Marie Gutheil-Schoder Vídeos
cantante de ópera, profesor de música, realizador
Conmemoraciones 2024 (Nacimiento: Marie Gutheil-Schoder) 2025 (Muerte: Marie Gutheil-Schoder)
- soprano
- Alemania
Última actualización
2024-05-16
Actualizar
Arnold Schoenberg Pappenheim Alexander Zemlinsky Marie Gutheil Schoder Béla Bartók Buchanan Charles Rosen Berg Stravinsky Pierre Boulez Bbc Symphony Orchestra 1909 1911 1924
Erwartung (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Marie Pappenheim. Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg's succinct description of Erwartung was as follows: - In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour. Philip Friedheim has described Erwartung as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes. Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.The musicologist Charles Rosen has said that Erwartung, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism." Performers: Pierre Boulez conducting the BBC Symphony Orchestra -
Marie Gutheil Schoder Franz Naval François Adrien Boieldieu Adrien Boieldieu 1902
Duett aus "Die weiße Dame" (La Dame Blanche) Marie Gutheil-Schoder (Soprano) & Franz Naval (Tenor) With Piano Accompaniment Music by François-Adrien Boieldieu Recorded in Vienna, 1902
Stevens Cole Porter Sylvan Marie Gutheil Schoder Graf Lotte Lehmann Nelson Eddy Crosby Hänsel Vienna State Opera Teatro Colón Scala Metropolitan Opera 1913 1936 1938 1939 1940 1941 1944 1946 1960 1961 1962 1966 1971 1972 1974
American mezzo-soprano Rise Stevens / Night And Day / The Gay Divorcee (Cole Porter) / with orchestra conducted by Sylvan Shulman / Recorded: April 16, 1946 (special thanks to George, aka "opertutto" for the exact date!) / NIGHT AND DAY (Cole Porter) Night and day, you are the one Only you beneath the moon or under the sun Whether near to me, or far It's no matter darling where you are I think of you night and day Night and day, why is it so That this longing for you follows wherever I go In the roaring traffic's boom In the silence of my lonely room I think of you night and day Night and day, under the hide of me There's an oh such a hungry yearning burning inside of me And this torment won't be through Till you let me spend my life making love to you Day and night, night and day Whether near to me, or far It's no matter darling where you are I think of you night and day In the roaring traffic's boom In the silence of my lonely room I think of you night and day And this torment won't be through Till you let me spend my life making love to you Day and night, night and day/ Rise Stevens (born June 11, 1913 in New York City) is a retired American operatic mezzo-soprano who captured a wide popular audience at the height of her career +••.••(...)). She studied at New York's Juilliard School for three years. She went to Vienna, where she was trained by Marie Gutheil-Schoder and Herbert Graf. She made her début as Mignon in Prague in 1936 and stayed there until 1938, also appearing in guest appearances at the Vienna State Opera. Her Octavian in Der Rosenkavalier was one of her finest and most accomplished roles. She was engaged at the Teatro Colón in 1938 (again as Octavian) and was invited to the Glyndebourne Festival in 1939 where she was heard as Dorabella and Cherubino. In 1938 she made her debut at the Metropolitan Opera as Mignon. Three days later, she sang Octavian opposite Lotte Lehmann. The film industry in Hollywood produced several films for her, including The Chocolate Soldier (1941) with Nelson Eddy and Going My Way (1944) with Bing Crosby, the latter film crediting Stevens as a contralto. For over two decades (until 1961) Stevens was the Met's leading mezzo-soprano and the only mezzo to command the top billing (and commensurate fees) normally awarded only to star sopranos and tenors. Her most successful roles there included Cherubino, Octavian, Dalila, Laura, Hänsel and Marina. She was especially celebrated for her Carmen, which she both performed and recorded several times. She also appeared in Paris, London, at La Scala and at Glyndebourne. Her last performance was as Carmen, at the Met in 1961. In 1962, she recorded the voice of Glinda for Journey Back to Oz, but the production ran out of money and was halted for more than four years. It was only after the Filmation studio had made profits on their numerous television series that they were able to finish the project (which was copyrighted 1971, released in 1972 in the United Kingdom and in 1974 in the United States). After her retirement from the opera stage, Stevens served as General Manager of the Metropolitan Opera Touring Company until 1966 and later coached the new generation of singers at the Met. (wikipedia)/
Arnold Schoenberg Schönberg Evelyn Lear Rasch Arnold Rosé Gustav Mahler Marie Gutheil Schoder Rosé Quartet 1874 1907 1908 1921 1934 1937 1951 1967
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 / 13 July 1951) - Performers: New Vienna String Quartet, Evelyn Lear (Soprano) - Year of recording: 1967 String Quartet No. 2 for Soprano & String Quartet in F sharp minor, Op. 10, written in 1908. 00:00 - I. Mäßig (Moderate), F sharp minor 07:09 - II. Sehr rasch (Very brisk), D minor 14:18 - III. "Litanei", langsam ("Litany", slow), E flat minor 19:50 - IV. "Entrückung", sehr langsam ("Rapture", very slow), No key This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg. The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George from the collection "Der siebente Ring" (The Seventh Ring), which was published in 1907. "I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937) The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord. Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on 21 December 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
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- cronología: Cantantes líricos (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): G...