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La Gioconda
Antonio Pappano conducts a high-profile performance from the Salzburg Easter Festival with Anna Netrebko, Jonas Kaufmann,, Tareq Nazmi, Eve-Maud Hubeaux, Luca Salsi, and Agnieszka Rehlis The post appeared first on parterre box.
2022-09-02 11:10:00
Salzburg Festival (6) – Mozart, Die Zauberflöte, 27 August 2022
Grosses FestspielhausImages: SF / Sandra Then Sarastro – Tareq NazmiTamino – David Fischer, Mauro PeterQueen of the Night – Brenda RaePamina – Regula MühlemannThree Ladies – Ilse Eerens, Sophie Rennert, Noa BeinartPapageno – Michael NaglPapagena – Maria NazarovaMonostatos – Peter TantsitsSpeaker, First Priest, Second Armoured Man – Henning von SchulmanSecond Priest, First Armoured Man – Simon BodeGrandfather – Roland KochThree Boys – Stanislas Koromyslov, Yvo Otelli, Raphael Andreas ChiangOld Papagena/Cook – Stefan VituThird Priest – Valérie Junker Lydia Steier (director)Katharina Schlipf (set designs)Ursula Kudrna (costumes)Olaf Freese (lighting)Momme Hinrichs (video)Ina Karr, Maurice Lenhard (dramaturgy)Concert Association of the Vienna State Opera (chorus director: Jörn Hinnerk Andresen)Angelika-Prokopp-Summer Academy of the Vienna Philharmonic (stage music)Vienna Philharmonic OrchestraJoana Mallwitz (conductor)When Lydia Steier first presented her Salzburg Magic Flute in 2018, the world was, as they say, a very different place. The trials of the intervening years have left their mark on this wholesale revision. So, I […]
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Faces of classical music
2019-12-21 03:00:00
The best new classical albums: December 2019
[…] was made on Hewitt's own Fazioli piano, so the personal connection between the artist and a favorite instrument must not be overlooked. Hyperion's sound is immaculate, recorded in the Kulturzentrum Grand Hotel in Dobbiaco, Italy, and the recording is fully audible with credible presence.Source: Blair Sanderson (allmusic.com) Ludwig van Beethoven: Leonore, Op.72a (Opera in 3 Acts, Early version of Fidelio – 1805 version)Marlis Petersen, soprano (Leonore)Maximilian Schmitt, tenor (Florestan)Dimitry Ivashchenko, bass (Rocco)Robin Johannsen, soprano (Marzelline)Johannes Weisser, baritone (Don Pizarro)Tareq Nazmi, bass (Don Fernando)Johannes Chum, tenor (Jaquino)Zürcher Sing-Akademie (Florian Helgath, chorus master)Freiburger BarockorchesterConductor: René JacobsRecorded live at Philharmonie de Paris, on November 7, 2017Released on November 29, 2019 by Harmonia MundiAmid the plethora of recordings anticipating the 250th anniversary of his birth next year, I was starting to feel in danger of Beethoven fatigue before 2020 had even arrived until René Jacobs's enthralling, idiosyncratic account of the composer's only opera in its original 1805 version grabbed me by the […]
2019-09-03 11:22:36
A dazzling carnival erupts onto the stage and we don't want it to stop: Berlioz Benvenuto Cellini at the BBC Proms
Berlioz: Benvenuto Cellini - Duncan Meadows, Monteverdi Choir - BBC Proms (Photo BBC / Chris Christodoulou) Berlioz Benvenuto Cellini; Michael Spyres, Sophia Burgos, Lionel Lhote, Adèle Charvet, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner Reviewed by Robert Hugill on 2 September 2019 Star rating: 5.0 (★★★★★) Berlioz' complex yet engaging opera erupts onto the Royal Albert Hall stage in a carnivalesque manner, but with a thrilling attention to detail Berlioz: Benvenuto Cellini - Michael Spyres, Tareq Nazmi, Adèle Charvet - BBC Proms (Photo BBC / Chris Christodoulou) Berlioz' Benvenuto Cellini is quite rarity on UK stages, Covent Garden last performed it in 1976 and English National Opera performed it for the first time in 2014 (in Terry Gilliam's riotous production), and yet the opera never quite goes away either. Chelsea Opera Group has performed it at least twice, Sir Colin Davis persuaded the […]
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