William Paull News
British baritone
- baritone
- United Kingdom of Great Britain and Ireland
- opera singer
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2024-03-28
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2019-01-25 16:15:38
RECORD KEEPING | Pemi Paull’s Musicum Umbrarum Puts The Viola In Its Dark Place
What it lacks in hits, Pemi Paull's Musicum Umbrarum makes up for as a treasure trove of intimate portraits played by the moody middling member of the illustrious string family.
2018-04-03 03:19:33
BY STEPHANIE ESLAKE So you’ve been to see the opera. Maybe you were a concertgoer, taken aback by the majestic staging and tales of
2014-09-01 21:55:56
[…] with Scott Colley – bass; Edward Simon – piano; Brian Blade – drums, 7:30/9:30 PM at the Jazz Standard, $25. 9/10, 7:30 PM New York Baroque Incorporated plays music of Vivaldi, Telemann, Stradella, and Huang Ruo at le Poisson Rouge, $15 adv tix rec. 9/10, 8 PM Daria Grace’s torchy, delightful oldtime uke swing band the Pre-War Ponies at Barbes. 9/10, 8 PM organist Paul Jacobs plays works by Bach and Reger at Juilliard’s Paull Hall, 155 W 65th St. 9/10, 8 PM three piano trios: Adam Kromelow’s Krom , the darkly cinematic Danny Fox Trio , and the Cory Henry Trio at Subculture. 9/10, 8:30 PM a solo show by intense jazz singer/composer Jen Shyu with pre-concert screening and discussion of her fieldwork in East Timor, Java, Taiwan, South Korea, Kalimantan, as source material for her Solo Rites: Seven Breaths project at Seeds 9/10, 9 PM Phil […]
The Boston Musical Intelligencer
2012-04-08 18:01:03
[…] “went on with her little naked feet, which were quite red and blue with the cold,” to her death. Guest conductor Andrew Clark, director of Choral Activities and senior lecturer on music at Harvard University, inconspicuously savored leading the four exquisitely timbred and compatibly voiced singers, who were also called upon to add percussive touches from bell-type instruments, xylophone, and bass drum. Through 15 songs based on the words of H. C. Andersen, H. P. Paull, Picander (the nom de plume of Christian Friedrich Henrici, the librettist for Bach’s St. Matthew Passion) and Saint Matthew, this individualistically conceived, Pulitzer Prize-winning account of the passion alternates obvious homophony with heterophony. In “Dearest Heart,” a simple conventional harmony with Lang’s twists and turns conveys text in remarkable directness and innocence. Along with repetition, the message comes clearly, no straining on the listener’s part. Dearest heart/Dearest heart/What did you do that was so […]
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