Heinrich Finck Vídeos
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Lorand Sando Dicker Boulanger Herman Finck Finck Weber Berlin Philharmonic Orchestra 2015
Provided to YouTube by The Orchard Enterprises Golden Kisses (Waltz) · Edith Lorand Viennese Orchestra · Sando Dicker · Edith Lorand · Adalbert Lutter Orchestra · Barnabas Von Géczy Orchestra · Berlin Philharmonic Orchestra · Carl Woitschach Salon Orchestra · Dajos Bela Orchestra · Elite Novelty Orchestra · Eugene’s Viennese Orchestra · Ferdy Kauffman Orchestra · George Grohrock-Ferrari Orchestra · Georges Boulanger Orchestra · Gershom Parkington Quintet · Herman Finck Orchestra · International Novelty Quartet · Marek Weber Orchestra · Orchestre Raymonde · The Mayfair Orchestra · The Tower Ballroom Blackpool Dance Band · The Viennese Café Orchestra The Golden Age of Light Music: More Gems from the 1930s ℗ 2015 Guild GmbH Released on: 2015-02-15 Music Publisher: Public Domain Auto-generated by YouTube.
Eugen Albert Ernst Pauer John Stainer Ebenezer Prout Arthur Sullivan Robert Schumann Hans Richter Felix Mendelssohn Franz Liszt Tausig Teresa Carreño Hermine Finck Finck Covent Garden 1809 1881 1886 1892 1895 1907 1963
Eugen D´Albert - Suite in fünf Sätze - 1.Allemande - VSL Synchron Steinway D-274 and Vienna MIR PRO Eugen d'Albert [actually Eugene Francis Charles], was a Scottish-born German pianist and composer. He was to an English mother and a French/Italian father. His father, Charles Louis Napoleon d'Albert +••.••(...)), was a dancer, pianist and music arranger, who had formerly been ballet-master at the King's Theatre and at Covent Garden and wrote popular music. Eugen d'Albert never spoke English fluently, and considered himself to be German. Albert received his early instruction in music from his father. At the age of 10, he entered the National Training School (Royal College of Music) in London, where he studied piano with Ernst Pauer and theory with John Stainer, Ebenezer Prout, and Arthur Sullivan. He arranged the piano reduction for the vocal score of Sullivan's sacred music drama The Martyr of Antioch, to accompany the chorus. While he later said that he considered his work during this period more or less worthless, he is credited with writing the overture to Sullivan's Patience. Eugen d'Albert made extraordinary progress as both a pianist and a composer, and after several appearances at the Popular Concerts, was the soloist in Robert Schumann's Concerto at the Crystal Palace in London (February 5, 1881). On October 24, 1881, when only 17, he played his own piano concerto at one of Hans Richter's concerts, arousing great enthusiasm. The press compared him to Mozart and Felix Mendelssohn. He received a Mendelssohn fellowship and went to Vienna. Later he studied in Weimar with the elderly Franz Liszt, who was greatly impressed by his technique and often referred to him as "the young Tausig." D'Albert can be heard in an early recording of that composer's works. In 1895 Eugen d'Albert was appointed conductor at Weimar. In 1907 he became director of the Hochschule für Musik in Berlin. In the wake of his success, he repudiated his English birth, adopting German citizenship, and made repeated statements derogatory to English culture and even to his former English teachers. He further changed his first name from Eugene to its German form, Eugen. During World War I, he was vocal in his enmity toward England, which led in turn to an understandable repugnance among British musicians to accept his music. Despite a brilliant beginning, Eugen d'Albert did not fulfill his early promise. His musical idiom oscillates between the Italian melodic style and German contrapuntal writings, and fails to achieve originality. His operas and other works were rarely revived. A considerable corpus of his autograph MSS, including 11 of his operas (although not Tiefland), was acquired in 1963 by the Library of Congress in Washington, D.C. Eugen d'Albert's personal life was a stormy one. He was married 6 times; his first wife +••.••(...)) was the Venezuelan pianist, singer and composer Teresa Carreño, herself much married. D'Albert and Carreño were the subject of a famous joke: "Come quick! Your children and my children are quarreling again with our children!" (the line, however, has also been attributed to others). His 2nd was the singer Hermine Finck. He died in Riga, where he had traveled for the divorce from his 6th wife. He was buried in the beautiful cemetery overlooking Lake Lugano in Morcote, Switzerland.
