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Pinto António Saiote Alain Damiens Walter Boeykens Alois Brandhofer António Vitorino Almeida Melo Sérgio Azevedo Lopes Nuno Côrte Real Moody Sousa Miguel Azguime Moritz Eggert Eggert Antunes Ribeiro Grupo Música Nova Orquestra Gulbenkian 2006 2007
Nuno Pinto clarinet masterclass Lesson on Jacob Bittencourt Noites Cariocas Nuno Pinto studied clarinet with Saul Silva, António Saiote, Michel Arrignon and Alain Damiens in Portugal and France. Took master-classes directed by the clarinettists Guy Dangain, Walter Boeykens, Howard Clug, Robert Fontaine and Alois Brandhofer. Dedicated a significant part of his work to chamber music and to contemporary music, being one of the founding members of the chamber music groups Camerata Senza Misura, Trivm de Palhetas and Clarinetes Ad Libitum, also collaborating, among others, with the Moscow Piano Quartet, the Ensemble Contrapuctus, the Ensemble Português de Clarinetes and the String Quartets from Lisbon, Aveiro and Lyra. Nuno Pinto is also member of the OrchestrUtopica, of Grupo Música Nova and of Sond'Ar-te Electric Ensemble. As a clarinettist, Nuno Pinto participated in the premieres of the works of composers such as Cândido Lima, Christopher Bochmann, António Vitorino d'Almeida, Carlos Guedes, Virgílio Melo, Carlos Azevedo, Fernando C. Lapa, José Júlio Lopes, Nuno Côrte-Real, Ivan Moody, Carlos Caires, António Sousa Dias, Miguel Azguime, Moritz Eggert, João Madureira, Johannes Motschmann, Luís Antunes Pena, among others, and is the dedicatee of works by Cândido Lima, Luís Tinoco, Sérgio Azevedo, Ricardo Ribeiro, Telmo Marques, Virgílio Melo and Miguel Azguime. Soloist with the Orquestra Clássica do Porto, Orquestra do Norte, Solistas do Porto, Orquestra de Câmara de Cascais and Oeiras, Orquestra de Câmara Musicare, Orquestra Artave and European Medical Students Orchestra. Also collaborated with the Orquestra Gulbenkian, Orquestra Sinfónica Portuguesa and the Orquestra Nacional do Porto. Participated in several International Music Festivals in countries such as Portugal, Spain, France, Belgium, Germany, Austria, England, Italy, Slovenia, Hungary, Poland, United States and China. Together with the group Clarinetes Ad Libitum, in 2006, Nuno Pinto recorded Contradanza and, in 2007, participated in the film A Terra antes do Céu by João Botelho, with the group Camerata Senza Misura and in the album Torga / Retratos e Paisagens. Nuno Pinto is professor of Clarinet and Chamber Music at Escola Superior de Música e Artes do Espectáculo, in Oporto. He is sponsored by Buffet Crampon and Rico. (http•••)
Casa da Música - House of Music - Porto Portugal SUBSCRIBE: (http•••) FOLLOW ME: INSTAGRAM: (http•••) FACEBOOK: (http•••) TWITTER: (http•••) PINTEREST: (http•••) TUMBLR: (http•••) Casa da Música (English: House of Music) is a major concert hall space in Porto, Portugal which houses the cultural institution of the same name with its three orchestras Orquestra Nacional do Porto, Orquestra Barroca and Remix Ensemble. It was designed by the Dutch architect Rem Koolhaas with Office for Metropolitan Architecture and Arup-AFA, and was built as part of Porto's project for European Culture Capital in 2001 but was only finished in the first half of 2005 and immediately became an icon in the city. The Building engineers were Arup (London) together with Afassociados (Porto). Inside Outside (Petra Blaisse) designed the large 13 curtains, ranging from 22mx15m to 65mx8m, and the gold leaf wood grain pattern on the large auditorium. Although the opening day concert took place on the April 14 with Clã and Lou Reed, the building was inaugurated on April 15, 2005 by the Portuguese president. The Prime-minister and many other notable politicians and Porto society were present for the concert by the Orquestra Nacional do Porto. #porto #portugal #casadamusica #travel #traveling #travelblog #travelvlog
