Glimmerglass Festival Podcasts
opera festival held in Cooperstown, New York, United States
Commemorations 2025 (Inauguration: Glimmerglass Festival (Cooperstown))
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- United States of America
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2024-04-23
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2022-08-03 15:57:10
Duration (h:m:s): 1:00:51
[@ 4 min] Librettist Lila Palmer and stage director Chloe Treat go ‘Inside the Huddle to talk about the world premiere of a secular opera (with music by Damian Geter) about a biblical event: the Annunciation. The show just opened at the Glimmerglass Festival and couldn’t have come at a better time, because, you know, it’s about a woman consenting to give birth... [@ 41 min] Plus, in the ‘Two Minute Drill’… Angela Gheorghiu warns, if you didn't study in Romania, be careful... operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore
Words First: Talking Text in Opera
2022-03-21 13:00:00
Duration (h:m:s): 38:20
Keturah interviews playwright and librettist, Deborah Brevoort, about her early political career in Alaska, her switch to theater, and her more recent work writing opera libretti. They go in depth on three operas: STEAL A PENCIL FOR ME, that had its stage premiere at Opera Colorado, THE KNOCK, that was presented as a film for the Glimmerglass Festival last year, and QUAMINO’S MAP, which is about to get its premiere at Chicago Opera Theater.Deborah Brevoort: https://www.deborahbrevoort.com/
Today we are so excited to get to interview Spencer Britten! Chinese Canadian triple threat Spencer Britten is a multi-talented performer with the resume and sparkling personality to match. Spencer is currently a member of the International Opera Studio at Staatsoper Unter den Linden and has previously performed with Opéra de Montréal and in the Glimmerglass Festival. This year he will join Staatsoper Berlin as a Studio artist and be performing in Ariadne auf Naxos, Tannhäuser, Rigoletto, Die Zauberflöte, Der Rosenkavalier, La bohème, La Traviata, Salome, and La fanciulla del west. We got to ask him all about being a content creator, moving to and performing in Germany with his fiancé, his thoughts about the ongoing conversation surrounding racism and exoticism in the opera industry, and what advice he would've given himself as a young artist. Follow Spencer: Instagram Website Follow Us: Instagram Twitter Facebook Hosts: Jessie Michelle
Words First: Talking Text in Opera
Keturah begins this episode chatting with General Director of Palm Beach Opera and former countertenor, David Walker (https://pbopera.org/about-us-2/general-director/). They discuss the aria Voi Che Udite (Here’s a link of David singing this aria on a set by John Conklin: https://youtu.be/cEQy5sfbs68 ) from Handel and Calzabigi’s Agrippina. They also talk about the pangs of leaving performing, and briefly touch on Akhnaten, Partenope, and The Elephant Man.Keturah’s second interview is with librettist and dramaturge, Kelley Rourke (https://www.kelleyrourke.com/about-1). Kelley is the author of numerous song cycles, operas, and translations, and is also the resident dramaturge at Washington National Opera (https://www.kennedy-center.org/wno/home/) and The Glimmerglass Festival (https://glimmerglass.org/). They discuss how John Conklin (https://en.m.wikipedia.org/wiki/John_Conklin) helped her find her way in the business, what it’s like working as a collaborator, and where the inspiration for her writing comes from.Here’s a link to works by Kelley Rourke: https://www.kelleyrourke.com/projects-1
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