Nicholas Lens Vídeos
compositor, escritor, actor, director de cine
- violín
- ópera
- Bélgica
streaming
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2024-05-08
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Eugene Izotov Ennio Morricone Pla 1928 2020
"Love Theme" from Cinema Paradiso; music by Ennio Morricone +••.••(...)) Eugene Izotov, oboe & piano, (arrangement by Harry Walker) *Since so many of my fans ask what equipment I use for my recordings, here is exactly what I used for this one: Audio: SM81 Microphones: (http•••) Scarlett 2i2 USB Interface: (http•••) Logic Pro X Editing Software: (http•••) Video: Fuji XT-2 mirrorless camera with 18-55mm lens: (http•••) Camera stand/tripod: (http•••) DaVinci Resolve Editing Software (FREE!): (http•••) Softbox Lighting: (http•••) LED Lighting: (http•••)
Watkins Billings Bree Burns Fowler Gibbons Ginsburg Mobley Schmitz Schreiner Sullivan Snyder
SEE ME (with many of these folks) ON TOUR: (http•••) DOWNLOAD AND STREAM THE TRACK: (http•••) SUBSCRIBE and hit that bell: (http•••) SUPPORT my videos on Patreon: (http•••) FOLLOW ME ON SPOTIFY: (http•••) MERCH: (http•••) Follow me on: Twitter @missmalindakat (http•••) Facebook (http•••) Instagram @missmalindakat (http•••) TikTok @malindamusic (http•••) Follow all of the musicians! Bobby Waters: (http•••) Mia Asano: (http•••) Piper.Ally: (http•••) Cullen Vance: (http•••) Seth Watkins: (http•••) For fan mail: 3430 Connecticut Ave NW PO Box 11855 Washington DC 20008/ EQUIPMENT** (all links are affiliate links, so if you buy from here you support me too!) AUDIO For singing: (http•••) For vlogging: (http•••) A great start mic: (http•••) Interface: (http•••) VIDEO Camera: (http•••) Lens: (http•••) Vlog camera: (http•••) I use Logic and Final Cut Pro to edit audio and video respectively :) THANK YOU PATRONS!! Christian Ashby Ed Banas Russ Billings Caleb Bukowsky Heather BookCat Bree Campbell Douglas Charles Will & Sheila Cole James Copple Stephanie Burns Mariah Dierking Samuel Duckworth Adrian Durand Fr. Joe Fessenden The Fishers Andy Fowler Mariah Fyock-Williams Robert Gibbons Jr Mimi Ginsburg Marlo Delfin Gonzales Pippa Hillebrand Brian Hughes Jonathan Isip Joseph K. Dave Jones Rita K Balazs Kis Raphael Lauterbach Mathieu Landru Kiara Maken Alex Molloy Ben Mobley Geoffrey Morgan Eystein Nicolaysen Jonathan Neese Noble Monster Comics TK Ostinato Rachel-Maya RC Christine Violet Rose P.S. Norbert Schmitz Martin Schorel Christoph Schreiner Jeff Schwarz Alexis Sullivan Steven Snyder Mary Hall Surface Theodore Ts'o Danny Underwood Hank van Deventer Reinier van Grieken Yum Van Vechten David Vollbracht Andrew Walliker
Jonathan Biss Beethoven Mock Heed
It's one thing to master a sonata by the legendary composer, Beethoven. But it's another thing entirely to completely embody the grand pianist himself. In the Audible Original, Unquiet, world renowned pianist Jonathan Biss does just that, and almost loses himself in the process. About this Audible Original: "Beethoven is a humanist, and an arsonist." In his vivid and profound addition to Audible’s Words + Music series, Jonathan Biss, the world renowned pianist and critical Beethoven interpreter of our time, expounds on the spellbinding hold the classical figure and his work possesses over him. Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself. Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas. Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound. Listen to Unquiet My Life with Beethoven by Jonathan Biss: (http•••) Download the Audible app: (http•••)k/uj7ifbvhm29rg Subscribe to our channel: (http•••) Follow Audible on Twitter: (http•••) Follow Audible on Instagram: (http•••) Follow Audible on Facebook: (http•••) About Audible: Audible is the world’s largest producer and provider of spoken-word entertainment and audiobooks, offering customers a new way to enhance and enrich their lives every day. Audible content includes more than 525,000 audio programs from leading audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers, and business information providers.
Chopin Grinberg Arthur Meyer 1791 1845 1863 1882 1900 1974 1987 1996 2015
Hotel Chopin as seen in the Film "Mon Homme" My Man (French: Mon Homme) is a 1996 French drama film written and directed by Bertrand Blier. It was entered into the 46th Berlin International Film Festival where Anouk Grinberg won the Silver Bear for Best Actress. The Passage Jouffroy is a covered walkway in the south of the 9th arrondissement of Paris, on the border with the 2nd arrondissement. It begins in the south between 10 and 12 boulevard Montmartre, and ends in the north at 9 rue de la Grange-Batelière.[1] Each passage is about 140 metres (460 ft) long and 4 metres (13 ft) wide. About 80 metres (260 ft) from its entrance on the Boulevard Montmartre, the passage makes a right angle turn and runs west for a few metres before descending some stairs. It then continues in a northerly direction to its outlet on the rue Grange-Batelière. This was imposed by the irregular pattern of the three plots on which the passage was built. This last part of the passage is particularly narrow, leaving room only for the corridor and a shop. The Passage des Panoramas opens as a continuation of the passage Jouffroy on the other side of the Boulevard Montmartre. The Passage Verdeau does the same on the other side, after crossing the street from the Grange Batelière. The passage is covered by a canopy of metal and glass. An ornate clock stucco overlooks the alley. The floor is paved with a geometric pattern composed of white, gray and black squares. The exit from the musée Grévin is located inside the Passage Jouffroy. History[edit] The Passage Jouffroy was built in 1845 along the line of the Passage des Panoramas in order to capitalize on the popularity of the latter. A private company was formed to manage it, headed by Count Felix de Jouffroy-Gonsans +••.••(...)), who gave his name to the passage, and M. Verdeau, who gave his name to the passage that was built as a further extension, the passage Verdeau. The passage was built by architects François Destailleur and Romain de Bourges. The Passage Jouffroy represents an important stage in the technological evolution of the 19th century and the mastery of iron structures. It is the first Parisian passage built entirely of metal and glass. Only the decorative elements are wooden. It is also the first passage heated by the ground. In the early 1880s Arthur Meyer, founder of the newspaper Le Gaulois, joined the cartoonist Alfred Grévin to create a gallery of wax figures on a property adjacent to the passage. It was inaugurated on 10 January 1882 and has since taken the name of the musée Grévin. The exit of the museum, decorated with a montage of various characters, is in the passage and contributes in large part to its success.[citation needed] The museum includes a hall of mirrors that was originally housed in the Palais des mirages designed by Eugène Hénard for the Exposition Universelle (1900).[3] In 1974 the passage was registered as a French historical monument. The passage was completely renovated in 1987 and regained its original paving. Camera: Canon 100d Lense: Canon EF 24-105mm f/4.0 L IS USM Lens Paris - June 2015
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): L...