Stefanie Irányi News
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2020-02-19 12:40:00
Philharmonie Szenen aus Goethes Faust, WoO3 Faust, Pater Seraphicus, Doctor Marianus – Markus Eiche Gretchen, Una Poenitentium, Solo – Christina Gansch Mephistopheles, Böser Geist, Pater Profundus, Solos – Stephan Klemm Ariel, Pater Ecstaticus, Solos – Bernhard Berchtold Sorge, Not, Jüngerer Engel, Magna Peccatrix, Solos – Sophie Klußmann Mangel, Muller Samaritana, Solos – Stefanie Irányi Marthe, Schuld, Penitent, Mater Gloriosa, Maria Aegyptiaca, Solos – Katharina Magiera RIAS Chamber Choir (chorus director: Gregor Meyer) Children’s Choir of the Georg-Friedrich-Händel-Gymnasium, Berlin (chorus directors: Jan Olberg and Vera Zweiniger) Berlin Radio Symphony Orchestra John Storgårds (conductor) Schumann’s Scenes from Goethe’s Faust is a curious work. How would one conceive of it if one did not know Goethe’s ‘original’? Whether we like it or not, such will doubtless be the experience of an increasing number of listeners (relatively speaking, for how many will ever come to it all?) just […]
2020-02-19 12:40:00
Philharmonie Szenen aus Goethes Faust, WoO3 Faust, Pater Seraphicus, Doctor Marianus – Markus Eiche Gretchen, Una Poenitentium, Solo – Christina Gansch Mephistopheles, Böser Geist, Pater Profundus, Solos – Stephan Klemm Ariel, Pater Ecstaticus, Solos – Bernhard Berchtold Sorge, Not, Jüngerer Engel, Magna Peccatrix, Solos – Sophie Klußmann Mangel, Muller Samaritana, Solos – Stefanie Irányi Marthe, Schuld, Penitent, Mater Gloriosa, Maria Aegyptiaca, Solos – Katharina Magiera RIAS Chamber Choir (chorus director: Gregor Meyer) Children’s Choir of the Georg-Friedrich-Händel-Gymnasium, Berlin (chorus directors: Jan Olberg and Vera Zweiniger) Berlin Radio Symphony Orchestra John Storgårds (conductor) Schumann’s Scenes from Goethe’s Faust is a curious work. How would one conceive of it if one did not know Goethe’s ‘original’? Whether we like it or not, such will doubtless be the experience of an increasing number of listeners (relatively speaking, for how many will ever come to it all?) just […]
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Faces of classical music
2018-12-26 19:24:00
Johann Sebastian Bach: Christmas Oratorio, BWV 248 (Cantatas I, II, III and VI) – Anna Lucia Richter, Stefanie Irányi, Maximilian Schmitt, Roderick Williams, RIAS-Kammerchor, Freiburger Barockorchester, Hans-Christoph Rademann (HD 1080p)
Under the baton of the German choral conductor Hans-Christoph Rademann, the RIAS-Kammerchor, the Freiburger Barockorchester, and the soloists Anna Lucia Richter (soprano), Stefanie Irányi (mezzo-soprano), Maximilian Schmitt (tenor) and Roderick Williams (baritone) perform Johann Sebastian Bach's Christmas Oratorio / Weihnachtsoratorium, BWV 248. Recorded live on December 17, 2016 at the KKL Luzern, Konzertsaal (Concert Hall in Luzern, Switzerland).✻ From Christmas Day to Epiphany in the 18th century, the town of Leipzig celebrated the birth of Jesus and the events surrounding it not with a single feast day, but with a "season" – six special commemorations occurring between Christmas Day and the Feast of the Epiphany; the birth of Jesus (December 25), the announcement to the shepherds by a host of angels (December 26), the adoration of the baby by the shepherds (December 27), the circumcision and naming of Jesus (New Year's Day), the coming of the Magi from the East to find the child […]
2015-12-21 16:00:51
Gold diggers
Das Rheingold is the outlier among the Ring operas, an ensemble work with a fast-shifting plot, animated dialogue, fewer set pieces and less character development. For those reasons, it may be the hardest to pull off convincingly in a concert performance. A pair of unstaged accounts conducted by Simon Rattle and Jaap van Zweden earlier this year each have a feeling of discovery, featuring orchestras that don’t often perform this music. Rattle and the Bavarian Radio Symphony Orchestra serve up the action on a series of emotional swells vividly captured on BR Klassik while van Zweden and the Hong Kong Philharmonic deliver a more deliberate, idiosyncratic account on Naxos, launching the first Ring project by a Hong Kong or mainland Chinese ensemble. If neither ranks among the very best on record, they in different ways force you to reconsider Wagner’s somewhat underrated Vorabend. Occasionally knocked for his work […]