Peter Mikuláš News
Slovak bass singer
Anniversaries 1954 Anniversaries (Birth: Peter Mikuláš)
- bass
- opera singer, voice teacher, university teacher
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2024-03-28
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2023-11-24 00:00:00
Bruckner, Pettersson, Prokofiev, Rawsthorne, Suk: Mainly Orchestral Works (Handley, Lloyd-Jones, Nelsons, Pešek et al)
Josef Suk:1.01 - 1.08 Zrání 'Ripening'. Symphonic Poem, op.34 [41'21]1.09 Praga. Symphonic Poem op.26 [25'22]2.01 - 2.08 Epilogue for soprano, baritone, bass, chorus and orchestra, op.37 * [40'38]2.09 - 2.12 Pohádka 'Fairy Tale', op.16 [29'24]Luba Orgonasova- soprano, Ivan Kusnjer- baritone, Peter Mikulas- bass, Royal Liverpool Philharnonic Choir *; Royal Liverpool Philharmonic Orchestra conducted by Libor PešekErato 5099991257659 [recorded August 1992 and June 1997 for Virgin Classics; this reissue 2013][digital downloads; flacs, cover and inlay scans with booklets for the original Virgin Classics releases sourced from internet]Recording venue: Philharmonic Hall, Liverpool, UKRecording engineer: Mike Clements; Producer: John H. WestAlan Rawsthorne:01 Street Corner Overture (1944) [5'36]02 - 05 Madame Chrysanthème. Ballet Suite (1957) [8'25]06 - 12 Practical Cats. An Entertainment for Speaker and Orchestra (1954) * [22'48]13 Theme, Variations & Finale (1967) [15'13]14 - 15 Medieval Diptych for Baritone and Orchestra (1962) ^ [14'09]16 Coronation Overture (1953) [5'33]Simon Callow- speaker *; Jeremy Huw Williams- […]
2018-08-02 19:52:00
Munich Opera Festival (3) - From the House of the Dead, 30 July 2018
Nationaltheater Images: Wilfried Hösl Alexandr Petrovič Gorjančikov – Peter MikulášAljeja – Evgeniya SotnikovaLuka Kuzmič (Filka Morozov) – Aleš BrisceinSkuratov – Charles WorkmanŠiškov – Bo SkovhusBig Prisoner, Prisoner with the Eagle – Manuel GüntherLittle Prisoner, Bitter Prisoner – Tim KuypersGovernor – Christian RiegerOld Prisoner – Ulrich ReßČekunov – Johannes KammlerDrunk Prisoner – Galeano SalasCook – Boris PrýglSmith – Alexander MilevPope – Peter LobertProstitute – Niamh O’SullivanDon Juan (Brahmin) – Callum ThorpeKedrill, Young Prisoner – Matthew GrillsŠapkin, Happy Prisoner – Kevin ConnersČerevin, Voice from the Kirghizian Steppes – Dean PowerGuard – Long LongFrank Castorf (director) Aleksandar Denić (set designs)Adriana Braga Peretski (costumes)Rainer Casper (lighting)Andreas Deinert (video, live camera)Stefanie Katja Nirschl (live camera)Jens Crull (video, live editing)Miron Hakenbeck (dramaturgy)Martha Münder (revival director)Bavarian State Opera Chorus (chorus master: Sören Eckhoff) Bavarian State OrchestraSimone Young (conductor) Frank Castorf might have been born to direct From the […]
2017-08-22 01:00:00
Antonin Dvorak (1841-1904) DIMITRIJ (1882) Prague Radio Chorus Czech Philharmonic Chorus and Orchestra dir: Gerd Albrecht Supraphon 11 1259-2 Stereo, [P] 1990 Currently out-of-print FLAC, cuesheets, logs, scans, booklet Leo Marian Vodička (tenor) Dmitrij Ivanovich Drahomíra Drobková (soprano) Marfa Ivanovna Magdaléna Hajóssyóvá (soprano) Marina Mnishkova Lívia Ághová (soprano) Xenia Borisovna Peter Míkulaš (bass) Pyotr Fyodorovich Basmanov Ivan Kusjner (baritone) Shuisky Ludĕk Vele (bass) Iov, the patriarch of Moscow Zdenĕk Harvánek, Neborsky, member of the Polish company Pavel Haderer, Buchinsky, member of the Polish company Recorded Dvořák Hall of the House of Artists, Prague on February 6th-14th, 1989 DDD Review from ClassicsToday.com, by Robert Levine Picking up where Boris Godunov leaves off, this opera's center is the false Dimitri who, certain of his legitimacy, enters Moscow with his Polish army and Marina […]
2017-04-12 14:47:16
A “Juive’ for the 21st century
[…] to let his daughter die rather than yield her to his enemies by revealing her identity. This cabaletta, which Neil Shicoff omitted at the Met but Roberto Alagna has been restoring in his performances, was sung with the proper passion, but again Lehotsky let his desperation push him out of more elegant way of singing it. Juhan Tralla sang an athletic but not terribly sensuous Léopold, and omitted the lovely serenade addressed to Rachel. Peter Mikuláš sang Cardinal de Brogni with the proper resonance and spiritual authority, though unable to reach the low E (is it an E?) called for by “Si la rigueur.” His prison confrontations with father and daughter (in which the actual relationships are painfully clear, to us and in the score, though he remains in ignorance) were very intense. Pavol Remenár sang Ruggiero with a gravelly bass but gave a delightfully physical performance–people were always knocking […]
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