Ottaviano Petrucci News
Italian printer
- Republic of Venice
- inventor, music publisher, businessperson, typographer
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2024-04-25
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2018-09-06 00:28:05
Source: Category:Young, Sabrina Pena – IMSLP/Petrucci Music Library: Free Public Domain Sheet
2017-08-13 01:30:00
[…] Lute. Free Transcription for Orchestra Boston Symphony Orchestra Seiji Ozawa Deutsche Grammophon 419 886-2 (1988). Recorded 1979 [flac, cue, log, scans] Ottorino Respighi Pini di Roma Fontane di Roma Feste romane Oslo Philharmonic Orchestra Mariss Jansons EMI 7243 5 55600 2 5 (1996) [flac, cue, log, scans] Bruno Maderna (1920-1973) "Antichi Maestri. Trascrizioni per orchestra" G. Gabrieli: Canzone a tre cori Due Suites da "Odhecaton", Ottaviano Petrucci 1501 G. Legrenzi: La Basadonna G. Frescobaldi: Tre pezzi per orchestra da camera L. Grossi da Viadana: Le sinfonie G.B. Pergolesi (U.W. van Wassenaer): Palestrina-Konzert Orchestra della Svizzera Italiana Renato Rivolta Amadeus AM 255-2 (2011) [flac, cue, log, scans] Luigi Dallapiccola (1904-1975) Tre Poemi Cinque frammenti di Saffo Due liriche di Anacreonte Sex carmina Alcei Quattro liriche di Antonio Machado Luisa Castellani soprano, Natalia Zagorinskaja soprano Ensemble Contrechamps, Giorgio Bernasconi […]
2017-01-21 13:12:53
[…] the Heartz study, and these have been part of the repertoire of lute pieces I play for more than 20 years now. One of the treasures I brought home with me from my trip to attend The Lute Society of America Summer Seminar West in 1996 was a facsimile of Introduction printed in 1988 by Editions Minkoff in Geneva. Two facsimiles and a compact disc (clockwise from bottom left): Attaingnant’s Tres breve introduction (1529); Petrucci’s Libro Primo of frottole and ricercare by Bossinensis (1509) ; Hopkinson Smith’s Attaingnant: Preludes, Chansons, and Danses (2001/2002) ~ click to enlarge It’s about the size of the palm of my hand. By today’s standards, it’s a very small book: smaller than a mass market paperback and measuring just 15 x 10 cm (about 6 x 4 inches). My facsimile copy might actually be the smallest book I own. The reduced […]
2017-01-13 16:28:07
[…] in 1538, where presumably he encountered his countryman and fellow lutenist Francesco. The High Costs of Early Music Printing The printing press was pioneered in Europe by the Germans beginning with Gutenberg in the late 1430s. By 1500 there were some million books in print throughout Europe, although printed music – which required a considerable complexity of execution beyond printed text alone – did not begin to appear until 1501 with the editions of Ottaviano Petrucci in Venice . Petrucci’s music prints – treasured by collectors throughout Europe for their great beauty and clarity – set a standard of magnificence that was rarely if ever matched by the work of other music printers in the century to follow. Adieu mes amours (Josquin) from Harmonice Musices Odhecaton, Petrucci, 1501, Venice (click to enlarge) But Petrucci’s editions were notoriously expensive. To produce his superlative music books, Petrucci used a triple […]
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