Pierre Attaingnant News
French music printer and composer
Commemorations 2024 (Birth: Pierre Attaingnant)
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- composer, publisher, music publisher, businessperson, printer
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2024-04-25
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2023-02-16 00:00:00
Renaissance Music [4 CDs]
Keyboard music of Jan Pieterszoon Sweelinck,William Byrd and Martin PeersonMarco Vitale - virginalOriginal Ruckers [1604]Recorded October 2012Label: Ayros AY-RA01Download 1fichier uptobox zippyOrgan and harpsichord music from Renaissance VeniceToccatas, Ricercars, Canzonas, Intonaziones of Jacques Buus,Adrian Willaert, Annibale Padovano, Andrea Gabrieli,Claudio Merulo, Gioseffo Guami, Giovanni GabrieliRichard Lester - organ, harpsichordCopy Italian Renaissance organ, by TamburiniRecorded September 2014Label: Nimbus Records NI 5931Download 1fichier uptobox zippyPolish 15th-Century Music (ca 1440)From the Krasinski ManuscriptArs cantus / Musica DivinaRecorded September 2005Label: BeArTon CDB034Download 1fichier uptobox zippyPierre Attaingnant (1494-1552)Harpsichord WorksGlen Wilson - harpsichordRecorded May 2018Label: Naxos 8.572999Download 1fichier uptobox zippy
2021-11-25 07:30:29
In the Garden of Polyphony: Israel Golani performs French Renaissance music for lute and guitar on Solaire Records
[…] this did not prevent composers from producing some fine music for the instrument, and it is clear from this disc that guitar repertoire far from being the poor relation. As regards the selection of pieces, Golani looked for pieces with intriguing harmonic progressions, unusual dissonances or other elements that capture the attention. And the disc is made up of the pieces that fascinated him most. At the centre of the disc are two figures Pierre Attaingnant (c1494-1552) and Pierre Phalese (c1510-1573). Attaingnant had a music printing monopoly in Paris and his first book of lute music took an innovative approach to the technical challenges of printing the music with moveable type, and his innovations meant that he could produce the product with single impression printing. A new font was developed in the 1550s by Robert Granjon and it is clear that French printing of lute music was a high class […]
2020-07-27 23:00:00
Airs de Cour des XVI, XVII et XVIII siècles - Jean-Paul Fouchécourt
Works by Attaingnant, Moulinié, Le Camus, Richard, Bataille, Brassens, Lambert, du Buisson, Chabanceau de la Barre, F CouperinJean-Paul Fouchécourt, haute-contre/tenorOlivier Baumont, clavecin (d'après Rucker/Taskin; M Ducomet, Paris 1999), orgue (JL van den Heuvel, Holland)Eric Bellocq luth (10 choeurs, M Ottiger), guitare baroque (C Besnaïnou), theorbe (M Durvie)Simon Heyerick & Nicolas Mazzoleni, violonsChristine Plubeau, viole da gambeRec January 2000, Studio 106 Maison de la Radio, ParisGlissando 779 013-2 (2000) out of printXLD rip flac, cue, front & back covers, tracklist309.8 MBlinks:1fichier https://1fichier.com/?1qqnx390cbp78qk9qfezWeTransfer (for 7 days) https://we.tl/t-8algM6lLtBTracklist01 Pierre Attaingnant Tant que vivrai, air de cour 02 Etienne Moulinié Paisible et ténébreuse nuit03 Sébastien Le Camus Quand l'amour veut finir04 François Richard Ruisseau qui cours apres toy-mesme05 Etienne Moulinié Puisque Doris06 Anonyme Ma belle si ton ame07 Gabriel Bataille Ma bergère non légère08 Etienne Moulinié Amis enivrons nous09 Gabriel Bataille Un satire cornu10 Georges Brassens Marquise11 Michel Lambert Ma Bergere12 Michel Lambert par mes […]
2018-05-05 23:00:00
Airs de Cour
Airs de CourBarbara Hollinshead, mezzo-sopranoHoward Bass, LutePublished 2012FLAC image, log, cuesheet, scansBetween the early 16th and the middle of the 17th century, as the lute reached its zenith as a solo and accompanying instrument throughout Europe, Pierre Attaingnant, Adrian LeRoy, and the Ballard family dominated the business of printing music in France. The chansons and airs de cour they published—and, in many cases, composed—combined exquisite poetry with both polyphonic and homophonic lute accompaniments, yielding some of the most affecting and artful expressions of love ever composed. Psalm settings, such as those by LeRoy, are more rare, but no less direct or powerful. While dance music predominated in solo lute repertoire, song settings, fantasies, and preludes provided lutenists with ample opportunities for personal expression. For song texts, translations, artist biographies and additional information, visit: www.hollinsheadbass.com
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