Růžena Maturová News
singer
- soprano
- Austria-Hungary, Czechoslovakia
- opera singer, singer
Last update
2024-03-29
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2017-01-31 15:01:48
White blossoms scorched by the sun
[…] looked lovelier than she does holding a wedding gown in front of her and smiling at Sergei Larin‘s Prince. In 2002, Fleming’s voice could do anything she wanted it to do. Sometimes this means doing too much (her way with a musical line is full of the Schwarzkopfian “art that displays art”), but only Benacková’s abridged performance is as well sung, among those in this survey. It is worth recalling that the first Rusalka, Ruzena Maturová, was, like Fleming, a Donna Anna and Desdemona. Fleming’s instrument itself evokes warm water, with forceful currents when needed. When Rusalka counters the Goblin, “A plna lásky [And full of love]!” it seems exactly the radiant sound the composer would have wanted. The notated vocal sob within “Rusalku prostovlasou” is perfectly achieved, and the tricky rhythms of Act Two’s well-disguised cabaletta “Ó marno to je [Oh, it’s in vain]” hold no terrors for her. […]
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