Xiayin Wang News
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2024-04-24
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2024-04-20 05:00:30
How did pianist Yuja Wang’s heart respond to playing Rachmaninoff?
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2024-04-17 06:39:00
Southbank Centre's new season: Schoenberg's 150th, the OAE in Bruckner, Joyce Didonato in Berlioz, The West-Eastern Divan Orchestra with Daniel Barenboim
Igor Levit (Photo: Felix Broede )The Southbank Centre has announced its Autumn/Winter programme for 2024/25 which includes a five-day Opening Weekend, residencies from violist Lawrence Power, organist James McVinnie and Manchester Collective, and visitors include Yuja Wang and Víkingur Ólafsson, the Borodin Quartet celebrating its 80th anniversary, Concerto Italiano, The West-Eastern Divan Orchestra with Daniel Barenboim, the Royal Philharmonic Orchestra performing Stravinsky's The Rite of Spring and the BBC Concert Orchestra with Unclassified Live.The Opening Weekend, from 25 to 29 September 2024, features Joyce DiDonato in Berlioz with Edward Gardner and the London Philharmonic Orchestra, the Philharmonia launching its Nordic Soundscapes series with Sibelius, Grieg and María Sigfúsdóttir conducted by Santtu-Matias Rouvali, violist Lawrence Power and composer Thomas Ades, the Multi-Storey Orchestra, cellist Matthew Barley, the Paraorchestra, and the Scottish Ensemble. Pianist Igor Levit performs works by Bach, Brahms and Beethoven in his Royal Festival Hall solo recital debut.Lawrence Power will continue his residency by joining forces […]
The Boston Musical Intelligencer
2024-04-13 22:01:49
Pianist Yuja Wang and ondist Cécile Lartigau inspired a fine performance of the Turangalîla-symphonie from Andris Nelsons and the BSO. [] The post appeared first on The Boston Musical Intelligencer.
2024-04-04 03:30:00
Rachmaninoff: Rhapsody on a Theme of Paganini; Respighi: Toccata for Piano and Orchestra; Casella: Partita for Piano and Orchestra (CD Review)
[…] a competing recording from Naxos (8.573005), and find the present rendering by Joshua Pierce and company to be more convincing. This Partita being the most squarely “neoclassical” work on the disc, I appreciated the latter’s crisp, brisk approach (excepting the finale, where the Naxos performance’s tempo is actually a bit quicker). Speaking of brisk, try out this Paganini Rhapsody! At 21:43 it is definitely one of the fastest performances I have ever heard (perhaps the fastest). Not even Yuja Wang (whose own recently recorded performance of this work I reviewed here some months ago) blazes through at such a pace. Technically, Pierce acquits himself very well. I also like his tone and articulation. While there are more soulful, more glowing performanes out there, his expressiveness is acceptable. But, not all that dissimilar to my feelings about Wang’s performance, there are just too many fine interpretations available for me to enthusiastically push this one. Even […]
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