la Filarmónica de Trier, la Berliner Sibelius Orchester y el Kosmopolitan Ensamble Berlin; en Polonia la Orquesta Filarmónica de Warmia y Mazuria, la Filarmónica de Kalisz y la Filarmónica de Opole; en Francia l’Orchestre d’Auvergne, la Orquesta y Coro del Conservatorio de París. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at (http•••)
Shakespeare Moody Barrett Cary Foley Matthews Salmon Clements New York City Opera 1849 1873 1875 1880 1881 1913 1958 1960 1968 1992 1996 1998 1999 2000 2001 2002 2003 2006 2007 2009 2010 2011 2012 2015 2017 2019
The second-bloodiest riot in the history of New York was touched off by a dispute between two Shakespearean actors. Their supporters started a brawl that killed as many as 30 people and changed the institution of theater in American society. In this week's episode of the Futility Closet podcast we'll tell the story of the Astor Place riot, "one of the strangest episodes in dramatic history." We'll also fertilize a forest and puzzle over some left-handed light bulbs. Intro: In 1968, mathematician Dietrich Braess found that installing a traffic shortcut can actually lengthen the average journey. What key is "Lucy in the Sky With Diamonds" written in? Sources for our feature on the Astor Place riot: Nigel Cliff, The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America, 2007. Richard Moody, The Astor Place Riot, 1958. Lawrence Barrett, Edwin Forrest, 1881. Joel Tyler Headley, Pen and Pencil Sketches of the Great Riots, 1873. H.M. Ranney, Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House, 1849. Leo Hershkowitz, "An Anatomy of a Riot: Astor Place Opera House, 1849," New York History 87:3 (Summer 2006), 277-311. Bill Kauffman, "New York's Opera House Brawl," American Enterprise 13:4 (June 2002), 51. M. Alison Kibler, "'Freedom of the Theatre' and 'Practical Censorship': Two Theater Riots in the Early Twentieth Century," OAH Magazine of History 24:2 (April 2010), 15-19. Edgar Scott, "Edwin Forrest, First Star of the American Stage," Pennsylvania Magazine of History and Biography 84 +••.••(...). Adam I.P. Smith, "The Politics of Theatrical Reform in Victorian America," American Nineteenth Century History 13:3, 321-346. Daniel J. Walkowitz, "'The Gangs of New York': The Mean Streets in History," History Workshop Journal 56 (Autumn 2003), 204-209. Gretchen Sween, "Rituals, Riots, Rules, and Rights: The Astor Place Theater Riot of 1849 and the Evolving Limits of Free Speech," Texas Law Review 81:2 (December 2002), 679-713. Michael J. Collins, "'The Rule of Men Entirely Great': Republicanism, Ritual, and Richelieu in Melville's 'The Two Temples,'" Comparative American Studies 10:4 (December 2012), 304-317. Loren Kruger, "Our Theater? Stages in an American Cultural History," American Literary History 8:4 (Winter 1996), 699-714. Dennis Berthold, "Class Acts: The Astor Place Riots and Melville's 'The Two Temples,'" American Literature 71:3 (September 1999), 429-461. Cary M. Mazer, "Shakespearean Scraps," American Literary History 21:2 (Summer 2009), 316-323. Barbara Foley, "From Wall Street to Astor Place: Historicizing Melville's 'Bartleby,'" American Literature 72:1 (March 2000), 87-116. Neil Smith, "Imperial Errantry," Geographical Review 102:4 (October 2012), 553-555. Betsy Golden Kellem, "When New York City Rioted Over Hamlet Being Too British," Smithsonian.com, July 19, 2017. Amanda Foreman, "A Night at the Theater Often Used to Be a Riot," Wall Street Journal, March 20, 2015. Scott McCabe, "At Least 22 Killed in Astor Place Riots," [Washington, D.C.] Examiner, May 10, 2011. Timothy J. Gilfoyle, "A Theatrical Rivalry That Sparked a Riot," Chicago Tribune, April 22, 2007, 14.11. Paul Lieberman, "The Original Star; On His 200th Birthday, America's First 'Celebrity' Actor, Edwin Forrest, Still Has Fans," Los Angeles Times, March 21, 2006, E.1. Michael Grunwald, "Shakespeare in Hate; 150 Years Ago, 23 People Died In a Riot Over 'Macbeth,'" Washington Post, March 28, 1999, G01. Mel Gussow, "Richard A. Moody, 84, American-Theater Expert," New York Times, April 4, 1996. Frank Rich, "War of Hams Where the Stage Is All," New York Times, Jan. 17, 1992. "Theater: When 'Macbeth' Shook the World of Astor Place," New York Times, Jan. 12, 1992. "The Biggest Publicity Coup in the History of the Stage," New York Tribune, May 4, 1913, 4. "Death of an Aged Actress," New York Times, March 17, 1880. J. Brander Matthews, "W.C. Macready," Frank Leslie's Popular Monthly 10 +••.••(...). "The Astor Place Riots," New York Times, April 11, 1875. "An Old Story Retold; The Astor Place Riot / Reminiscences of Macready," New York Times, April 3, 1875. "Dreadful Riot and Bloodshed in New York," British Colonist, May 23, 1849. "Remembering New York City's Opera Riots," Weekend Edition Saturday, National Public Radio, May 13, 2006. Listener mail: M. Ben-David, T.A. Hanley, and D.M. Schell, "Fertilization of Terrestrial Vegetation by Spawning Pacific Salmon: The Role of Flooding and Predator Activity," OIKOS 83 +••.••(...). James M. Helfield and Robert J. Naiman, "Effects of Salmon-Derived Nitrogen on Riparian Forest Growth and Implications for Stream Productivity," Ecology 82:9 +••.••(...). Wikipedia, "Salmon" (accessed July 13, 2019). Paul Clements, "An Irishman's Diary on Football Legend...
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