Vieira Béla Bartók António Chagas Rosa Miguel Azguime Matosinhos Pedro Burmester Burmester Coelho Carneiro Barbosa Ribeiro Fux Schmidt Alban Berg Lasalle John Adams Sérgio Azevedo Vasco Mendonça Vargas Salazar Ferreira Lopes Valente Pelo Concertgebouw Musikverein Orquestra Gulbenkian 1300 2014
FORMAÇÕES & INTÉRPRETES EXTRAORDINÁRIOS Programa Béla Bartók – “Sonata para Violino Solo” António Chagas Rosa – “Recifes” Miguel Azguime – “Point Vermeil” * * - estreia absoluta Vitor Vieira é membro do Quarteto de Cordas de Matosinhos (QCM) e professor na Escola Superior de Música, Artes e Espetáculo do Porto e na Academia de Música de Lisboa. Com o QCM tem vindo a apresentar-se nas principais salas e festivais de música em Portugal e a colaborar com destacados instrumentistas, como os pianistas Pedro Burmester, António Rosado e Miguel Borges Coelho, o percussionista Pedro Carneiro, os violetistas Tatjana Masurenko e Máté Szucs e os violoncelistas Paulo Gaio Lima e Lázló Fenyo. Seleccionado pela European Concert Hall Organization como Rising Star da temporada 2014/15, o QCM apresentou-se numa tournée de 16 concertos em algumas das mais importantes salas de concerto europeias, como o Barbican Center em Londres, o Concertgebouw em Amsterdão e o Musikverein em Viena. Os seus alunos têm sido premiados em concursos como o Prémio Jovens Músicos, Concurso Vasco Barbosa, Concurso Capela e Concurso Internacional Cidade do Fundão. Vitor Vieira estudou com os professores Alberto Gaio Lima, Aníbal Lima e Gerardo Ribeiro, do qual foi também assistente na Northwestern University (Chicago). Trabalhou também com professores como Alexei Mikhline, Sergey Kravchenko, Eduard Wulfson e Mauricio Fux. Realizou estudos especializados de quarteto de cordas com Rainer Schmidt, violinista do Quarteto Hagen, e trabalhou com membros dos quartetos Alban Berg, Lasalle, Melos, Emerson e Vermeer. Foi bolseiro da Fundação Calouste Gulbenkian. Obteve o 1º Prémio de Violino em nível médio e superior no concurso Prémio Jovens Músicos da RDP. Foi também vencedor do concurso para cordas Samuel Thaviu, em Evanston, e da Concerto Competition da NU. Apresentou-se a solo em algumas das principais salas do país, nomeadamente os grandes auditórios da Fundação Calouste Gulbenkian, Centro Cultural de Belém, Culturgest e Casa da Música com a Orquestra Gulbenkian, Orquestra Nacional do Porto, Orquestra Metropolitana de Lisboa e Orquestra de Câmara Portuguesa. Vitor Vieira é um entusiasta da música contemporânea, tendo trabalhado diretamente com compositores como John Adams e Karin Renquist. Como membro do QCM estreou obras de vários compositores portugueses: Carlos Azevedo, Carlos Guedes, Fernando Lapa, Vasco Mendonça, Miguel Azguime, Eurico Carrapatoso, António Chagas Rosa, Nuno Corte-Real, António Pinho Vargas, Álvaro Salazar, Sérgio Azevedo, Paulo Ferreira-Lopes, Eduardo Patriarca, Telmo Marques, Fernando Valente, Igor Reina, Filipe Lopes, Luis Soldado, Adérito Valente, Francisco Monteiro e Daniel Martinho. É também membro permanente do Sond’Ar-te Electric Ensemble. Apoio: EGEAC O'CULTO DA AJUDA Miso Music Portugal art music centre because sound matters misomusic.me Travessa das Zebras, nº 25 (à Calçada da Ajuda) 1300-589 Belém, Lisboa, Portugal GPS Latitude=38.699070 Longitude=-9.198810 Estrutura financiada pelo Ministério da Cultura/ DgArtes Co-funded by the Creative Europe Programme of the European Union partner of the THE EUROPEAN ART - SCIENCE - TECHNOLOGY NETWORK for Digital Creativity (EASTN-DC) project.
