Courtice Pounds Vídeos
actor, cantante de ópera, actor de teatro
- tenor
- Reino Unido
Última actualización
2024-05-04
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from "The Song recital for bass and piano" at Kolarac Hall, Belgrade (Serbia) April 20th 2021. Bass: Sava Vemić Flute: Anja Malkov Bassoon: Aleksa Marinković Piano: Vladimir Gligorić Composer: Aleksandar Sedlar Video: Diznilend Studio, Belgrade Audio: Miloš Marinković, Belgrade MAČKONJA (text: A. Sedlar; translation: S. Vemić) Mačkonja, where have you been Mačkonja? It’s very easy to make full of yourself, Mačkonja! Especially if you are in a foreign country where no one understands you. You could walk down the street naked and no one would care. Here you’re just another number, starting from scratch is a real challenge. Just be yourself and everything will come easily. Always be yourself! Whatever others think, you know your truth best. Mačkonja, be yourself! Every normal person is constantly wondering… Mačkonja, Mačkonja believe in yourself when you think you are stupid, when you think you are weak, when you think you are strong! Remember one thing, Mačkonja: It’s easy to be an idiot, in some apartment, in some city, when you are offered whatever, it’s easy to be an idiot, an idiot, an idiot. Mačkonja, take care of body, it could betray you. Freedom is a trap, what would your old mother say? It’s easy to be an idiot. Mačkonja! Sometimes is hard to resist because here: Everyone grows their own weed, the best in the world! Everyone grows their own weed, makes a mess in my head. And I don’t have my weed; Therefore, I take it from them, everyone grows their own weed in California! They say it’s not legal, but it’s completely normal, and everyone grows, everyone has, everyone rolls, every now and then someone asks. Everyone grows their own weed, weed, everyone grows their own weed, weed, everyone grows their own weed weed, in California! Mačkonja, why are you sad? Is it love? Be patient. Love is beautiful, when it’s real. When you rejoice with all your soul, believe and surrender… Mačkonja, you’re exaggerating… Love is beautiful in itself, unpredictable and invisible. Will you ever find your soul mate Mačkonja? Or would you rather be alone all your life? You are out of your mind, changing chicks every day! Mačkonja, trivial life will exhaust you. Surrender yourself, relax and you will see… Love is beautiful, beautiful…Mačkonja… In order to increase your chances in finding true love first you will need tooooo - loose about forty pounds. Run! Fast, Faster! It’s time to get your life in order. Mačkonja, faster, faster! Just a bit more! You can do it! Mačkonja! МАЧКОЊА (текст: А. Седлар) Мачкоња, где си био Мачкоња? Јако је лако правити будалу од себе, Мачкоња! Нарочито ако си у страној земљи где те нико ништа не разуме. Мог’о би да шеташ по улици го и нико не би марио за то. Овде си само још један број, почети од нуле прави је изазов. Само буди свој и све ће бити лако. Увек буди свој! Шта год да други мисле, своју истину најбоље знаш. Мачкоња, буди свој! Сваки нормалан човек се стално пита… Мачкоња, Мачкоња, веруј у себе кад мислиш да си глуп, кад мислип да си слаб, кад мислиш да си јак! Једно запамти, Мачкоња: Лако је бити идиот у стану, у неком граду, кад нуде шта буде. Лако је бити идиот, идиот, идиот. Мачкоња, припази на организам, могао би да те изда. Слобода је замка, шта би рекла стара мајка? Лако је бити идиот. Мачкоња! Некада је тешко одoлети јер овде: Свако гаји своју џиџу! Најбољу на свету том! Свако гаји своу џиџу у глави направи ми лом. А ја немам своју џиџу, па зато узимам од њих, свако гаји своју џиџу у Калифорнији! Кажу није легално, ал скроз је нормално, и свако гаји, свако има, свако рола, свако мало неко пита. Свако гаји своју џиџу џиџу, свако гаји своју џиџу џиџу свако гаји своју џиџу, у Калифорнији! Мачкоња, зашто си тужан? Да није љубав? Буди стрпљив. Љубав је лепа, кад је права. Кад се целом душом радујеш, предајеш и верујеш… Мачкоња, претерујеш… Љубав је лепа сама од себе, непредвидљива и невидљива. Дал ћеш икад наћи сродну душу Мачкоња? Ил би радије да цео живот будеш сам? Ти ниси нормалан, мењаш рибе сваки дан! Мачкоња, уморће те површни живот. Предај се, опусти се и видећеш… Љубав је лепа, лепа, Мачкоња…. Да би повећао своје шансе у налажењу љубави праве мораћеш прво ууу ооо, да смршаш једно дваес кила. Трчи! Брзо, брже! Време је да се доведеш у ред. Мачкоња, брже брже! Још само мало, можеш ти то! Мачкоња!
