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Zappa Pak Vincent Derosa Estes Estrada Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1550 1967 1968
Frank Zappa and the Abnuceals Emuukha Electric Symphony Orchestra Lumpy Gravy is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Musicians - Abnuceals Emuukha Electric Symphony Orchestra : Arnold Belnick – strings Harold Bemko – strings Chuck Berghofer – bass Jimmy Carl Black – chorus Jimmy Bond – bass Monica Boscia – chorus Dennis Budimir – guitar Frank Capp – drums Donald Christlieb – woodwind Gene Cipriano – woodwind Vincent DeRosa – french horn Joseph DiFiore – strings Jesse Ehrlich – strings Alan Estes – percussion, drums Gene Estes – percussion Louis "Louie the Turkey" Cuneo – chorus Roy Estrada – bass, chorus Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Don Randi – piano Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet 1968 version, part one No. Title Length 1. "The Way I See It, Barry" 0:06 2. "Duodenum" 1:32 3. "Oh No" 2:03 4. "Bit of Nostalgia" 1:35 5. "It's from Kansas" 0:30 6. "Bored Out 90 Over" 0:31 7. "Almost Chinese" 0:25 8. "Switching Girls" 0:29 9. "Oh No Again" 1:13 10. "At the Gas Station" 2:41 11. "Another Pickup" 0:54 12. "I Don't Know If I Can Go Through This Again" 3:49 Total length: 15:50 1968 version, part two No. Title Length 1. "Very Distraughtening" 1:33 2. "White Ugliness" 2:22 3. "Amen" 1:33 4. "Just One More Time" 0:58 5. "A Vicious Circle" 1:12 6. "King Kong" 0:43 7. "Drums Are Too Noisy" 0:58 8. "Kangaroos" 0:57 9. "Envelops the Bath Tub" 3:42 10. "Take Your Clothes Off"
Pourquoi chercher plus loin vous emmène dans ce monument le plus abouti de la Renaissance carolingienne. Fondée vers 625 par Riquier, un noble local évangélisé, l’abbaye qui porte son nom devient royale sous la protection du roi Dagobert 1er quelques années plus tard, mais c’est Charlemagne à la fin du VIIIème siècle,qui lui fait changer de dimension. En quelques années, et pour plusieurs siècles, Saint-Riquier devient le monument le plus abouti de la Renaissance carolingienne. C’est le royaume de l’écrit, la révolution du savoir. La musique elle-même y trouve son prolongement : l'antiphonaire de Saint-Riquier est la première notation musicale connue, l'ancêtre de nos partitions. L’abbatiale gothique accueille par ailleurs depuis 30 ans un festival de musique classique chaque début d'été. Le domaine a été labellisé Centre Culturel de Rencontre en 2012. Un film de Denis Guérin Réalisé par Frédéric Fiolet Voir plus de numéros de Pourquoi Chercher Plus Loin : (http•••)/ Abonnez-vous à notre chaîne youtube : (http•••) Retrouvez-nous sur nos sites : (http•••) (http•••) Sur Facebook : (http•••) (http•••) Sur Twitter : (http•••) (http•••)
Zappa Pak Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1967 1968
Few Landscapes Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and reissued by MGM's Verve Records on May 13, 1968. It consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Later it was re-edited by Zappa as part of a project called No Commercial Potential, which included three other albums: We're Only in It for the Money, Cruising with Ruben & the Jets and Uncle Meat. This became Official Release #3. Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet
Bolshoi Semperoper Mariinsky Lincoln Center Paris Opera Ballet Staatsballett Berlin Sterling Baca Brandt Dunn Hernandez Heymann O Neill Seo Shevchenko Zhao Darcey Carreño Fairchild Guerin Murphy Nunez Obraztsova Peck Simkin Smirnova Whelan 2011 2015
