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Roel Dieltiens Toch Stoel Een Elsen Stephan Vermeersch Andriessen Pierre Fournier André Navarra Platel Ensemble Explorations 1517 1622 2022
"ik heb heel veel gratis gespeeld, om toch maar te kunnen spelen. Je moet je laten zien, leren kennen. Dat is toch belangrijk; als je gewoon op je stoel thuis achter je piano, hobo of piano blijft zitten en niemand kent je... je moet deelnemen en van het een zal het ander komen. Je mag nooit afwachten tot je een dik betaalde job krijgt, dat is onbestaande, je moet daar zelf voor zorgen." Een ontzettend openhartig gesprek met Roel Dieltiens over cross-overs, subsidies het repertoire van de Elisabethwedstrijd, pedagogische uitdagingen en nog zoveel meer. Luister ook op SoundCloud: (http•••) Of op Spotify, Apple Podcast, Google Podcast, ... ———————————————————————————————————— Hosts: Frauke Elsen & Florestan Bataillie Audio&video: Stephan Vermeersch Met dank aan het Concergebouw Brugge, MAAK Knokke-Heist en Paypro Services. ———————————————————————————————————— Inhoud: 00:00 Bijna gestopt met muziek 04:49 Hard werken aan de Elisabethkapel 08:28 Pedagogische uitdagingen 10:42 Muzikale familie 12:41 Studeren in het buitenland 15:17 Begin van een carrière 16:22 Een carrière zonder agent, oprichting van Ensemble Explorations 22:17 Cross-overs avant-la-lettre en de toekomst van kamermuziek 29:06 Live versus digitaal 32:35 Financiering 36:16 Heroprichting van het ensemble en spelen met artrose 38:35 Dilemma’s 39:25 Lesgeven en fouten maken 44:12 Wedstrijden en jury in de Elisabethwedstrijd 47:28 Veiling partituur bibliotheek en cello voor kunstenaars in de coronacrisis 49:45 oude versus nieuwe instrumenten 52:08 Jezelf laten zien en gratis concerteren 54:16 Gouden raad ———————————————————————————————————— Interessante links (http•••) De Elisabethkapel: (http•••) Inspiratoren: - Eugène Traey: (http•••) Pieter Andriessen: (http•••) Leerkrachten: - André Messens Pierre Fournier: (http•••) André Navarra: (http•••) Ensemble Explorations: (http•••) Choreograaf Alain Platel: (http•••) Koningin Elisabethwedstrijd (cello 2022): (http•••) Veilig partituur bibliotheek en cello for charity: (http•••) Paypro Services: www.payproservices.be = Advies & oplossingen voor uw tewerkstellingen, contracten & loonadministratie. De beloftes van Paypro Services: - Wij vertrekken steeds van uw belang en uw te bereiken doel en de wil om diegenen die werken in de sector te helpen - Wij focussen niet op het opleuken van de eigen winsten maar focussen op maximale return voor de kunstwerkers en creatives in de sector - Daarom hanteren wij voordeligere coëfficiënten zodat u meer overhoudt - Handige tools zowel voor kunstenaars als opdrachtgevers
Yamashita Elsen Harris Postma Santi Sabine Meyer Larson Fay Claassen Groningen Albers Claasen Fairouz Richard Galliano Mendoza Metropole Orchestra Concertgebouw 1967 1986 1987 1991 1994 1995
European Jazz Trio Nuovo Cinema Paradiso The European Jazz Trio, comprising Marc van Roon on Piano, Frans van der Hoeven on bass and Roy Dackus on drums has been recording and performing since 1995, when it released a CD of Beatles' songs in fresh arrangements. On each album, the trio has taken songs in every style, shape and color, and has given them a jazz interpretation. For the trio 'Jazz' means to have the freedom to combine and mix styles, melodies, sounds and rhythms to create something fresh and surprising. Van Roon: "A Specialty of the trio is to try and find some unusual material - unusual in a jazz setting - and to arrange it for the trio. It works both ways: You can take the sound of a jazz trio and give it a fresh voice, a new approach; likewise, you can take the music that everybody knows - pop tunes and