Daniel Espasa Vídeos
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2024-05-14
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Valer Sabadus Christina Pluhar Falconiero Ziani Longo Legrenzi Monteverdi Cavalli Cesti Kapsberger Merula Sances Sherwin Ruiz 2022
__ Miracolo d’Amore: Arias with Valer Sabadus 00:00:00 - Falconiero: Folias 00:03:14 - Ziani: Dormite, o pupille | Il Nerone 00:08:54 - Rossi: Dopo longo penare 00:11:34 - Legrenzi: Con cent'occhi | Totila 00:16:59 - Falconiero: Brando lo spiritillo 00:18:51 - Legrenzi: Lumi, potete piangere | La divisione del mondo 00:22:17 - Monteverdi: Venite, siscientes 00:27:01 - Lorenzo: Canario 00:28:41 - Cavalli: Ninfa bella | La Calisto 00:32:38 - Cesti: Disserratevi abissi | L'Argia 00:36:30 - Cavalli: Che citta | Ormindo 00:40:10 - Kapsberger: Canarios 00:45:25 - Rossi: Gelosia 00:52:18 - Merula: Chiaccona 00:55:09 - Sances: Presso l'onde tranquilo Encores: 01:01:14 - Monteverdi: Si dolce è'l tormento 01:06:16 - Cavalli: Ninfa bella | La Calisto Valer Sabadus | Countertenor Doron David Sherwin | Cornet Jesus Merino Ruiz | Violin Josep Maria Marti Duran | Theorbo & baroque guitar Rodney Prada | Viola da gamba Sergey Saprychev | Percussions Dani Espasa | Harpsichord & organ L'Arpeggiata Conducted by Christina Pluhar / Oedipus Coloneus, 2022
Frederick II Prussia Álvarez Aranda Federico Chueca Ruperto Chapí Tomás Bretón Riego 1560 1761 1770 1861 1864 1868 1870 1884 1903 1908 1997
The "Marcha Real" (Spanish pronunciation: [ˈmaɾtʃa reˈal]; "Royal March") is the national anthem of Spain. It is one of only four national anthems in the world (along with those of Bosnia and Herzegovina, Kosovo, and San Marino) that have no official lyrics[2] (although it had lyrics in the past, they are no longer used). One of the oldest in the world, the Spanish national anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfantª Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry), by Manuel de Espinosa. There, it is entitled "La Marcha Granadera" (English: "March of the Grenadiers"). According to the document, Manuel de Espinosa de los Monteros is the composer. There is a misconception that its author was Frederick II of Prussia, a great lover of music. That mistaken belief arose in 1861 when it was published as fact in the periodical La España militar (Military Spain). In 1864, Col. Antonio Vallecillo published the story in the diary El Espíritu Público (The Public Spirit), claiming a supposed Prussian origin for Marcha Real. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II's army, under orders of King Charles III. In 1868, this spurious history was published in Los Sucesos, changing the beneficiary of the gift to Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up in different publications of 1884 and 1903 until it was included in 1908 in the Enciclopedia Espasa. In 1770, Charles III declared the "Marcha de Granaderos" the official Honor March, an act that formalized the tradition of playing it in public, especially on solemn occasions. It became the official Spanish anthem during Isabel II's reign. In 1870, after the 1868 Revolution, General Juan Prim organized a national contest to create a new official state anthem, and a jury consisting of three well-known composers was chosen to designate a winning entry. Although over 400 compositions were submitted, including those written by the young composers Federico Chueca, Ruperto Chapí and Tomás Bretón, a new anthem was never selected. After extensive deliberations, the jury had advised that "Marcha de Granaderos" was already considered the country's official anthem, and the contest was suspended.[3] By Alfonso XIII's time, the Royal Circular Order of 27 August 1908 established the musical score orchestrated by Bartolomé Pérez Casas, Superior musician of the Royal Corps of Halberdier Guards, as the official version; it is known traditionally as the "Grenadier March" or the "Royal Spanish March". During the Spanish Second Republic the Himno de Riego was adopted as the anthem of the republic.[4] The actual symphonic version of the "Marcha Real" that replaced the Pérez Casas one was written by maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas's heirs. According to the Royal Decree 1560/1997, it should be in the key of B-flat major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds. info from Wikipedia
Valer Sabadus Monteverdi Sherwin Ruiz Christina Pluhar Festival Ambronay Notre Dame 2021
Festival d'Ambronay Abbaye Notre-Dame d'Ambronay, France ,September 26, 2021 Valer Sabadus, contre-ténor L'Arpeggiata : Doron David Sherwin, cornet à bouquin, Jesus Merino Ruiz, violon baroque Josep Maria Marti Duran, théorbe & guitare baroque Rodney Prada, viole de gambe Sergey Saprychev, percussions Dani Espasa, clavecin & orgue Christina Pluhar, théorbe et direction
Philippe Jaroussky Céline Scheen Antonio Caldara Pergolesi Christina Pluhar Nowak Cristo George Frideric Handel Spina Trionfo
ENSEMBLE L’ARPEGGIATA CHRISTINA PLUHAR theorbo & musical direction PHILIPPE JAROUSSKY countertenor CÉLINE SCHEEN soprano JUDITH STEENBRINK baroque violin CATHERINE AGLIBUT baroque violin FILIP REKIEĆ baroque violin LATHIKA VITHANAGE baroque violin ANIA NOWAK baroque viola RODNEY PRADA viola da gamba BRUNO COCSET baroque cello LEONARDO TERRUGGI double bass JOSEP MARIA MARTI DURAN theorbo & baroque guitar DANI ESPASA positive organ Program: Stabat mater – Caldara & Pergolesi Antonio Caldara Introduzione from La Passione di Gesu Cristo Signor Nostro Antonio Caldara “Per il Mar del Pianto Mio” – Aria di Maddalena from Maddalena ai piedi di Cristo (Céline Scheen) Antonio Caldara “Só, lieti festeggiate” – Aria di Amor Celeste from Maddalena ai piedi di Cristo (Philippe Jaroussky) Antonio Caldara “Pompe inutile” – Aria di Maddalena con violoncello solo from Maddalena ai piedi di Cristo (Céline Scheen) Antonio Caldara “Quel buon pastor son io” from La morte di Abel (Philippe Jaroussky) Antonio Caldara “In lagrime stemprato il cor qui cade” – Aria di Maddalena from Maddalena ai piedi di Cristo (Céline Scheen) George Frideric Handel “Lascia la spina” – Aria di Piacere from Il Trionfo del Tempo e del Disinganno (Philippe Jaroussky)