Ernst Kullak Vídeos
compositor, pianista
Conmemoraciones 2024 (Muerte: Ernst Kullak) 2025 (Nacimiento: Ernst Kullak)
- piano
- Alemania
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2024-05-13
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Moritz Moszkowski Kullak Friedrich Kiel Franz Liszt Dresden Conservatory 1854 1873 1875 1896 1925
Moszkowski | Romance sans paroles Op 77 No 3 [VSL Steinway] From 10 Pièces mignonnes. Moritz Moszkowski - 10 pièces mignonnes op.77 - no.3 Romance sans paroles Very nice piece. Moritz Moszkowski (1854 – 1925) was a German composer, pianist, and teacher of Polish-Jewish descent. The Jewish pianist Moritz Moszkowski was German-born, but always claimed Polish nationality. A child prodigy, Moszkowski entered the Dresden conservatory at age 11, and from there moved on to Berlin where he studied piano with Eduard Frank and Theodore Kullak and composition with Friedrich Kiel. Kullak was so impressed by Moszkowski that he made the latter an instructor at the Neue Akademie der Tonkunst; Moszkowski was then only 17 years of age, and he remained in this position until 1896. In 1873, Moszkowski made his debut appearance in Berlin and swiftly rose through ranks to recognition as one of the top piano virtuosi in Europe. In 1875, Moszkowski premiered his First Piano Concerto; soon after the premiere, Franz Liszt joined performed a two-piano version with him. By the mid-1880s, Moszkowski was suffering from nerves and began to curtail his recital activity in favor of composing, conducting and teaching. His many published compositions proved very popular in the era of salon pianism, and netted the composer a handsome income. These included the Serenata Op. 15/1, Concert Studies Op. 24, Caprice Espagnol Op. 37, Etincelles Op. 36/6 and Guitarre Op. 45/2. Moszkowski's music for piano duet was especially popular, in particular the Spanish Dances Opp. 12, 21, and 65. Early in his career Moszkowski had some success with orchestral music as well, but these pieces remained largely unpublished and most are now lost. Watch the latest videos: (http•••) Best regards! Suscribe (http•••) FREE Soft Imperial From Vienna Symphonic Library (http•••) SYNCHRON PIANOS BUNDLE (Demo) (http•••) FREE VST PLUGINS (http•••) My Favorite Piano Libraries (http•••) ️ Social Networks: - FACEBOOK: (http•••) - Instagram: (http•••) ♪ - TikTok: (http•••) Performance, audio and video editing by René Sanhueza Gaete. #MoszkowskiOp77No3 #Romancesansparoles #renesanhuezagaete My donation link to keep the channel growing: (http•••) Thanks for listening :-)
Chopin Arthur Rubinstein Theodor Kullak Fontana 1881 1999
Chopin Nocturne Op. 32 No. 1 in B Major. Played by Arthur Rubinstein. This piece has performance notes written by Dr. Theodor Kullak, German composer. I do not know that Rubinstein performed based on these notes, but the score I used includes them, so you can read them if you're interested. (The letters in the score correspond to letters in the notes.) "The nocturne expresses feelings such as awaken in quiet hours of solitude far from the noisy world when one is absorbed in thought and reverie and dear familiar images arise in memory. In respect to its poetic contents the nocturne reminds one of Op.27 No.2. Like that, it has no secondary subject proper, but divides best into strophes which alternate with each other and apear at every repition continually more richly arrayed in point both of modulations and of figurations. The tender lyric mood continues to the coda. This latter is strangely and surprisingly dramatic in effect. It is as if something coming from without (perhaps repeated strokes of the clock, or a rapping at the door) suddenly made an end of all reveries. "'A'-'B' forms the first strophe, which after a short interlude 'B'-'C', returns at 'C'. At 'D' a new one strophe appears, which is repeated at 'E'. At 'F' the coda begins. "In correspondence with the prevailing mood of the nocturne, the delivery must be tenderly dreamy, and tranquil throughout. The more passionate outpourings must be rendered with moderation so as to avoid glaring contrasts. The coda is to be executed dramatically (recitativo). "'G'. I prefer the older text of Fontana, which in the first and last measures of this line has d-sharp." Performance Notes Copyright G. Schirmer, 1881. Rubinstein's recording 1999 RCA Red Seal, now Sony Entertainment.
Frédéric Chopin Constantinidis James Huneker Theodor Kullak Leichtentritt 1818 1830 1833 1857 1882 1921
Quarantine Piano Music ..... no.17 Frederic Chopin "Torrent" Etude op.10 no.4 Étude Op. 10, No. 4 in C♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, Germany,and England as the fourth piece of his Études Op. 10. This study, a very fast Presto con fuoco, features continuous sixteenth notes (semiquavers), in perpetuum mobile fashion involving both hands. American music critic James Huneker (1857–1921) believes that "despite its dark key color", this étude "bubbles with life and spurts flame." German pianist and composer Theodor Kullak (1818–1882) calls it a "bravura study for velocity and lightness in both hands. Accentuation fiery!" Leichtentritt calls the piece a "magnificent tone-painting" [prachtvolles Tongemälde] and "elemental sound experience" Playlist Link : (http•••)
Fryderyk Franciszek Chopin Theodor Kullak Jan Kleczyński Charles Willeby James Huneker James Friskin 1810 1815 1830 1849
The Nocturne in C minor has been categorized as one of Chopin's greatest emotional achievements. Theodor Kullak said of the piece, "the design and poetic contents of this nocturne make it the most important one that Chopin created; the chief subject is a masterly expression of a great powerful grief." Jan Kleczyński, Sr. calls the nocturne "broad and most imposing with its powerful intermediate movement, a thorough departure from the nocturne style." Some musical critics, including Charles Willeby and Frederick Niecks, do not think the piece deserves its fame and position; though James Huneker agrees with this assessment, he notes that the nocturne is still "the noblest nocturne of them all." James Friskin found the music to have "the most imposing instrumental effect of any of the nocturnes," calling the crescendo and octaves "almost Lisztian." Frédéric François Chopin (/ˈʃoʊpæn/; French pronunciation: [fʁe.de.ʁik fʁɑ̃.swa ʃɔ.pɛ̃]; 1 March 1810 – 17 October 1849), born Fryderyk Franciszek Chopin, was a Polish composer and a virtuoso pianist of the Romantic era, who wrote primarily for the solo piano. He gained and has maintained renown worldwide as one of the leading musicians of his era, whose "poetic genius was based on a professional technique that was without equal in his generation."Chopin was born in what was then the Duchy of Warsaw, and grew up in Warsaw, which after 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. Thanks for watching!
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): K...