classical tunes - and give people a chance to hear them in a different way." The European Jazz Trio pushes the envelope of jazz music by adding to it its own sound and rhythm, a result of the music that has influenced the trio's members. "We grew up in the seventies and eighties with pop, rock, classical, rap and lots of fusion music. It wasn't only jazz anymore. Being musicians, we try to absorb everything like a sponge and use it somehow. The classical music we perform we really admire, it's very close to us - to our European side." With every song the trio records the main focus is on the essence and the inner beauty of the composition. "You cannot approach each song in the same way. And it doesn't have so much to do with what we as a trio want to do. It's contained within the song, it's already there. So it's more about what we can leave out, what we don't have to play. This makes each performance unique and special." The European Jazz trio has been recording new albums every year since the release of 'Memories of Liverpool' in 1995. All recording are produced by Makoto Kimata, a highly appreciated jazz producer based in Tokyo. Recent albums have been co-produced by Hiro Yamashita from the record label M&I / Pony Canyon Tokyo. about the players. Marc van Roon is born in The Hague, The Netherlands on November 2, 1967. He began classical piano lessons at the age of ten. His interest in jazz was sparkled at a young age by Marc's father, being a professional jazz pianist himself. Throughout high school and college Van Roon was studying with Dutch jazz pianists Frans Elsen and Rob van Kreeveld and classical piano with Geoffrey Madge and Lanny Kho. In 1986 Marc did the Berklee School of Music summer course in Perugia, Italy. Upon graduation from the Royal Music Conservatory in The Hague in May 1991, he began postgraduate studies in New York +••.••(...)) with pianists Richie Beirach, Kenny Werner and Barry Harris. He Performed and recorded with Clarck Terry, David Liebman, Charlie Mariano, Art Farmer, Tineke Postma, Tony Lakatos, Billy Hart, Santi Di Briano, Ebony Big Band, Sabine Meyer, Peggie Larson, Fay Claassen, Clifford Adam, Chuck Findley, Bob Findley, Ack van Rooyen. Other activities: For the Netherlands Dance Theatre in The Hague Marc composed and arranged ballet music for choreographer Paul Lightfoot's 'softly as I leave you' in 1994 and for Johan Inger's choreography Melantid in 1995. Marc is currectly a music educator at the jazz conservatories in Groningen and The Hague. Marc van Roon.Com for more information google Marc van Roon Frans van der Hoeven Bassplayer, Composer, Arranger, Soloperformer, Teacher, Multi Instrumentalist. Plays with: Jesse van Ruller Trio Eef Albers Trio Fay Claasen Band Red Yellow & Blue Jeroen van Vliet trio Played with: Clark Terry, Woody Shaw, Barney Wilen, Jack deJohnette, Eivind Aarset, Harry Sweets Edison, Art Farmer, Ronnie Cuber, Tom Harrel, Lee Konitz, Dee Dee Bridgewater,Toots Thielemans, Kurt Rosenwinkel and more... Recorded with: The Toon Roos Quartet, Rob Madna,Jesse van Ruller,Han Bennink, Diederik Wissels/David Linx, Art Farmer, Charlie Mariano,Fairouz,Lew Tabackin, the Dutch Jazz Orchestra and others. Frans van der Hoeven.Com for more information Roy Dackus ('64) Roy Dackus started to play drums at a young age following his father who was a professional drummer. In 1987 he graduated from the Conservatory of Amsterdam. During the years he has performed and recorded with very different artists and orchestra's including Art Farmer, Toots Thielemans, Randy Brecker, Richard Galliano, Charly Mariano, 70-ties rock band Focus, The Metropole Orchestra directed by Vince Mendoza, Jazz orchestra of the Concertgebouw and his own co-led group the European jazz Trio.
