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Marc Antoine Charpentier Tarquinio Merula Cazzati Francesco Cavalli Francesco Beretta Orazio Benevoli Cristofaro Caresana Giovanni Legrenzi Melani Boismortier Bardot Favier Davy Oliveira Ensemble Correspondances San Petronio Festival Oude Muziek Utrecht Tivolivredenburg 2016
Ensemble Correspondances o.l.v. Sébastien Daucé speelt muziek van Charpentier, Merula, Cazzati, Tarditi, Cavalli, Beretta, Benevoli, Caresana, Legrenzi, Melani en Boismortier tijdens het Festival Oude Muziek Utrecht. Uitvoerenden: Ensemble Correspondances o.l.v. Sébastien Daucé Violaine Le Chenadec, Caroline Dangin-Bardot, Caroline Arnaud en Caroline Weynants [sopraan] Lucile Richardot, Marie Favier [alt] Stephen Collardelle [contratenor] Paul Figuier [haute contre] Davy Cornillot, Martin Candela, François Joron en Pierre Perny [tenor] Étienne Bazola, Renaud Bres, Hugo Oliveira en Nicolas Brooymans [bariton] Op het programma: Charpentier in Italië Marc-Antoine Charpentier - Sub tuum praesidium Tarquinio Merula - Credidi Maurizio Cazzatti - Motet voor San Petronio Orazio Tarditi - Iste confessor Francesco Cavalli - Sonata en Magnificat Francesco Beretta - Missa Mirabiles elationes maris Orazio Benevoli - Crucifixus Francesco Beretta - Missa Mirabiles elationes maris Cristofaro Caresana - Sonate a 8 Giovanni Legrenzi - Dies Irae [Recordare] en Oro suplex & Pie Jesu Marc-Antoine Charpentier - Messe a 4 choeurs Opgenomen: zaterdag 3 september 2016, in TivoliVredenburg te Utrecht. Meer informatie over het festival vindt u op www.radio4.nl/oudemuziek.
European Union Baroque Orchestra Choir Clare College Cambridge Alex Potter Haigh Horrocks Ward Betts William Cole Graham Ross Roldán Dahl Houben Santi Roth Heller Turina Serrano Paoli Kossenko Knoll Henriksson Festival Oude Muziek Utrecht 1685 1713 1759 2013
Meer op: (http•••) Bekijk ook het eerste deel van dit concert: (http•••) European Union Baroque Orchestra & Choir of Clare College o.l.v. Lars Ulrik Mortensen Alex Potter, contratenor Georg Frideric Händel +••.••(...)) Concerto Grosso Op. 3 nr. 2 HWV 313 Ode for the Birthday of Queen Anne HWV 74 (1713) Opgenomen tijdens het Festival Oude Muziek Utrecht in de Domkerk op 31 augustus 2013 Choir of Clare College, Cambridge: Janneke Dupre, Gabrielle Haigh, Alice Halstead, Sophie Horrocks, Helen Lilley, Caroline Meinhardt, Madeleine Seale, Rachael Ward, sopraan Clara Betts-Dean, Abigail Gostick, Emma Simmons, Eva Smith-Leggatt, Eleanor Warner, alt Laurence Booth-Clibborn, Nils Greenhow, Peter Harrison, Christopher Loyn, Alexander Peter, tenor Adam Cigman-Mark, William Cole, Elliot Fitzgerald, Matthew Jorysz, Charles Littlewood, Magnus Maharg, Alexander McBride, Hugo Popplewell, James Proctor, bas Graham Ross, koorleider European Union Baroque Orchestra: Zefira Valova, Roldán Bernabé-Carrión, Christiane Eidsten Dahl, Antonio De Sarlo, Yotam Gaton, Saron Houben, Sarina Matt, Daphne Oltheten, Jamiang Santi, viool Rafael Roth, Hilla Heller, Andrea Angela Ravandoni, altviool Guillermo Turina Serrano, Nicola Paoli, cello Lisa De Boos, contrabas Alexis Kossenko, traverso Clara Geuchen, Johannes Knoll, hobo Andrew Burn, fagot Sebastian Philpott, Gerard Serrano Garcia, trompet Marianna Henriksson, klavecimbel
Johann Rosenmüller Angeli Stephan Macleod Alex Potter Wey Thomas Hobbs Hobbs Jan Kobow Festival Oude Muziek Utrecht Tivolivredenburg 1619 1684 2016
Gli Angeli Genève o.l.v. Stephan Macleod verzorgde de opening van het Festival Oude Muziek Utrecht. Uitvoerenden: Gli Angeli Genève o.l.v. Stephan Macleod Aleksandra Lewandowska, Lucía Martín Cartón [sopraan] Alex Potter, Terry Wey [contratenor] Thomas Hobbs, Jan Kobow [tenor] Stephan MacLeod [bas en muzikale leiding] Het programma: Johann Rosenmüller (ca. 1619-1684) Dixit Dominus - 0:05 Laudate pueri Dominum - 21:07 Laetatus sum - 38:05 Lauda Jerusalem - 53:15 Magnificat - 1:10:11 Opgenomen: vrijdag 26 augustus 2016, in TivoliVredenburg te Utrecht. Meer informatie over het festival vindt u op www.radio4.nl/oudemuziek.
Benedictus Appenzeller Alexander Blachly Heinrich Glarean Gioseffo Zarlino Ockeghem Busnoys Lassus Palestrina Pomerium Festival Musica Holland Festival Festival Oude Muziek Utrecht 1455 1485 1521 1558 1972 1998
From the sacred motet for five voices "Verbum caro factum est" by Josquin Des Prez +••.••(...)). The motet is sometimes attributed to Benedictus Appenzeller +••.••(...)). Performed by Alexander Blachly & Pomerium; from the album: "Pomerium – Musical Book Of Hours" (1998). (http•••) (http•••) "During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame, with Luther declaring that "he is the master of the notes. They must do as he wills; as for the other composers, they have to do as the notes will." Theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection. He was so admired that many anonymous compositions were attributed to him by copyists, probably to increase their sales. More than 370 works are attributed to him; it was only after the advent of modern analytical scholarship that some of these attributions were challenged, and revealed as mistaken, on the basis of stylistic features and manuscript evidence. Yet in spite of Josquin's colossal reputation, which endured until the beginning of the Baroque era and was revived in the 20th century, his biography is shadowy, and virtually nothing is known about his personality. The only surviving work which may be in his own hand is a graffito on the wall of the Sistine Chapel, and only one contemporary mention of his character is known, in a letter to Duke Ercole I of Ferrara. The lives of dozens of less revered Renaissance composers are better documented than that of Josquin." (http•••) "POMERIUM was founded by Alexander Blachly in New York in 1972 to perform music composed for the famous chapel choirs of the Renaissance. (The name—medieval Latin for “garden” or “orchard”—derives from the title of a treatise by the 14th-century music theorist Marchettus of Padua, who explained that his Pomerium in arte musice mensurate contains the “flowers and fruits” of the art of music.) Widely known for its interpretations of Du Fay, Ockeghem, Busnoys, Josquin, Lassus, and Palestrina, the 15-voice a cappella ensemble has performed for numerous international festivals, including the Festival di Musica Sacra Bressanone e Bolzano (Brixner Initiative), the Tage Alter Musik festival in Regensburg, Germany, the Flanders Festival Antwerp, and the Holland Festival Oude Muziek Utrecht." (http•••)