Yolanda Mero News
Hungarian-American musician
- piano
- classical music
- United States of America
- classical pianist
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2024-04-23
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ArtsJournal: music
2016-10-16 16:45:43
Changing Up Late-Night On A New Channel
“‘Desus & Mero’ is loose, cheerful and profane. ‘Late night as a structure of programming does not matter,’ Mero said. ‘It shouldn’t feel like ‘Yo, here’s the news.’ It should feel like you’re looking on the internet with your friends. ‘Yo, you saw this video? That’s wild!’'”
2015-02-08 23:24:04
Day 3 , the final day of the Gaan Sarawati Mahotsav , started the morning session with Pt Dinkar Panshikar ( disciple of Pt. Nivruttibua Sarnaik ) presenting a rare Jaipur-Atrauli raag , Virat Bhairav made popular by his guru Nivruttibua Sarnaik.The bandish “Bhola Bhola” (भोला भोला ) was followed by Shivstuti “Ganga sir dhare” (गंगा सीर धरे ). Then came another rare raag , Sukhiya Bilawal with a bandish “Devi Durge” ( देवी दुर्गे ) . A bandish in raag Deshkar “taaro shyam kare thakurai” (तारो श्याम करे ठकुराई) and a bhajan in Kirwani “tan man chain nahi” (तन मन चैन नहीं ) concluded his presentation. He was accompanied on Harmonium by Aditya Oke and on Tabla by Jitendra Kulkarni. The other highlight of the morning session was the rendering of raag Charukeshi by Vid Malinitai Rajurkar with a bandishes ” balamava gaye parades” (बलमवा गए परदेस […]
2015-01-03 20:48:37
My Sawai Report – Day 2 , Jan 2 , 2015 Day 2 of Sawai was brilliant ! Being a classical vocal fan , I personally enjoyed it the most. Starting with the Multani at around 3pm … the concerts went on with “Kaal-Samay anurup ” Raag rendition concluding with the Darbari Kanada , Bhairavi Thumri by 10.15 pm. .. 7 hours of feast of classical music and dance ! Two words that would be repeated in the report of Day 2 of Sawai , like a vaadi and samvaadi are “Brilliant” and “Mesmerizing” The day started at around 3pm with Dhananjay Hegde’s traditional Vilambit Multaani of Kirana Gharana , Gokul gaav kaa choraa barasane ki naar(गोकुल गांव का छोरा ). He continued with “Sundar Surajanavaa saai re” (सुंदर सुरजनवा साई रे ) in Madhyalay and the jod bandish in Drut , Nainan me aan baan (नैनन मी आन […]
2014-07-29 18:58:54
Ustad Amir Khan was such an enigma that most people have not been able to analyse the reason for the appeal of his music. Anyhow this link that I shared above is a compilation by someone who was kind enough to permit me to use from his site. Here it is the entire thing, though the link in the opening line, takes to his blog or site. Ustad Amir Khan “Amir Khan’s music combined the massive dignity of the dhrupad with the ornate vividness of khayal.” — Susheela Mishra in the “Great masters of music” series. Ustad Amir Khan (1912-1974) was among the greatest and most influential Hindustani vocalists of the twentieth century. To quote Ustad Faiyaz Khan (from Susheela Mishra’s article ), “One must play with a raga with a lover’s passion. One must learn to love it to pay court to it, like a cavalier, and then […]
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