Johannes Wenzeslaus Kalliwoda Vídeos
violinista, compositor, director de orquesta, pianista
- violín
- Concierto, música de cámara, música sinfónica, obertura, ópera, sinfonía
- Imperio austríaco, Reino de Bohemia
Última actualización
2024-05-13
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Jean Louis Capezzali Johann Wenzel Kalliwoda 1994 2010
Provided to YouTube by Believe SAS Morceau de salon, pour piano & hautbois, Op. 228 · Jean-Louis Capezzali · Chia Chou · Johann Wenzel Kalliwoda · Johann Wenzel Kalliwoda Le hautbois romantique ℗ 1994, Arion Released on: 2010-01-01 Auto-generated by YouTube.
Johann Wenzel Kalliwoda Ingo Goritzki Wojciech Rajski 1990
Provided to YouTube by The Orchard Enterprises Concertino in F Major for Oboe & Orchestra, Op. 110: II. Romanze: Adagio · Johann Wenzel Kalliwoda · Ingo Goritzki · Polish Chamber Philharmonic · Wojciech Rajski Oboe Concertos from Bohemia ℗ 1990 Claves Records Released on: 1990-01-01 Auto-generated by YouTube.
Johann Wenzel Kalliwoda Ingo Goritzki Wojciech Rajski 1990
Provided to YouTube by The Orchard Enterprises Concertino in F Major for Oboe & Orchestra, Op. 110: I. Allegro con fuoco · Johann Wenzel Kalliwoda · Ingo Goritzki · Polish Chamber Philharmonic · Wojciech Rajski Oboe Concertos from Bohemia ℗ 1990 Claves Records Released on: 1990-01-01 Auto-generated by YouTube.
Jan Křtitel Václav Kalivoda Malát Friedrich Dionys Weber Weber Friedrich Wilhelm Pixis Pixis Fürstenberg Kreutzer Dessau Beethoven Peters Böhme Gewandhaus 1625 1766 1785 1801 1813 1816 1819 1820 1821 1822 1826 1829 1832 1835 1842 1853 1855 1866
Johann Wenzel Kalliwoda - Symphony No.5 in B Minor, Op.106, Pilsen Radio Symphony Orchestra, Jiří Malát (conductor) I. Lento — Allegro con brio – 00:00 II. Scherzo. Allegro vivace – 11:44 III. Allegro grazioso – 16:25 IV. Rondo. Allegro assai – 22:29 Jan Křtitel Václav Kalivoda (Johann Baptist Wenzel Kalliwoda) (February 21, 1801 – December 3, 1866) was a composer, conductor and violinist of Bohemian birth.„Kalliwoda numbered among the earliest Central European composers to complete a formal musical education. He was a member of the first class at Prague Conservatory, where he was taught by the institute's director, Friedrich Dionys Weber +••.••(...)), and Friedrich Wilhelm Pixis +••.••(...)). Upon the completion of his studies in October 1816, Weber attested Kalliwoda's status as 'a superb soloist' on the violin and his 'excellent abilities in composition', in which he had 'already made great progress in practice'. He continued to take lessons at the Conservatory until 1819 while playing in the Prague Theatre orchestra from autumn 1816. Since the orchestra's director from January 1813 to September 1816 was Carl Maria von Weber, it is fairly safe to assume that Kalliwoda was acquainted with Weber. His solo appearances as a violin virtuoso became still more numerous in 1820-21. On 22 December 1821 he presented his first one-man concert 'as a farewell gesture before embarking on a concert tour'. The concert featured three new works from his pen. In the early days of January 1822, he set out on a concert tour of Austria and southern Germany. On the return journey to Prague he stopped in Donaueschingen to visit his elder brother Franz, who had been employed in the chancellery of the reigning Prince Karl Egon II of Fürstenberg. The prince appointed him master of the court chapel on 11 June 1822. Unlike his predecessor Kreutzer, Kalliwoda capitalised on this situation without overstepping his limits and neglecting his duties. By the time he was pensioned in 1866 he had remained loyally bound to the court in Donaueschingen for 44 years, during which time he had turned down many offers for positions elsewhere, whether from Mannheim (1832), Leipzig (1835) or Dessau (1853). When Johann Wenzel Kalliwoda's Symphony no.1 in F minor, op.7, received its first hearing in Leipzig on 19 January 1826, it was a roaring success. Thanks to the nationwide influence of the Leipzig press, Kalliwoda, though barely 25 years old and practically unknown, became an overnight sensation. Contemporary reviewers especially appreciated the fact that he didn't even try to emulate the style and expressive force of Ludwig van Beethoven, universally considered a demigod. One critic of the Leipzig premiere gave him credit for 'pursuing his own path simply and properly, according to his best knowledge and feeling, without studiously trying to be something he is not'. Another, writing a short while later, found that Kalliwoda 'cultivated an ingratiating style' without reverting to outdated stylistic patterns. The same applied not only to the rest of his seven symphonies but to his overtures and concertos as well. Kalliwoda was a very productive composer. The catalogue of his works includes 243 pieces with opus numbers as well as more than 200 unnumbered works, most of which never reached publication. He wrote in all the standard genres of his day. There are seven symphonies, 24 overtures and a great many concertos for one or more solo instruments and orchestra. Little is known about his church music or his four completed stage works. He also composed chamber and piano music and wrote well over 100 songs. After the rousing success of his First Symphony his works were published by the renowned firms in Leipzig, first by Breitkopf & Härtel and from autumn 1829 almost exclusively by Peters, whose owner Carl Gotthelf Siegmund Böhme +••.••(...)) numbered among his friends. Kalliwoda remained closely associated with Leipzig to the end of his days and visited the city time and again, whether to appear as a violin virtuoso or to present his latest symphony in the Gewandhaus. (extracts from notes by Bert Hagels)
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): K...