Walter Janes News
composer
- United States of America
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2024-03-24
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2023-05-05 00:00:00
Bartók, Beethoven, Chopin, Kodály & Mendelssohn: Orchestral Works (Charles Mackerras et al)
Ludwig van Beethoven:01 - 04 Symphony No. 9 in D minor, op.125 'Choral' [63'48]Amanda Roocroft- soprano, Fiona Janes- mezzo, John Mark Ainsley- tenor, Neal Davies- baritone, The New Company, Orchestra of the Age of Enlightenment conducted by Charles MackerrasSignum SIGCD254 [recorded August 1994; issued 2011][digital download; flacs, cover, booklet and inlay scans]Recorded in concert at the Usher Hall, Edinburgh, during the Edinburgh International Festival.Recording engineers: BBC Radio 3 team; Remastering engineer: Mike Hatch; Producer: not given.01 - 03 Ludwig van Beethoven: Violin Concerto in D major, op.61 [38'46]04 - 06 Felix Mendelssohn: Violin Concerto in E minor, op.64 * [27'11]Monica Huggett- violin, Orchestra of the Age of Enlightenment conducted by Charles MackerrasEMI Classics for Pleasure 5748782 [recorded October and November 1992; this download released in 2001][digital download; flacs, cover and inlay scans - no booklet]Recording venue: Henry Wood Hall, Southwark and Blackheath Concert Halls*, London. Recording engineers: Mike Clements and Mike […]
2022-02-25 01:19:17
Indiana University: Black cast and director bring revered Black composer's opera to life [William Grant Still's "Highway 1, USA"]
[…] Earlier in February, the Jacobs School of Music paid tribute to this visionary composer with a production of "Highway 1, USA," an opera created by Still. Performed by a primarily Black cast and directed by Kimille Howard, assistant stage director with the Metropolitan Opera House in New York, the three-act opera was preceded by "19," a ballet set to music from Still's "Afro-American Symphony" and choreographed by Sasha Janes, associate professor of music (ballet) at Jacobs. Still was the first Black composer to conduct his own work as it was performed by a major American orchestra. Though highly accomplished, his career did not come without the hurdles of racism. He composed music for the 1939 World's Fair in New York City, which he could only attend safely with the help of a police escort except on "Negro […]
2022-01-25 00:39:54
OperaBallet.Indiana.edu: An Evening of William Grant Still: "Highway 1, USA" and "19," a ballet choreographed by Sasha Janes [Feb. 4 & 5 livestreamed 7:30 PM ET]
An Evening of William Grant Still Music by W. G. Still “Still's voice may be more relevant today than ever before.” HOUSTON SYMPHONY The Still of the evening. Shattering color barriers in classical music with a string of firsts, William Grant Still became known as the “Dean of African American Composers.” First, a deathbed promise fuels an emotional explosion at a small-town gas station on the seemingly tranquil Highway 1 in this intimate opera about human thresholds. Then, ballet meets home life in times of quarantine, capturing the surreal state of a global pandemic. Created to music from Still’s Afro-American Symphony, this finalized version of Jacobs’ 2020 Fall Ballet includes the third section of Sasha Janes’ work, as dancers are once again allowed freedom of movement. In English with English supertitles. 2022 Performances Feb. 4, 5, 11, 12Musical Arts Center 7:30 PM Feb. 4, 57:30 PM ET […]
2019-06-16 18:40:00
[…] is heard, singing a wordless plaint. The soprano is Gražinytė-Tyla herself, who trained as a singer and came form a music background. She knows how to carry a line, and the purity of her tone fits perfectly with what the voice might signify. The part is substantial and quotes passages the Kremer and the other soloists had played before. At moments her voice deepens richly before soaring upwards before the piano (Georgjis Osokins), clarinet (Oliver Janes), violin (Kremer) and bass (Iurii Gavryliuk) return, the ensemble raised from the dead, so to speak, reunited with Gražinytė-Tyla's song, growing with even greater affirmation than before. The symphony ends with a mysterious glow in this extraordinarly sensitive performance. This is a symphony of such multi-layered depth and subtlety that it rewards attentve listenng. Weinberg's Symphony no 2 op 30 (1946) may have been written closer to the time the events described in Symphony […]
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