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Philippine Philharmonic Orchestra Philippine Madrigal Singers 1996 1997
Francisco Feliciano - Missa Mysterium (1996) Francisco Feliciano conducting: Rochelle Gerodias (soprano); Janet Sabas Aracama (alto); Lemuel Dela Cruz (Tenor); Jonathan Velasco (bass-baritone); Philippine Philharmonic Orchestra, Philippine Madrigal Singers, AILM Chorale, Las Piñas Mixed Choir. 00:00 I. Kyrie 08:07 II. Gloria 20:26 III. Ecclesiastes 29:33 IV. Credo 42:33 V. Sanctus 46:12 VI. Agnus Dei 50:59 VII. Te Deum / / Recording: Missa Mysterium CD (Ode Record 1997) My blog on Philippine Music: (http•••)
Claudio Abbado Ludwig Van Beethoven Daniel Barenboim Teatro Scala 1770 1804 1827 1933 2014
Faces of Classical Music (http•••) • Ludwig Van Beethoven +••.••(...)) ♪ Symphony No.3 in E flat major, Op.55 "Eroica" (1804) ii. Marcia funebre: Adagio assai in C minor Philharmonic Orchestra of the Teatro alla Scala Daniel Barenboim Tribute to the Master of the Teatro alla Scala, Claudio Abbado (26 June 1933 / 20 January 2014) Teatro alla Scala in Milan, 27-01-2014 (HD 1080p) • Faces of Classical Music (http•••)
Verdi Gillian Zammit Aguilar Mulholland Muscat Borg Wirth Malta Philharmonic Orchestra Istituto Italiano Cultura
Soprano Gillian Zammit brings to life the tribulations of Violetta in two contrasting scenes from 'La Traviata', one of the best-loved operatic scores. The Scena and Aria from Act 1 (“È strano…Sempre libera”) is set in the early hours of the morning, in the aftermath of a party Violetta has thrown. Alfredo Germont has declared his love, awakening new, strange feelings within her. Faced with the prospect of giving up her decadent life and sacrificing everything in the name of love, she allows herself to dream briefly of a future with Alfredo. Ultimately however, already knowing she is ill, she chooses to reject this path singing almost feverishly of pursuing a hedonistic, superficial life – despite Alfredo’s serenading (tenor: Luis Aguilar) from the streets below. The very reflective and pathetic Prelude to Act 3 leads directly into a most moving scene. Violetta is now terminally ill and alone. She has by now lost not only most of her possessions but hope itself. She reads a letter from Alfredo’s father informing her that her former lover will be returning to ask her forgiveness, but Violetta exclaims that it is now too late. She desperately reminiscences on a foregone past (“È tardi…Addio, del passato”), sharing her fears about her imminent death. Soprano: Gillian Zammit Malta Philharmonic Orchestra Conductor: Colin Attard Director: Denise Mulholland Director of photography: Matthew Muscat Drago Set Artist: Andrew Borg Wirth Costume Designer: Luke Azzopardi Filming Locations: VIP Hall, Aurora Theatre, Victoria, Gozo Palazzo Palina, Ta’ Cenc Hotel, Sannat, Gozo Supported by: Arts Council Malta, Malta Philharmonic Orchestra, Visit Malta, Bank of Valletta, Istituto Italiano di Cultura - Valletta, Visit Gozo, Mediterranean Conference Centre, Quaint Boutique Hotels, Hotel ta' Cenc & Spa.
Richard Strauss Gillian Zammit Malta Philharmonic Orchestra Teatru Manoel 2015
Malta Philharmonic Orchestra Gillian Zammit, soprano Marcelline Agius, violin Brian Schembri, conductor Teatru Manoel, Valletta, Malta 30.05.2015, live recording
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