Brian Alan DeLaney Vídeos
compositor, compositor de bandas sonoras, podcaster, profesor de música, guitarrista, pianista, violinista, mandolinista
- guitarra, piano, violín, mandolina, clarinete, trompeta
- Estados Unidos
redes sociales
streaming
canales de video
Última actualización
2024-05-11
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Brian Alan Delaney Delaney Stark
This week's random composition challenge was a Passepied for Alto Saxophone, Contrabass Trombone, Violin, and Contrabass, in 13/8 and 11/2 using the Dorian scale. The Passepied is a French dance popular from the 16th - 18th centuries. The luck of the draw gave me 13/8, which was relatively easy to adapt to the usual triple time of the dance, but what gave me the most problems was the 11/2. It was just such a stark contrast. I attempted to do a polymeter type idea, with one measure of 11/2 over two measures of 13/8. I didn't really like it, so I ended up making a contrasting B section focusing on the 11/2. The instrumentation remained me of the Intermezzo I started this live composition idea with, both of them had a focus on Saxophone and Violin. #livestream #musiccomposition #composer
Brian Alan Delaney Delaney Scriabin
This week was a shorter episode. I wrote a pretty simple Waltz for Flute, Viola, and Contrabass Tuba in 3/8 and 9/8 using the Promethean scale (ex: C–D–E–F#–A–Bb). I am a huge Scriabin fan so this was pretty exciting. I decided to focus on fourths which made the harmonic content somewhat limited. With only a few chords to use, I gave special attention to the measures of 3/8, interjecting them as a sort of punctuation, and later an interjection, to the main theme. #livestream #musiccomposition #composer
This week's random assignment was interesting. It was a Courante for Alto Flue and Xylophone, in 5/8 and 4/4 using the Half-Diminished scale. Now traditionally a Courante is a triple meter dance, and neither of the meters I got were triple meter. I wanted it to be as traditional as I could so I took a standard Courante rhythm and noticed it actually fit pretty well in 5/8–5/8–4/4–5/8–5/8. For the second section I approached it a little more freely. I rounded it out with a return to the first idea and a short coda. I don't usually like using entire repeated sections in my pieces, but I figured since this was a dance, it would actually make sense. #livestream #musiccomposition #composer
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