Walt Disney Concert Hall Berliner Philharmonie Vary 2001 2005 2006
(http•••) Rem Koolhaas A Casa da Música foi construída junto a um dos principais eixos de tráfego do centro da cidade, a Rotunda da Boavista. O lugar onde está actualmente o edifício era usado para recolha e reparação dos carros eléctricos que circulavam pela cidade do Porto. Embora o projecto tenha excedido os 4 anos estimados para a sua construção e os custos tenham ascendido a aproximadamente 100M€ o processo de construção do edifício trouxe novos desafios à engenharia a fim de conseguir a forma ímpar que o edifício tem. Os trabalhos de engenharia estiveram a cargo das empresas Ove Arup em Londres em conjunto com Afassociados, no Porto. A arquitectura do edifício foi aclamada internacionalmente. Nicolai Ouroussoff, crítico de arquitectura do New York Times, classificou-o como "o projecto mais atraente que o arquitecto Rem Koolhaas já alguma vez construiu" e como "um edifício cujo ardor intelectual está combinado com a sua beleza sensual". Compara-o também "ao exuberante projecto" do Museu Guggenheim Bilbao do arquitecto Frank Gehry em Bilbao, Espanha. "Olhando apenas o aspecto original do edifício, verifica-se que esta é uma das mais importantes salas de espectáculos construída nos últimos 100 anos", comparando o à sala de espectáculos de Walt Disney, em Los Angeles, e no auditório da Berlim Philharmonic. Casa da Música is a major concert hall space in Porto, Portugal. It was designed by the Dutch architect Rem Koolhaas, and was built as part of Porto's project for European Culture Capital in 2001 but was only finished in the first half of 2005 and immediately became an icon in the city. The Building engineers were Ove Arup - London together with Afassociados, Oporto. Although the opening day concert took place on the April 14 with Clã and Lou Reed, the building was inaugurated on April 15, 2005 by the Portuguese president. The Prime-minister and many other notable politicians and Porto society were present for the concert by the Orquestra Nacional do Porto. Casa da Música was built just across from one of the main traffic and business centers of the city, Praça Mouzinho de Albuquerque , known as Rotunda da Boavista. The place where the building now sits used to be a holding place for the electric cars that ran in Porto. Although construction ran over four years over schedule and cost roughly €100M, the building process brought new engineering challenges in order to create its unusual configuration. The building's design has been highly acclaimed worldwide. Nicolai Ouroussoff, architecture critic from the New York Times, classified it as the "most attractive project the architect Rem Koolhaas has ever built" and saying it's "a building whose intellectual ardor is matched by its sensual beauty". He also compares it to the "exuberant design" in Frank Gehry's Guggenheim Museum in Bilbao, Spain. "Only looking into the original aspect of the building, this is one of the most important concert halls built in the last 100 years". He compares it to the Walt Disney Concert Hall, in Los Angeles, and the Berliner Philharmonie. Casa da Música has two main auditoriums, though many other areas of the building can very easily be adapted for concerts and other musical activity (workshops, educational activities, etc.). The large auditorium has an initial capacity of 1,238 people, but can vary according to the occasion. The small auditorium is tremendously flexible, and has no definite number in relation to the capacity. On average the room has capacity for 300 people sitting down, and 650 people standing, though these can drastically change depending on the size of the stage, its location, the arrangement of the chairs, the presence and size of sound and recording equipment, etc. The restaurant at the top of the building was opened far later than was originally planned. Functioning since August 2006, the restaurant's original planned capacity for 250 people was decreased to space for some 150. Down town - subway/underground