Walton Grönroos News
Finnish opera singer (1939-1999)
- baritone
- Finland
- opera singer
Last update
2024-04-23
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2015-05-21 02:30:00
Second Viennese School Essentials # 9 - The Great Interpreters
[…] 45 Phantasy Op. 47 Janneke van der Meer, Wim de Jong, Violin Henk Guittart, Sigiswald Kuijken, ViolaHans Woudenberg, Richte van der Meer, CelloMarja Bon, Piano as Schönberg Ensemble Philips 416 306-2 (1984) Arnold Schoenberg Gurrelieder Suite in G Martina Arroyo, Alexander Young, Janet Baker,Odd Wolstad, Niels Møller, Julius PatzakDanish Radio Symphony Orchestra and ChorusJános FerencsikRoyal Philharmonic OrchestraNorman Del Mar (Suite) EMI 5 74194 2 (1968) Arnold Schoenberg Gurrelieder Elizabeth Connell, Pau Frey, Jard van Nes,Walton Grönroos, Volker Vogel, Hans FranzenChors des NDR Hamburg, Bayerischen Rundfunks,Opernchor des Städtischen Bühnen Frankfurt Radio-Sinfonie-Orchester FrankfurtEliahu InbalDenon CO-77066/7 (1990) Arnold Schoenberg Gurrelieder Susan Dunn, Siegfried Jerusalem, Brigitte Fassbaender,Hermann Becht, Peter Haage, Hans HotterChor der St. Hedwigs-Kathedrale BerlinStädtischer Musikverein zu Düsseldorf Radio-Simphonie-Orchester BerlinRiccardo ChaillyDecca 430 321-2 (1990) Arnold Schoenberg Gurrelieder Jessye Norman, James McCracken, Tatiana Troyanos,David Arnold, Kim Scown, Werner KlempererTanglewood Festival ChorusBoston Symphony OrchestraSeiji OzawaPhilips 412 511-2 (1979) Arnold Schoenberg Gurrelieder Deborah Voigt, […]
2012-07-05 17:14:40
The Prussians are coming
Sometime in 1753, Frederick The Great of Prussia, following a tiff with his great friend Voltaire, began writing an opera libretto in French prose that was to elucidate his ideas about the role of an enlightened monarch. Though deeply into military preparations for the soon-to-be Seven Years War, Frederick sought to portray himself as a benevolent, incorruptible monarch espousing the Enlightenment ideas of gentility, generosity, and religious tolerance. He chose as his subject Montezuma, the 16th century emperor of the Aztecs in Mexico, picturing the emperor as an idealist, just monarch too innocent and generous to save his empire from the clutches of the venal Spanish conquistadores under Cortes. Frederick turned his drafts over to his court poet, Giampietro Tagliazucchi, for translation into Italian verse. It then went to the royal Kapellmeister Carl Henirich Graun, who produced the score in 1755. Except for his oratorio Der Tod Jesu, Graun slowly […]
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