In 2016, the Orchestre symphonique de Montréal became the first orchestra in the world to feature an octobass in its roster. Native to Europe, this octobass was built at the Jean-Jacques Pagès workshop in 2010. This is a perfect reproduction of the original model of Jean-Baptiste Villaume, perfected in 1851. It is 11.10 feet tall, weighs 290 pounds, and has a few hundred pieces, including 237 making up the complex mechanism of the instrument. The octobass is graciously made available to the OSM by Canimex (Drummondville). Video director: Ian Cameron
A brief tour of Meyer Sound’s new flagship PANTHER line arrays. Shipping in February, 2022, Panther combines two long-excursion 12” woofers and 3” compression drivers with four channels of onboard Class-D powering fed from a dual (analog/Milan AVB network) input module. Designed for large-scale touring and installs, three models offer different horizontal dispersion: the 95° PANTHER-M; 110° PANTHER-W; and 80° long-throw PANTHER-L. PANTHER produces nearly the same power and headroom as LEO in the footprint of LYON, yet weighs just 150 pounds and are capable of max 150dB SPLs. All have IP55 weather protection-rated enclosures and integrate with Meyer Sound’s existing 900-LFC and 1100-LFC subwoofers. A range of flown rigging, ground-stack and transport options are available. For more information, visit: (http•••)
George Frideric Handel Anja Harteros Johann Sebastian Bach Domenico Scarlatti 1685 1697 1703 1705 1707 1708 1709 1710 1711 1712 1727 1739 1742 1750 1751 1759 2011
Full Title: Alcina: Act II, Scene 1 - Ah, mio cor! by George Frideric Handel Vocals: Anja Harteros George Frideric Handel (born Georg Friedrich Händel on 23 February 1685 - died on 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Handel’s father did not want him to study music; he wanted him to be a lawyer. Although Handel's father died in 1697, Handel enrolled at the University of Halle in 1703. He studied law for a year because his father wanted him to do so. After that year, Handel was unhappy studying law. He decided to stop studying law and become a musician. He became organist at the Protestant Cathedral in Halle. The next year he moved to Hamburg where he got a job as violinist and harpsichordist in the orchestra of the opera-house. Here his first two operas, Almira and Nero, were produced early in 1705. Two other early operas, Daphne and Florindo, were produced at Hamburg in 1708. Handel was becoming a good opera composer, but he wanted to learn more, so he went to Italy in 1707. He spent four years there. His opera Rodrigo was produced in Florence in 1707, and his Agrippina at Venice in 1709. Agrippina was very popular and had 26 performances. It made Handel famous. He also had three oratorios produced in Rome. He wrote sacred music (church music) and other pieces in an operatic style, e.g. Dixit Dominus (1707). In 1710 Handel became Kapellmeister (music director) to George, Elector of Hanover, who would soon be King George I of Great Britain. The Elector agreed that Handel could have an immediate leave of 12 months so that he could go to London. He visited London for eight months. His opera Rinaldo was performed in 1711. It was the first time an Italian opera had been performed in England. It was an immediate success. Handel returned to Hanover in the summer of 1711 and spent a year writing chamber and orchestral music because there was no opera in Hanover. He was also trying to learn English. In 1712 the Elector allowed him to make another visit to England. In England he had patrons (rich people who gave him money). He had a yearly income of £200 from Queen Anne (while Bach earned as little as eighty pounds in a year). He was having a lot of success, and so stayed in England instead of returning to his job in the Hanover Court. In April 1739, age 54, he had a stroke. It was probably this which left his right arm paralysed for a while so that he could not perform, but he made an excellent recovery after six weeks at a health spa in Aix-la-Chapelle. At this time he started to write oratorios instead of operas. In 1742 his oratorio Messiah was first performed in Dublin. Surprisingly, it was not successful in London until 1750 when it was performed in aid of the Foundling Hospital Chapel. Handel performed it every year there, which brought the hospital about £600 for each performance. Handel spent most of his time in these later years composing and producing oratorios. Judas Maccabaeus was particularly popular. The singers for these oratorios were English and Italian. They were not world-famous virtuosos but singers whom Handel had trained himself. In August, 1750, on a journey back from Germany to London, Handel was seriously injured when his carriage overturned. In 1751 he started to lose his eyesight. He died, in 1759, in London. The last concert he went to was his own Messiah. More than 3,000 mourners went to his funeral. He was buried with full state honours in Westminster Abbey. Handel never married, and kept his personal life very private. He left £20,000 which was a lot of money for those days (Approximately 2800000 pounds today) His niece inherited most of his money. He also left some of it to friends, servants, relations and charities. His autographs (the original copies of the music that he wrote) are now mostly in the British Museum. 2011 ARTHAUS MUSIK
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): P...