Danny Elfman Snyder Sterling Finck McGregor Zimmermann Prick 2021
Listen to the full album here: (http•••) "Kick Me" by @Danny Elfman & Iggy Pop from the album 'Bigger. Messier.', available now Order, stream & download: (http•••) New arrangement by Iggy Pop & Leron Thomas Co-Produced by Leron Thomas Iggy Pop vocals recorded and mixed by Luis Gomez at Safe & Sound Miami Additional mixing by Pete Rutcho Video by Carrie Chen & Berit Gwendolyn Gilma / ➤ Store: (http•••) ➤ Website: (http•••) ➤ Facebook: (http•••) ➤ Instagram: (http•••) ➤ Twitter: (http•••) ➤ Spotify: (http•••) ➤ Apple: (http•••) ➤ Amazon: (http•••) Epitaph Records is an artist-first indie label founded in Los Angeles by Bad Religion guitarist, Brett Gurewitz. Early releases from a variety of punk heavyweights helped launch the 90s punk explosion. Along the way, Epitaph has grown and evolved creatively while sticking to its mission of helping real artists make great recordings on their own terms. #dannyelfman #antirecords #epitaph / 'Bigger. Messier.' Album Credits Original Versions available on the Anti/Epitaph album 'Big Mess' Music & Lyrics by Danny Elfman Produced by Danny Elfman Recorded by Noah Snyder Mastered by Joe LaPorta at Sterling Sound Vocals, Guitars & Synths by Danny Elfman Drums - Josh Freese Bass - Stu Brooks Guitar - Robin Finck & Nili Brosh Danny Elfman’s Representation – Kraft-Engel Management Remix Album: Executive Produced by Laura Engel & Stu Brooks Curated by Stu Brooks & Berit Gwendolyn Gilma Project Producer - Melisa McGregor Additional Vocal Production - Janice Cruz Brooks Art Direction & Graphic Design: Berit Gwendolyn Gilma Coverimage: Sarah Sitkin Additional 3D Artwork: Isaac Ruder Special Thanks: Brett Gurewitz, Andy Kaulkin, Doug Mark, Richard Kraft, Laura Engel, Melissa Karaban, George Doering, Josef Zimmermann & Scott McRae / "Kick Me" - Lyrics by Danny Elfman Kick me I‘m a celebrity, kick me I‘m a celebrity Losers not invited, losers not invited Kick me I‘m a celebrity, kick me I‘m a celebrity Losers not invited, losers not invited Look now everybody can see, look now everybody can see Love me, love me Kick me, I‘m an arrogant, prick I‘m a selfish asshole, I‘m a selfish asshole Kick me I‘m a royalty, kick me I‘m a royalty Poverty disgusts me, poverty disgusts me But I‘m such a likable guy, but I‘m such a likable guy Love me, love me I‘m a lovely guy, I‘m a lovely guy, kick it, kick it So I know you‘re there I do appreciate you as I would a chair So I can sit and you and you will see How much that you depend on me I, love it when you, love it when you, really love it when you Treat me like a scumbag, treat me like a scumbag Fuck me I‘m a billionaire, fuck me I‘m a billionaire I love the attention, I love the attention Kick me I‘m a celebrity, kick me I‘m a celebrity Losers not invited, losers not invited I‘m such a sensitive guy, I‘m such a sensitive guy Love me, love me Kick it, kick it Love me, love me, love me, love me, love me Kick it, kick it, kick it, kick it, kick it, kick it, kick it Love me, love me, love me, love me, love 2021 Danny Elfman, under exclusive license to Epitaph / Anti Music & lyrics published by Morte Pharmaceutical Music (BMI)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): F...