Carl Flesch Vídeos
violinista, profesor de música, profesor universitario
Conmemoraciones 2024 (Muerte: Carl Flesch)
- violín
- música clásica
- Hungría
Última actualización
2024-05-06
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Ivor Gurney Adolf Busch Busch Carl Flesch Hamilton Harty John Barbirolli Manley Boyd Neel Frank Bridge Benjamin Britten John Ireland Beethoven Ralph Vaughan Williams Lark Bach Henry Purcell Dvořák Arthur Benjamin Benjamin Dale Lennox Berkeley Kenneth Leighton Edmund Rubbra York Bowen Howard Ferguson Arthur Bliss Béla Bartók Handel Rachmaninoff Smetana Arnold Bax Yehudi Menuhin London Symphony Orchestra Aeolian Quartet Salzburg Festival Proms 1686 1697 1718 1908 1909 1911 1927 1930 1935 1936 1937 1938 1940 1942 1947 1952 1963 1966 1978 1979 1987
The Apple Orchard by Ivor Gurney, Frederick Grinke - Violin Ivor Newton - Piano Recorded in 1942. The Apple Orchard is one of two short pieces written for violin and piano by Ivor Gurney that were published posthumously in 1940. Frederick Grinke CBE (8 August 1911 – 16 March 1987) was a Canadian-born violinist who had an international career as soloist, chamber musician, and teacher. He was known especially for his performances of 20th-century English music. He started to learn the violin at the age of 9, and studied with John Waterhouse and others in Winnipeg. He made his first broadcast at the age of about 12, and formed a trio at age 15. In 1927, he won a Dominion of Canada scholarship award to the Royal Academy of Music in London, where he studied with Rowsby Woof. He continued his studies (at age 21) for a summer with Adolf Busch in Switzerland, and afterwards in Belgium and London with Carl Flesch. Hamilton Harty considered appointing him leader of the London Symphony Orchestra at the age of 21, but the offer was not made on account of his youth. From around 1930 to 1936, Grinke was second violin of the Kutcher String Quartet (in which John Barbirolli was for a time the 'cellist). In 1935, with pianist, Dorothy Manley, he gave the premiere of the Canadian composer Hector Gratton's Quatrieme danse canadienne. It was with Manley and Florence Hooton, both fellow students at the Academy, that Grinke formed his trio, Kendall Taylor later replacing Manley. In 1937 he became concertmaster of the Boyd Neel Orchestra, a post he would hold until 1947. His first performance with them was at the Salzburg Festival in 1937, giving the premiere of the Variations on a Theme of Frank Bridge by Benjamin Britten. Thereafter he performed with them in Europe, USA, Australia and New Zealand, the London Proms, and at the Edinburgh Festival. He resigned as concertmaster to pursue his solo career. During the later 1940s, Grinke made numerous recordings, mainly for Decca, many of which were originally released in the last years of 78rpm records. His recordings of John Ireland's chamber music include the Phantasie Trio of 1908, the 1938 Trio no 3 in E major, and The Holy Boy (with Florence Hooton (cello) and Kendall Taylor (piano)), and the Violin Sonata no 1 of 1909 with the composer at the piano. The trio also recorded the Phantasy trio of Frank Bridge and the Beethoven trio in E flat. Ralph Vaughan Williams dedicated his Sonata in A minor, written in 1952, to Grinke, who recorded the composer's Concerto Accademico in D minor, and The Lark Ascending, with the Boyd Neel Orchestra. Grinke and David Martin (also a Canadian violinist) performed J.S. Bach's Concerto for two violins at Vaughan Williams's funeral. Among other recordings from the 1940s were no's 3 and 9 from the 1697 set of 10 Sonatas by Henry Purcell, with Jean Pougnet and Boris Ord, and Purcell's sonata in G minor with Arnold Goldsbrough. He is heard with Kendall Taylor in the Dvořák G major Sonatina op 100, and with Watson Forbes (violist of the Stratton Quartet and Aeolian Quartet) in Mozart duos. He also premiered and recorded works by Arthur Benjamin, Benjamin Dale, Lennox Berkeley, Kenneth Leighton, Edmund Rubbra, York Bowen, Howard Ferguson, Arthur Bliss, Béla Bartók, Beethoven, Handel, Rachmaninoff and Smetana, often accompanied by Ivor Newton. He recorded all six Brandenburg Concertos with the Boyd Neel Orchestra, and made a broadcast of the Arnold Bax violin concerto from Australia. From 1963 to 1966 he taught at the Yehudi Menuhin School at Stoke D'Abernon, Surrey. He frequently sat on juries for international competitions. He retired from the Royal Academy of Music in 1978, where his students included John Georgiadis, and was appointed a CBE in 1979, but continued teaching until his death, which occurred in 1987. The National Portrait Gallery lists 8 portraits of Grinke in its collections.[ Grinke played an instrument by J. B. Rogerius of 1686, with aluminium-covered D and A, and silver-covered G and steel E strings, but also often played a Stradivarius dated 1718, lent by the Royal Academy of Music. He was married in 1942 to Dorothy Sirr Sheldon and had one son. He is buried in the churchyard of St Mary, Thornham Parva, Suffolk.
Practice violin with me! Trying out Carl Flesch for the first time! As an adult beginner violinist, Carl Flesch Scales System was HIGH RECOMMENDED to me by my ex-Adhoc violin tutor 3 years ago. It was sold out in Singapore at that point in time, so this should be good I guess? Carl Flesch Violin Scales Systems focus on majors and minors scales and arpeggios, octaves, fifth, harmonics, double stops - it's almost like an all-in-one. Due to the lack of violin practice for quite some time, THIS IS SUPER CHALLENGING FOR ME :') (00:00) intro to carl flesch scale system (02:53) sight-reading exercise 1 (05:41) with metronome (07:25) carl flesch c major exercise 1 (09:20) one-thirds and chromatic scales (10:04) ONE OCTAVE HIGHER (16:21) 'end product' (19:00) carl flesch review
Joseph Szigeti Carl Flesch Bach Walter Goehr Goehr 1873 1892 1937 1944 1973
Joseph Szigeti +••.••(...)), Carl Flesch +••.••(...)) Cond. by Walter Goehr transfer from JpnColumbia 78s /JS-41 (CAX-8060 ) recorded 30 August 1937
¡Hola amigas, amigos y colegas de Youtube! A continuación comparto con ustedes este séptimo tutorial, en el cual brindo una explicación detallada de los arpegios, desde la mirada del violinista y pedagogo Carl Flesch. En el mismo, explico y desarrollo los esquemas y digitaciones correspondientes a los arpegios mayores, menores, disminuidos y de séptima dominante, para luego proceder a explicar como pueden transportarse muy fácilmente a diferentes tonalidades. Como suelo decirles, agradeceré enormemente sus suscripciones, likes, comentarios y que me ayuden a difundir este canal entre aquellas personas a quienes consideren que pueda interesarles los temas tratados aquí. ¡Saludos cordiales! *Vías de contacto para clases personalizadas: E-mail: •••@••• Whatsapp: +••.••(...) IG. (http•••) FB: (http•••) *Para colaborar con la labor educativa que desarrollo a través de este canal: *Mercado Pago (Suscripción): (http•••) *Paypal: (http•••) *Transferencia bancaria: CBU: 0340326408326013358007 CUIL: 20-28889154-1 Titular CBU: Mantuani, Diego Humberto Banco CBU: Banco Patagonia (Argentina) Desde ya, muchas gracias.
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- cronología: Intérpretes (Europa).
- Índices (por orden alfabético): F...