Peter Lindeman Vídeos
compositor
- Noruega
Última actualización
2024-05-11
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Edvard Grieg Marianna Shirinyan Carlsen Brahms Percy Grainger Lindeman Kristiansand Symphony Orchestra 1853 1953
Edvard Grieg Piano Concerto a Minor op.16 Marianna Shirinyan, piano (played on a Erard from 1853) Nordic Harmony Are Sandbakke, artistic leader 1. Allegro molto moderato 00:00 2. Adagio 13:38 3. Allegro moderato e marcato 19:53 This performance was a result of a research project about the "The lost tradition of the romantic interpretation" which was done by 4 of the professors of the Norwegian Academy of Music, Are Sandbakke, Mona Julstrud, Morten Carlsen and Marianna Shirinyan. It was a 2 years long research on music by Grieg and Brahms. The preparation of the Grieg piano concerto was very much inspired by incredible recordings of the concerto by Percy Grainger, one with the Kristiansand Symphony orchestra and Rolf Gupta, the other one where he accompanies himself. Grieg used to call Percy Grainger's recording a reference of his composition. Nordic Harmony is a wonderful group of enthusiastic young professionals and students, under the artistic leadership of Are Sandbakke. Lindeman Hall of the Norwegian Academy of music Website. www.mariannashirinyan.com Facebook. (http•••) Nordic Harmony/Facebook . https:// www.facebook.com/Nordicharmony
Edvard Grieg Lindeman Geirr Tveitt Leif Ove Andsnes Percy Grainger Royal Scottish National Orchestra Steinway Hall 1875 1876 1901 1976 2007 2020 2021
00:00 - I. Den Nordlanske Bondestand: Moderato (Folk Melody from Lindeman) 01:03 - II. Ballade: Andante espressivo (Piano Original by Grieg) 20:20 - III. Ballade: Andante espressivo (Orchestral Arrangement by Tveitt) / PART 1: Piano: Myself Year of Recording: 2021 PART 2: Piano: Leif Ove Andsnes Year of Recording: 2007 PART 3: Conductor: Bjarte Engeset Orchestra: Royal Scottish National Orchestra Year of Recording: 2007 / "Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24, is a large-scale work for piano by Edvard Grieg. It is in the form of theme and variations, the theme being the Norwegian folk song Mountain Song. A performance usually lasts around 20 minutes. Theme. The theme is first introduced in 3/4 time. It is marked andante espressivo. The theme is haunting and sad, and has much lyrical beauty. Variation I. The first variation marked poco meno andante, ma molto tranquillo, introduces the harmonic chord pattern in triplets. Variation II. The second variation branches of the first and is marked allegro agitato. The time changes to 9/8. This variation requires much virtuosity, having daring jumps in the left hand. The chord patterns are the same as the first variation. Variation III. The third variation in contrast to the preceding agitato, is a calm adagio marked molto espressivo. It is a slow movement that introduces a new melody very similar to the theme, but darker. The time changes back to 3/4. Variation IV. The fourth variation is a lively allegro capriccioso. It consists of brisk descending chromatic sixteenth notes, with chords in the left hand, still resembling the harmonic changes in the theme. Variation V. The fifth variation marked più lento, is unlike the entire song. It consists of huge, but slow, arpeggios followed by a variation of the theme. This variation produces an intense feeling of sorrow and loneliness. Variation VI. The sixth variation marked allegro scherzando, is a technically difficult variation based on jumping chords passing from hand to hand. Still the chord progressions are the same as the theme. Variation VII. The seventh variation is the same as the sixth, but more sustained, and instead of chords, arpeggios, but still in the same fashion of passing from hand to hand. Variation VIII. The eighth variation is marked lento, and is another form of the theme melody played in chords. Variation IX. The ninth variation is marked un poco andante, and is perhaps the most creative of the variations. It is similar to the eight, but more agitated, and doesn't have the same hypnotic flow. Variation X. The tenth variation starts the buildup to the climax with an un poco allegro e alla burla tempo. It is a light scherzando section. 3/4 changes to 12/8. Variation XI. The eleventh variation marked piu animato is a fast preparatory variation, still leading to the coda. Variation XII. The twelfth variation is marked meno allegro e maestoso, and is a huge grand variation of con tutta forza, with massive chords and repeats the melody heard in the third variation, only in a grand major voice. The key changes to g major, and the time from 12/8 to 6/8. Variation XIII. The thirteenth variation is marked allegro furioso is the final buildup to the huge climax. It consists of virtuosic arpeggiated chords, and octaves flying all over the keyboard. The time and key revert to the original G minor, and 3/4. Variation XIV. The final variation, fourteen, is a huge prestissimo. The theme is pounded in fast octave chords, and climbs up the keyboard. Ends with a low e flat octave, marked lunga with a fermata. Coda. The theme is finally closed, with a flashback of the first 8 measures, and closes with a G minor chord. The Ballade was one of the works played by Percy Grainger at his 1901 London debut at Steinway Hall. This was four years before he met Grieg, who was to become Grieg's greatest champion. The Norwegian composer Geirr Tveitt made an arrangement of the Ballade for orchestra, which, thought to be lost for several years, was found in the early 1990s." (Wikipedia) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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