Mauricio Sotelo News
Spanish composer
- opera
- Spain
- conductor, composer
Last update
2024-03-29
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2017-08-02 03:07:00
[…] likeable and flows with fine classic technique, though nothing is memorable. The best singers were the experienced Walter Schwarz (Artemidoro) and Luciano Miotto (Trofonio), but the two couples did well: Victoria Gaeta (soprano) and Trinidad Goyeneche (mezzo), Agustín Gómez (tenor) and Mariano Fernández Bustinza (baritone). Twenty players were nicely coordinated by Martín Sotelo. The director Diego Cosín does, in his own words, a cocktail of situations of Old Greece, the XVIIIth century and our time; in his own terms it was well done, with adequate stage design by Gastón Joubert, costumes by Isabel Gual and lighting by Rubén Conde, plus projections by Natalio Ríos. "La scala di seta" […]
2016-08-03 22:39:00
[…] "Ferdinand´s comfort" is sung by baritone and soprano. Finally, "Prospero´s vision" (baritone) gives us the most powerful character of the play in meaningful musical phrases. Graciela Oddone was in splendid voice and showed strong dramatic sense. Sebastián Angulegui sang firmly and gave relief to his three impersonations. The players, led clearly by Martín Sotelo, were a good group capable of subtlety. And now to Henze, the most important German opera composer after WWII. He lived between 1926 and 2012 and his variegated production included many operas. Shamefully the Colón has never staged any of them in the big hall, though the CETC presented "El Cimarrón", a short chamber opera […]
2016-06-07 04:34:00
Flamenco is as central to the musical DNA of Latino culture as the blues or jazz is to the U.S. It takes center stage in Mauricio Sotelo's "Red Inner Light Sculpture," for which violinist . Kopatchinskaja also features in the Concerto for Strings by Alberto Ginastera, marking the Argentine composer's birth centenary.
2015-06-13 23:34:00
[…] as he did recently in "Werther". And if the mariner didn´t want to be recognized he should have worn a beard (that of course is a producer´s decision). Lombardero´s team was completed with Noelia González Svoboda (stage desiggn), Luciana Gutman (costumes) and Horacio Efron (lighting). The players were very good and the young conductor, Martín Sotelo, gave a good impression. For Buenos Aires Herald
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