Dutch National Ballet Principal Dancer Anna Ol teaches a follow-along at home ballet barre class. Anna joined the Dutch National Ballet as a Principal Dancer in 2015 and has performed with companies including the State Opera of Tatarstan, the Mikhailovsky Theatre in St. Petersburg and the Stanislavsky and Nemirovich-Dantshenko Academic Music Theatre in Moscow. Youth America Grand Prix (YAGP) is the world's largest student ballet scholarship competition and global dance network, connecting students, teachers, schools, dance companies, and audiences worldwide. Now in its 22nd season, YAGP has reached more than 150,000 participants worldwide through its international ballet workshops, ballet auditions, ballet competitions, and ballet master classes. To date, over $4 million has been awarded to young dancers in scholarships to leading dance schools worldwide, including The Ailey School, American Ballet Theatre JKO School, The Australian Ballet School, Ballet West Academy, Berlin State Ballet School, Bolshoi Ballet Academy Summer Intensive, Boston Ballet School, Canada’s National Ballet School, Dutch National Ballet Academy, English National Ballet School, European School of Ballet, Houston Ballet Academy, John Cranko School of The Stuttgart Ballet, The Juilliard School, Paris Opera Ballet School, Princess Grace Academy, The Rock School for Dance Education, The Royal Ballet School, San Francisco Ballet School, The Washington School of Ballet, and Zurich Dance Academy, among other preeminent institutions in the U.S. and abroad. More than 450 YAGP alumni are now dancing in over 80 leading companies around the world – American Ballet Theatre, The Australian Ballet, Les Ballets de Monte-Carlo, Birmingham Royal Ballet, Boston Ballet, Dutch National Ballet, Dresden Semperoper Ballett, Finnish National Ballet, Houston Ballet, The Joffrey Ballet, Mariinsky Ballet, Miami City Ballet, National Ballet of Canada, New York City Ballet, Pacific Northwest Ballet, Paris Opera Ballet, Pennsylvania Ballet, The Royal Ballet, San Francisco Ballet, Staatsballett Berlin, and The Stuttgart Ballet, among others – with more than 100 of them in soloist or principal dancer positions. YAGP’s alumni success stories include some of the most prominent ballet stars in the dance world today: Maria Abashova, Constantine Allen, Sterling Baca, Elisa Badenes, Aran Bell, Isabella Boylston, Skylar Brandt, Jeffrey Cirio, Lia Cirio, Cesar Corrales, Michaela DePrince, Sasha De Dola, Derek Dunn, Isaac Hernandez, Mathias Heymann, Kimin Kim, Lauren Lovette, Julian MacKay, Maia Makhateli, Sara Mearns, Vadim Muntagirov, May Nagahisa, Hannah O’Neill, Calvin Royal III, Marcelino Sambé, Beckanne Sisk, Hee Seo, Christine Shevchenko, Taylor Stanley, James Whiteside, WanTing Zhao, and many other notable alumni. The annual YAGP Gala at Lincoln Center, Stars of Today Meet the Stars of Tomorrow, features the biggest stars of the world’s leading dance companies, many of whom had their NYC debuts* at the YAGP Gala, alongside the rising ballerinas and male dancers of tomorrow. Past guest artists have included such luminaries as Nina Ananiashvili, Roberto Bolle, Ashley Bouder, Darcey Bussell, José Manuel Carreño, Misty Copeland, Robert Fairchild, Marcelo Gomes, David Hallberg, Maria Kochetkova, Ekaterina Kondaurova, Isabelle Guerin, Lucia Lacarra, Manuel Legris, Vladimir Malakhov, Gillian Murphy, Marianela Nunez, Evgenia Obraztsova, Natalia Osipova*, Xander Parish, Tiler Peck, Tamara Rojo, Daniil Simkin, Polina Semionova*, Olga Smirnova, Yuan Yuan Tan, Nikolai Tsiskaridze, Daniel Ulbricht, Ivan Vasiliev*, Diana Vishneva, Wendy Whelan, and many other dance legends. YAGP was the subject of the 2011 award-winning First Position documentary, which followed six participants on their journey to compete at YAGP’s annual NYC Finals. / For more info please visit: (http•••) SUBSCRIBE: (http•••) DONATE: (http•••) INSTAGRAM: (http•••) FACEBOOK: (http•••) TWITTER: (http•••) TIKTOK: (http•••) YAGP JAPAN INSTAGRAM: (http•••) YAGP JAPAN FACEBOOK: (http•••) YAGP KOREA INSTAGRAM: (http•••) YAGP INDONESIA INSTAGRAM: (http•••) YAGP BRAZIL INSTAGRAM: (http•••) YAGP ITALY INSTAGRAM: (http•••) YAGP PHILIPPINES INSTAGRAM: (http•••) YAGP MEXICO INSTAGRAM: (http•••) YAGP GERMANY INSTAGRAM: (http•••) YAGP CHINA WEIBO: (http•••)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): G...