Simon-Max Vídeos
cantante de ópera francés
- tenor
- Francia
- cantante de ópera
Última actualización
2024-05-13
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♫ Score(both hands) & Midi(http•••) ♫ Facebook(http•••) Subscribe for more cool piano covers, sheet music, tutorials and click the bell to join the notification squad! Midi Arranged, Edited And Recorded by Russell / | Lyrics |-- Не грусти, не рыдай и не плачь о том, Что невзгоды постигли тебя, Что весну долго ждать, но придет она, Будь спокоен, взирай на Христа. Припев: А весна вновь прекрасная С ароматом цветов к нам идет. И хотелось бы знать, а какая она – Та весна, что искупленных ждет. Тот, кто юные годы свои посвятил На служение Богу Творцу, Тот и в старости будет ту помнить весну, Когда искренне Богу служил. Помоги нам достойными верными быть, Свято жизнь проводить на земле. Чтобы холод греха нас не смог победить Дай стремиться к той вечной весне. Lyrics in English translated by Zarina Kozlov Do not grieve, do not cry, do not weep because Heavy troubles continue to rise And it’s long until spring, but it surely will come Worry not and stay focused on Christ Chorus Spring is coming, it’s beautiful, The aroma of blossoms it brings, I would love to imagine the beauty of spring Waiting for those who are redeemed If someone has decided young years to commit To serve God ─ the Creator and Lord, In the old age he will still remember that spring When sincerely his God he has served
Juliette Simon Girard Aimé Simon Girard Varney Caroline Girard Offenbach Simon Max Favart Ugalde Pessard Félix Huguenet Messager Audran Lecocq Opéra Comique Théâtre Châtelet 1859 1876 1877 1879 1880 1881 1882 1883 1885 1887 1888 1890 1891 1892 1893 1894 1899 1903 1954
French soprano Juliette Simon-Girard +••.••(...)) / C'est la fille a ma tante, Ca fait toujours plaisir / La Femme de Narcisse (Varney) / Recorded: 1903 / (via wikipedia) Juliette Simon-Girard, French soprano, principally in operetta. Her father was Philippe Lockroy, an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's La foire Saint-Laurent on 10 February 1877, and then became an overnight star by creating the role of Serpolette in Les cloches de Corneville on 19 April 1877. During the run of Les cloches de Corneville she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard. At the age of 19 she created the title role in Offenbach's Madame Favart; then La fille du tambour-major in 1879 becoming one of Paris's most popular performers, prominent on the city's stages for 30 years. At the Folies-Dramatiques she also created roles in Beau Nicolas (1880), Les poupées de l'infante (1881), Fanfan la tulipe (1882), La princesse des Canaries (1883); moving to the Théâtre des Nouveautés she was in the premiere of La vie mondaine. On return to the Folies-Dramatiques she replaced Ugalde in Les petits mousquetaires and then created the title role in La fauvette du temple (17 November 1885). After singing with her husband in the premiere of La chatte blanche, at the Théâtre du Châtelet on 2 April 1887, she spent a year in Belgium. Simon-Girard's return to Paris was at the Théâtre de la Gaîté in 1888 in revivals of Le grand Mogul and La fille du tambour-major, before creating the title role in Voyage de Suzette on 20 January 1890. After several productions at the Théâtre de la Renaissance (where she created Mlle Asmodée in 1891 and La femme de Narcisse in 1892, and revived La jolie parfumeuse in 1892, she went back to the Folies-Dramatiques and created Eva in Varney's Miss Robinson on 17 July 1892. From 1893 she was at the Théâtre des Bouffes Parisiens with more premieres[2] including Olga in Pessard's Mam'zelle Carabin (3 November 1893). She met her second husband Félix Huguenet while performing in L'enlèvement de la Toledad in 1894, and from then on took on more comedy acting parts. In November 1899 she took the title role at the Théâtre des Variétés in a major and successful revival of La belle Hélène, which ran for over five hundred performances. In 1903 Simon-Girard made recordings of Offenbach, excerpts from Les cloches de Corneville and songs Messager, Audran and Lecocq. She died at Nice. Her son was Aimé Simon-Girard./
drescHHeads are Meinl Cymbals artists Simon Gattringer (drums) and Max Groesswang (percussion). The cymbal setups Simon & Max are using in this song are: Simon Gattringer | drums 10" Byzance Trash Splash (top) 10" Byzance Traditional Splash (bottom) 14" Pure Alloy HiHat 18" Byzance Jazz Thin Crash 22" Byzance Extra Dry Thin Ride 16" Byzance Vintage Trash Crash (top) 16" Byzance Extra Dry Thin Crash (bottom) 20“ Byzance Extra Dry Crash Max Grösswang | percussion 12“/14“ Generation X X-treme Stack 18“ Byzance Extra Dry Thin Crash (top) 22“ Byzance Jazz Extra Thin Ride (bottom) 16“ Byzance Vintage Trash Crash 10“ Byzance Trash Splash “Back Around“ Remix by Max Groesswang
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): S...