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Collegiate Chorale Felix Mendelssohn 2011
We sang this in February 2011, just before the KMEA festival.
Henderson Vivaldi Bach Mozart Bourdon Massenet Handel Beethoven Haydn Gotham Loyola Sir John Tavener Moravec Lou Harrison Busby Kipnis Meredith Monk Hummel Tuttle Sanger Philharmonia Virtuosi Oratorio Society New York Collegiate Chorale Tanglewood Tanglewood Music Center Lincoln Center 1730 2001 2002 2005 2007
PROGRAM Violin Sonata in A minor: Preludio-Largo & Capriccio-Presto – Vivaldi Sarabande (from Cello Suite No. 2 in D minor) – J. S. Bach Andante (from Violin Concerto No. 1) – J. S. Bach Adagio in E – Mozart Andantino Religioso – Bourdon Meditation (from Thaïs) – Massenet Violin Sonata in D major: Affettuoso-Allegro-Larghetto-Allegro – Handel ABOUT THE ARTISTS Jorge Ávila has won attention as an outstanding violinist through numerous appearances as a soloist, recitalist, concertmaster, and chamber musician. A recipient of numerous awards and honors, Jorge received his resident status in the United States under the “Extraordinary Talent” category. He was also awarded first prize at the 2001 Mu Phi Epsilon International Music Competition. Hailed as “a strong violinist” by the NY Times after his performance as a soloist and concertmaster in The Sacred Music in a Sacred Space concert of Beethoven’s Missa Solemnis and Haydn Symphonia concertante; Jorge has also performed as a soloist with orchestras in Europe, the U.S., Central and South America. In the New York City area, he has appeared as a soloist with the Ridgefield Symphony, Colonial Symphony, Riverside Orchestra, Hofstra Symphony, New Amsterdam Symphony, City Island Chamber Orchestra, and The Bronx Arts Ensemble. Jorge has appeared as concertmaster with numerous groups in the tri-state area, including the Stamford Symphony, Greenwich Symphony, Colonial Symphony Orchestra, Westfield Symphony, Oratorio Society, Musica Sacra, Philharmonia Virtuosi, St., Grace Church Orchestra, Gotham Opera, National Chorale, Verismo Opera, José Limón Dance Company, Sonos Chamber Orchestra, Bachanalia, the New Amsterdam Symphony, Tanglewood Music Center, and the Mannes College of Music Orchestra. Proclaimed as a “distinguished chamber musician of impressive virtuosity” by Consort Magazine, Arthur Fiacco is principal cellist for the Orchestra of the Oratorio Society of New York, the Musica Sacra Orchestra, Orchestra of St. Ignatius Loyola, the Cathedral Church of St. John the Divine and St. Patrick’s Cathedral. He is also a member of the renowned Orchestra of St. Luke’s. Mr. Fiacco performed the American premiere of Sir John Tavener’s Requiem and the world premiere of Paul Moravec’s Pulitzer Prize-Nominated cello concerto Montserrat on the acclaimed Sacred Music in a Sacred Space series. Other premieres include compositions by Lou Harrison, Juraj Filas, Gerald Busby, Meyer Kupferman, and the infamous rock band The Pixies. Mr. Fiacco has performed at the Caramoor, Tanglewood, Ravinia, Mostly Mozart, Music Mountain, and Lincoln Center Festivals. As a soloist, he has appeared in numerous concerto and sonata programs and with Broadway legend Patti LuPone, Harpsichordist Igor Kipnis, Kent Tritle, performance artist Meredith Monk, and the Mark Morris Dance Company. Mr. Fiacco’s recording of the late Mozart symphonies in Hummel’s piano quartet transcription has garnered praise as “first rate” and “definitive” by the New York Times. Mr. Fiacco plays a cello made by the Venetian Master “Carlo Tononi” dated 1730. Andrew Henderson has served as Director of Music & Organist at Madison Avenue Presbyterian Church in New York City since 2005, where he oversees an extensive liturgical and choral program, including the 45-voice Saint Andrew Chorale, the New York City Children’s Chorus, in addition to the Saint Andrew Music Society’s Music on Madison concert series. He also serves as the chair of the organ department at the Manhattan School of Music, as the organ instructor at Teachers College, Columbia University, and as Associate Organist at New York City’s Temple Emanu-El. Dr. Henderson, a native of Thorold, Ontario, holds degrees in music from Cambridge, where he was organ scholar at Clare College, Cambridge, and Yale Universities. In 2007 he was awarded the Doctor of Musical Arts degree at The Juilliard School. He was a finalist in the international competition Grand Prix de Chartres in France in 2002, and won first prize in the Royal Canadian College of Organists’ biennial National Organ Playing Competition the following year. Recent performances include organ and continuo playing with the New York Philharmonic, Musica Sacra, Voices of Ascension, The Oratorio Society of New York and The Collegiate Chorale, and solo recitals in Poland, Canada, and throughout the USA. A Fellow of the Royal Canadian College of Organists, his teachers have included John Tuttle, Barrie Cabena, David Sanger, Thomas Murray and John Weaver. For more information on this season’s Music on Madison concerts, visit: mapc.com/music/sams/concerts.
Ernest Chausson Collegiate Chorale 1855 1899 2015
University of Arkansas Collegiate Chorale Dr. Stephen Caldwell, Director Kristy Mezines - piano Chase Teague, Alex Grisos – trumpet Curtis Simmons – horn Michael Olefsky, Evan Johnson – trombone Dorian Scott – euphonium Jacob Hilton – tuba Jacob Carter – timpani Lisa Kulczak, mezzo-soprano Leanne Scaggs, soprano Vedic Hymn Ernest Chausson +••.••(...)) Arranged for piano, brass, and timpani and in an English translation by Stephen Caldwell Recorded Live - April 8th 2015 Walton Arts Center - Fayetteville, AR
Mátyás Mátyás Seiber Leon Botstein Ulysses Collegiate Chorale American Symphony Orchestra 1900 1905 1947 1960
Mátyás Seiber +••.••(...)): Ulysses, A Cantata (1947) / Christian Reinert, tenore; The Collegiate Chorale Singers e American Symphony Orchestra diretti da Leon Botstein / I. The Haventree II. Meditations of Evolution Increasingly Vaster [7:02] III. Obverse Meditations of Involution [16:06] IV. Nocturne - Intermezzo [23:35] V. Epilogue [29:30] / cover image by Thomas Desgeorges / The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
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