Jan Nowowiejski Vídeos
pianista polaco
- órgano
- música clásica
- Polonia
- pianista
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2024-05-15
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Rota Eugeniusz Mossakowski Szulc Feliks Nowowiejski 1410 1885 1908 1910 1918 1921 1931 1939 1958 1991
Rota (An Oath), Polish national song – Eugeniusz Mossakowski, baryton Opery Warszawskiej z udz. Chóru W.Lachmana i orkiestry pod dyr. Bronisława Szulca [Baritone of the Warsaw Opera acc. By the W.Lachman’s Choir and the orchestra dir. by Bronisław Szulc] Syrena-Electro, 1931 (Polish) NOTE: Today, on 1st of September, the day of anniversary of the outbreak of 2nd World War – which ended for long time the independent existence of Poland and started many decades of Polish national and cultural decline towards almost total annihilation during war and post-war years of the German-Soviet occupations - I’m presenting here the “Rota” (An Oath) - one of the most important songs ever written in Poland. “Rota” is a Polish patriotic hymn, written in 1908 by a Polish poet Maria Konopnicka, to the music by composer Feliks Nowowiejski. It was created as Polish answer to the increasing Germanisation of Polish citizens under the Prussian rule in the 19th/20th century (in the time when – until the 1st World War – territory of the former Polish Kingdom was partitioned between three empires: Russia, Prussia and Austria). “Rota” consists of four stanzas, written in the form of an oath formula, in which Polish nation promises God to keep its national identity and Catholic faith. Song was first made public by hundreds of choristers on 15th July 1910 during the unveiling of the Grunwald Monument in Kraków – the ceremony held on the 500th anniversary of the Polish victory over the Germans in the Battle of Grunwald of 1410. Combined choirs from across the whole of the former Polish state met on the Grunwaldzki Square in Kraków, to create a monumental national call for freedom, sung by thousands of throats, under the composer’s direction. After Poland regained its independence in 1918, “Rota” was the first candidate to become the national anthem, to be replaced later by the “Dąbrowski Mazurka”. In the history of the 20th Century, “Rota” was sung on all situations when the extreme threat to the nation’s existence appeared. Therefore, it was often sung in public during the martial law in Poland in the 1980s: interestingly, the second verse "... Until the Teutonic onslaught/ falls apart into dirt and dust” was then replaced with "... Until the Soviet onslaught/ falls appart into dirt and dust”. In 1991 “Rota” became the anthem in the Polish ethnic autonomous district, created as part of the Republic of Lithuania by the Poles living in territory of the former Polish Kingdom, which now is a part of Lithuania. / Eugeniusz MOSSAKOWSKI +••.••(...)) Polish operatic singer, one of the best baritones in Europe in his generation. He sung in the Grand Theatre in Warsaw in years 1921-39, although his artistic career had been started by him in late years of his life, after he was 32 years old. After the 2nd World War, he withdrew from the artistic career and devoted himself entirely to teaching.
Feliks Nowowiejski 1877 1946 2020
Feliks Nowowiejski +••.••(...)) - Preludio festivo z II Symfonii organowej op.45 Michał Markuszewski gra na organach firmy Mühleisen w Michaelskirche w Waiblingen (Niemcy) spiel an der Mühleisen-Orgel in der Michaelskirche w Waiblingen (Deutschland) plays on the Mühleisen organ in the St. Michael Church in Waiblingen (Germany) live recording - 6.09.2020 / www.michalmarkuszewski.pl /
Feliks Nowowiejski Cantores Minores 2011
Cantores Minores Joseph A. Herter - założyciel i dyrektor muzyczny Franciszek Kubicki, asystent dyrygent i akompaniator Bazylika św. Krzyża w Warszawie. 10.04.2011 r.
Feliks Nowowiejski Żeleński Szymanowski 1877 1915 1946
Pianist: Magdalena Adamek Feliks Nowowiejski +••.••(...)) was a Polish Composer who was born in Barczewo (Wartenburg during the partitions). Despite living in the Prussian partition, Nowowiejski's father was an ardent supporter of Polish culture, and his mother was a pianist who played Polish folk songs on a regular basis in addition to reciting Polish, German, and her own poetry. All of this rubbed off on Nowowiejski, who wrote plenty of programmatic music based on Polish literature - the most famous of which was his oratorio Quo Vadis, which was based on Henryk Sienkiewicz's novel of the same name. Nowowiejski composed organ symphonies, a piano concerto, several symphonies, songs, and piano pieces. Here, we have a piano piece from a set titled simply "piano pieces" that has a lot of dramatic flair but is not one of his later, more brilliant works. Published around 1915, this piece moves away from the conservatism of Żeleński but does not embrace the ethereal style of Szymanowski. The repeated chords that feature toward the end of the piece at different tempi are extremely interesting and contrast the melodic character of other segments of the ballade. They create a tension that is explored more subtly and then resolved in the final bars of the piece. IMSLP: (http•••)
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- cronología: Intérpretes (Europa).
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