International Mozarteum Foundation News
Austrian foundation
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2024-04-23
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2017-09-13 23:00:00
Birthday Present for Duckjammy [14 CD's]
Congratulations Duckjammy! Today we offer you a birthday present and wish you joy listening to the music. Of course we have choosen 'period instruments', all the backs (inlays) have wings and almost all recordings (except one) are ripped from our own physical CD's, as you prefer. Your Dutch friends Aart, Thomas Cadfael, Sebassie and DutchPublisher Wolfgang Amadeus Mozart (1756-1791) Quintet K 581, Clarinet Concerto K 622 La Grande Ecurie et la Chambre du Roy Quartets K 380, K 378, K 496 Quatuor Stadler Jean Claude Veilhan - clarinette de basset Label: K617165-2 (2CD) Published in 2005 [flacs & scans] Download Wolfgang Amadeus MozartWorks for two claviersSonatas K 448, K 521, Fuguw K 426,Larghetto & Allegro K DeestMalcolm Frager - Walter fortepiano [1790]Robert Levin - Mozart's Concert Grand [1780]Internationale Stiftung Mozarteum ISM 90/1Recorded during Mozartwoche 1991[flacs & scans]Download Belle van Zuylen and contemporaries Madelon Michel - soprano […]
2017-09-03 10:58:00
Mozart and Beethoven: a journey from and return to the white keys of the piano
[…] offers a counterweight to solidity of tonal purpose. Such is the world of opera seria, never more so than in the tragic yet consoling pathos of the ‘Neapolitan’ move to D-flat major in the recapitulation. The second movement rondo offers the ‘scoring’ and mood of an operatic aria, replete with embellishments in the returns of the theme and the coda, some of them unknown until as recently as 1990, when Mozart’s autograph (now in the Internationale Stiftung Mozarteum in Salzburg) was rediscovered in Philadelphia. Elements of its form and that of the first movement are combined, contested, sublimated in the Allegro assai finale. Will-o’-the-wisp mystery announced by multiple syncopations in the opening theme, it finds its dialectical opposing force in vehement, tragic eruptions, as if from Idomeneo’s Elettra or some other great seria heroine. The coda’s closing underline the return to C minor, tonic and dominant, almost as if it […]
The Boston Musical Intelligencer
2015-10-15 16:46:56
BMInt Summoned to Havana
Imagine the publisher’s incredulity upon receiving an invitation to provide American coverage of the Salzburg Mozarteum’s Festival Mozart Habana 2015. We could not say no to the honor. Thus, BMInt’s Laura Stanfield Prichard agreed to become the Intelligencer’s first official foreign correspondent. Regular reviews and reports from the festival will appear on these pages October 17-25. The festival brochure is here . The Universität Mozarteum in Salzburg, has been planning the distinguished international collaborative celebration since 2012. Next week, a distinguished roster will gather for chamber and vocal music in the Oratorio San Felipe Neri, the Basílica San Francisco de Asís, the Iglesia Paula, and the Cathedral de la Habana (a UNESCO World Heritage site since 1982). Orchestral concerts and dance performances will take place in the Teatro Martí, the Lyceum Mozartiano, the Instituto Superior del Arte, and the Teatro Nacional. The festival is co-sponsored by the Mozarteum and the […]
2014-04-24 07:47:36
[…] ed. Sieghard Brandenburg 1996 (München: Henle), 137. 2) See Latcham, Michael 2000. The Stringing, Scaling and Pitch of Hammerflügel Built in the Southern German and Viennese Traditions 1780-1820, Vol. I (München-Salzburg: Katzbichler), 65. 3) Stellan Mörner, C.-G. 1952. Johan Wikmanson und die Brüder Silverstolpe (Stockholm: Ivar Hæggström), 390. 4) The letter is quoted in Berdux, Silke and Susanne Wittmayer 2000. “Bibliobraphische Notizen zu Anton Walter,” in Mitteilungen der Internationalen Stiftung Mozarteum, ed. Rudolf Angermüller (Salzburg: Internationale Stiftung Mozarteum), 50.. 5) Skowroneck, Tilman 2010. Beethoven the Pianist, 87. 6) De la Gardieska arkivet, Släktarkiven, De la Gardie 374:1. Many thanks to Per Stobaeus.
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