Andrej Hoteev Tchaikovsky Sergej Rachmaninow Elsen Lutz Lev Naumov Wunsch Shmf 1998 2004 2005 2006 2012 2013
Olga Khoteeva und Andrej Hoteev Piano 4-Hands www.andrej-hoteev.com Tchaikovsky/Rachmaninov The Sleeping Beauty The Garland Waltz オリガ・ホテーエヴァ、アンドレイ・ホテーエフ ピアノ連弾 チャイコフスキー / ラフマニノフ 「眠れる森の美女のワルツ」 安得烈赫德夫 柴可夫斯基 - 拉赫曼尼诺夫"睡美人圆舞曲" Tschaikovsky Dornröschen Walzer "la belle au bois dormant"-La valse Ольга Хотеева Андрей Хотеев Чайковский-Рахманинов Вальс из балета "Спящая красавица" ф-но в 4 руки Hannover, NDR Landesfunkhaus/North German Broadcasting Hall 16.01.2005 live (http•••) (http•••) Amazon.com:"the legendary Russian piano duo, husband and wife Olga and Angrej Hoteev." FAZ - Frankfurter Allgemeine Zeitung 20.10.2012: Dörnröschen als Ersteinspielung „(...)Bis vor kurzem waren jedoch nur fünf Stücke aus der „Dornröschen" - Suite bekannt, die auch noch etliche Fehler im Vergleich zur Originalquelle aufweisen, wie der russische Pianist Andrej Hoteev herausfand. Hoteev trug insgesamt zweiundzwanzig Nummern dieser herrlichen, üppig farbenfrohen Musik zusammen, die er jetzt gemeinsam mit seiner Frau Olga Hoteeva auf einem Album vorlegt / als Ersteinspielung." Caroline Elsen CONCERTI Januar 2013 CD-Rezension Rehabilitationstat von Lutz Lesle Tschaikowsky/Rachmaninow: Dornröschen - Große Ballettsuite (zusammengestellt von Andrej Hoteev) Andrej Hoteev & Olga Hoteeva (Klavier). nca Ad fontes / zu den Quellen: Diesem Gebot der frühen Humanisten fühlt sich der russische Klaviervirtuose Andrej Hoteev seit seinen Moskauer Studienjahren verpflichtet. Lev Naumov, mehrmals Magnet der Lübecker Meisterkurse des SHMF, hielt seine Schüler an, den Geist hinter den Noten aufzuspüren, Werkausgaben zu misstrauen und die Lebens- und Denkwelt der Komponisten zu erkunden. So entlarvte Hoteev den Schlendrian der Aufführungstradition, als er 1998 die Urfassungen der vier Klavierkonzerte Tschaikowskys einspielte, 2004 Mussorgskys Bilder einer Ausstellung entfleckte und 2006 mit Kandinskys originaler Farblichtpartitur illuminierte. Die jüngste Rehabilitationstat des Pianisten gilt einer Klaviersuite zu vier Händen, die der 18jährige Sergej Rachmaninow auf Wunsch Tschaikowskys aus dessen Ballett Dornröschen kongenial extrahierte. Statt des gängigen Torsos huldigen Hoteev und seine Gattin Olga nun eine Sternstunde lang der Feenwelt der schlafenden Schönen im Märchenwald. Küsschen! crescendo-magazine, brusseles Le 20 décembre 2012 par Jean-Marie André TCHAIKOVSKI - RACHMANINOV Sleeping Beauty, la belle au bois dormant, grande suite de ballet pour piano à quatre mains Olga HOTEEVA & Andrej HOTEEV, piano à 4 mains NCA 60251 ...Alors, pourquoi la mention de World Premiere Recording: Andrej Hoteev a découvert un manuscrit autographe pour piano 4 mains de Rachmaninov qui contenait beaucoup plus de matériau musical que les cinq numéros généralement repris de la suite publiée. C'est de ce manuscrit qu'Andrej Hoteev a tiré cette grande suite de 22 numéros et de près d'une heure qu'il interprète ici avec son épouse Olga Hoteeva. Le couple Hoteev connaît bien la musique de Tchaikovski et cela s'entend par la sonorité symphonique qu'ils donnent au clavier...
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): E...