Tilman Lichdi News
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2024-04-25
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2022-01-13 09:24:16
Review: Haydn – Die Schöpfung (The Creation) – Savall
Jordi Savall leads the Concert des Nations and Capella Reial de Catalunya in Haydn's "The Creation," featuring Matthias Winckhler, Tilman Lichdi, and Yeree Suh. The post first appeared on The Classic Review.
2021-03-31 04:00:00
2021 Easter Post (10 Recordings)
[…] Jesu ChristiArs Longa de La Havane, Camerata Vocale Sine Nomine/Teresa PazRecorded July 2004Label: K617 K617161 (Flac & scans) Download ---------- Giovanni Paolo Colonna (1637-1695)Sacre Lamentazioni della Settimana SantaI Musici di Santa Pelagia/Maurizio ForneroRecorded Feb 2015Label: CPO 555 048-2 (Flac & scans) Download ---------- Johann Sebastian Bach (1685-1750)St Matthew Passion (BWV 244)Hannah Morrison (soprano), Sophie Harmsen (contralto), Tilman Lichdi (tenor), Peter Harvey, Christian Immler (bass)Kammerchor Stuttgart, Barockorchester Stuttgart/Frieder BerniusRecorded March 2015Label: Carus 83.286 (Flac & scans) Download ---------- Johann Sebastian Bach (1685-1750)St John Passion (BWV 245)Jan Kobow (tenor) (Evangelist), Stephan MacLeod (bass) (Jesus)Les Voix Baroques, Arion Orchestre Baroque/Alexander WeimannRecorded Nov 2010Label: Atma ACD2 2611 (Flac & scans) Download ---------- Johann Sebastian BACH (1685-1750)Easter Oratorio (BWV […]
2017-10-28 12:40:00
BPO/Koopman - Bach, 27 October 2017
Philharmonie Mass in B minor, BWV 232 Yetzabel Arias Fernandez (soprano) Wiebke Lehmkuhl (contralto) Tilman Lichdi (tenor) Klaus Mertens (bass) RIAS Chamber Choir (chorus master: Justin Doyle) Berlin Philharmonic Orchestra Ton Koopman (conductor) Theodor Adorno: how I wish we could have heard your thoughts on this concert. In his 1951 essay, ‘Bach defended against his devotees’, written in the wake of the commemorations of the bicentenary of Bach’s death, Adorno so sharply characterised the reactionary delusions and disingenuities of musical ‘authenticity’ that one might well have thought that would have been the end of that. Except, of course, that it was not; we had barely reached the end of the overture. Vast swathes of repertoire have been entirely colonised, placed off-bounds to modern orchestras in the maniacal name of an ‘authenticity’ so self-contradictory that a five-year-old could instantly demolish its claims. And yet, so it […]
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