Viktoria Vizin News
opera singer, voice teacher
- mezzo-soprano
- Hungary
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2024-04-25
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2015-01-02 04:12:00
Bravissimo! 2014 Lives Up to its Name (Review)
Bravissimo! 2014 Lives Up to its Name (Review) Joseph So Natalia Ushakova, soprano Viktoria Vizin, mezzo Andreas Schager, tenor Brett Polegato, baritone Opera Canada Symphony & Chorus / Francesco Lanzillotta, conductor Surprise Guest: Roger Honeywell, tenor MC: Rick Phillips December 31st 7 pm Roy Thomson Hall, Toronto Overture to Don Giovanni Champagne Aria / Don Giovanni / Polegato Smanie implacabili /Cosi fan tutte / Vizin Vesti la giubba / Pagliacci / Schager Mad Scene from Lucia di Lammermoor / Ushakova & Chorus Anvil Chorus / Il Trovatore / Chorus Drinking Song / Hamlet / Polegato Che gelida manina / La boheme / Schager Si, mi chiamano Mimi / La boheme / Ushakova O soave fanciulla / La boheme / Ushakova & Schager -Intermission- Bacchanale / Samson et Dalila E strano - sempre libera / La traviata / Ushakova Nessun dorma / Turandot / Schager Chorus of […]
2014-12-21 19:42:00
This Week in Toronto (Dec. 22 - Jan. 4)
[…] and duets augmented by orchestral selections. The selections are quite predictable - it invariably ends with Libiamo, libiamo from La traviata! Start time is 7 pm and everything is finished no later than 9:30 pm, early enough for New Year's Eve festivities. I've heard some wonderful soloists in Bravissimo that we normally wouldn't get to hear in Toronto. This year the quartet of singers is made up of Russian soprano Natalia Ushakova, Hungarian mezzo Viktoria Vizin, German tenor Andreas Schager, and Canadian baritone Brett Polegato. Of the four artists, I've heard in person many times the excellent Canadian of course. And I recall fondly the beautiful voice of Hungarian mezzo Viktoira Vizin, who sang Marchesa Melibea in a wonderful production of Il Viaggio a Reims at the Canadian Opera Company a dozen years ago. The other two I have yet to hear in person. According to her website […]
2013-02-18 18:25:50
[…] Visually, it is all a bit of a mishmash. The set (Helen Goddard) is Werther's studio around turn-of-the-20th century, with a Gaudi-esque growth to one side and a doll's house representing Le Bailli's family home to the other. Charlotte's world is bathed in warm summery hues, Werther's is cold in dour blue-greys, while costumes are a kind of peasant-cum-posh pre-Raphaelite with plenty of masks for good measure.The production is saved by its vocal performances. Viktoria Vizin's Charlotte and Jonathan Boyd's Werther make a pair of powerful, expressive voices, hers darker-hued than his, but still well-matched. Charlotte's emotional unravelling in the final acts is compellingly portrayed by Vizin. Anna Devin's Sophie is sweet and nimble-voiced, and Roland Wood is a warm Albert. Francesco Corti conducts a workable reading from the orchestra.• What have you been to see lately? Tell us about it on Twitter using #GdnReview Rating: 3/5OperaClassical musicScottish OperaKate […]
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